Based on Pat Barker's novel of the same name, 'Regeneration' tells the story of soldiers of World War One sent to an asylum for emotional troubles. Two of the soldiers meeting there are ... See full summary »
When the kinetic Rory moves into his room in the Carrigmore Residential Home for the Disabled, his effect on the home is immediate. Most telling is his friendship with Michael, a young man with cerebral palsy and nearly unintelligible speech. Somehow, Rory understands Michael, and encourages him to experience life outside the confines of home.
ReGENERATION explores the inherent cynicism found in many of today's youth and young adults, and the influences that perpetuate our culture's apathetic approach to social and political ... See full summary »
A troubled veteran of World War I named Joe Delaney struggles to write a history of the Marine company in which he served. In the nightmare of war, each man is defined by a singular moment ... See full summary »
Mary Surratt is the lone female charged as a co-conspirator in the assassination trial of Abraham Lincoln. As the whole nation turns against her, she is forced to rely on her reluctant lawyer to uncover the truth and save her life.
The skilled pilot Denis Hopkins lives with his pregnant wife Valerie and has a comfortable lifestyle. When the gang of criminals headed by the sadistic Ricky Barnes breaks in his seaside ... See full summary »
Based on Pat Barker's novel of the same name, 'Regeneration' tells the story of soldiers of World War One sent to an asylum for emotional troubles. Two of the soldiers meeting there are Wilfred Owen and Siegfried Sassoon, two of England's most important WW1 poets. Written by
Daniel Roy <firstname.lastname@example.org>
When a film is made of a classic book like this one, it has to satisfy two sets of viewers - those who have read the book and want to see it faithfully rendered on screen, and those who want to see an entertaining film. It is seldom easy to do both, but this film makes a valiant attempt. It is true to the original in spirit, and makes use of Pat Barker's excellent dialogues and one-to-one scenes. Criticisms of it as "talky" are difficult to justify, because to include lengthy action sequences that play no part in the book would clearly alter the nature of the story.
My main criticism would be that the Rivers character comes across as lacking in professionalism rather than simply sensitive to his patients. The scene where he quarrels openly with Sassoon in the dining room is not only unlikely but untrue to the book. The Prior sub-plot is also grossly simplified and his affair with the munitionette is made to appear more innocent than it is. This is inevitable in a dramatisation, and the oblique references to the future development of the character are probably a mistake, as they will mean nothing to those who have not read the book.
I particularly like the musical score, which adds to the atmosphere without distracting the viewer.
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