A group of heavily armed hijackers board a luxury ocean liner in the South Pacific Ocean to loot it, only to do battle with a series of large-sized, tentacled, man-eating sea creatures who have taken over the ship first.
A researcher at Chicago's Natural History Museum returns from South America with some crates containing his findings. When the crates arrive at the museum without the owner there appears to be very little inside. However, police discover gruesome murders on the cargo ship that brought the crates to the US and then another murder in the museum itself. Investigating the murders is Lt. Vincent D'Agosta who enlists the help of Dr. Margo Green at the museum - she has taken an interest in the contents of her colleague's crates. Unknown to both there is a large creature roaming the museum which is gearing itself up for a benefit reception which the city's mayor is to attend. Written by
The two sniffer dogs used to track down the creature in the sewer system are named "Castor" and "Pollux" after the Dioscuri from Roman/Greek mythology. See more »
Dr. Whitney's crates containing the rare leaves are being shipped from Brazil, and the ship on which the kothoga journeys is "registered out of Brazil." Yet in the scene where Dr. Whitney races to try to keep the crates from shipping out, the captain and the dockworkers and crew are speaking Spanish rather than Portuguese. See more »
[Dr. Whitney sits around the fire with the Zenzera tribe, who then hand Dr. Whitney a drink from the boiling pot over the fire]
[Dr. Whitney takes a drink before coughing, when one of the tribe members crawls towards him wearing some sort of beastly outfit]
Oh, my God! The Kothoga.
[Dr. Whitney moans in fear, then begins uncontrollably screaming when the tribe member crawls up to him and hisses]
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Plausible behavior makes this an attractive sci fi
Overall I liked this movie until I read half the reviews--done before, simplistic, not realistic, etc. It is not a GREAT sci fi movie, but it is not as ridiculous as most of the genre. Best feature is that none of the major characters behave idiotically to further the plot. One never feels compelled to yell "Turn around, stupid!" or "No. Don't go into the basement alone!" or "Please turn on the lights!" or (to the heroine) "Don't you remember it's invulnerable to bullets?" The heroine is afraid throughout the movie (shouldn't she be?), but is she irrational at any time? The curmudgeonly, wheelchair-bound senior researcher is trapped on an upper floor, but does he emerge at the end from his place of hiding behind the computer console? The detective is disbelieving at first, but does he obstruct and endanger in the end? The science may be unbelievable (it's like finding a mummy curse) and that prevents this from being a great sci fi, but the behavior of the characters seems authentic (researchers who know their environment) and that is this movie's major strength.
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