A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
When the daughter of a psychiatrist is kidnapped, he's horrified to discover that the abductors' demand is that he break through to a post traumatic stress disorder suffering young woman who knows a secret...
Jack Moore is an American attorney having talks in Bejing about founding the first satellite TV joint venture. Suddenly he is arrested, accused of murder and has to prove it was a frame-up together with his court-appointed attorney Shen Yuelin. Written by
In order to heighten the film's reality, director Jon Avnet, actress Bai Ling, and co-producer Martin Huberty traveled to Beijing for a week of "guerilla" shooting (without the knowledge or permission of the Chinese government!) to capture the first-ever 35mm film of the city to appear in a Hollywood film. See more »
The closing scene of a Chinese airport reveals an American West 737. American West does not fly to China. See more »
When I was a child I would come to this park and play, and my grandmother would tell me why the bamboo was here. She said, it is waiting for the wind to touch it. It is filled with emotion. Listen to the sound, and you can feel that.
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The opening title is first displayed in Chinese "letters" (called hanzi) which then change into English. See more »
Rambling drama about a US salesman arrested for a murder he did not commit, Red Corner has actual footage of Beijing convincingly mixed with the main shooting which gives the impression that the movie was actually made in China - and presumably with the approval of the Chinese authorities. Unfortunately, this is not really true, and the main Chinese lead - Ling Bai, whose name means 'white light' or 'white spirit' - was at Tiananmen in 1989 and emigrated to the US shortly thereafter. I've met students who lived in China at the time who absolutely refuse to discuss the situation back home; that Ling Bai does is testimony to her 'white spirit', and she really does steal the show from Gere here, in a kind of reverse Casablanca 'hill of beans' role. Whether the depiction of conditions in the Chinese judicial system is accurate or not, the movie does succeed in making the viewer understand that there are two views to almost anything, and that in China, as anywhere, power corrupts. Stacking the deck against consular officials is a nice touch, for these people are truly the cowards and turncoats the movie makes them out to be. The plot swerves from the inexplicable to the Orwellian to a love story (which does, it is true, sort of come out of nowhere), but the final scene on the tarmac does much to salvage that. Maybe Gere wanted to make the Chinese look bad, but they certainly don't need his help. Based on an incident that happened not in China but in Italy, Red Corner is viewable without ever coming close to being a great film. Its one claim to greatness is Ling Bai - she's absolutely fabulous.
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