A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
When the daughter of a psychiatrist is kidnapped, he's horrified to discover that the abductors' demand is that he break through to a post traumatic stress disorder suffering young woman who knows a secret...
Jack Moore is an American attorney having talks in Bejing about founding the first satellite TV joint venture. Suddenly he is arrested, accused of murder and has to prove it was a frame-up together with his court-appointed attorney Shen Yuelin. Written by
Most of the film's exterior scenes were shot on a seven-acre reproduction of a Beijing neighborhood constructed near the Los Angeles International Airport. The set was decorated with 300 bicycles, 15 cars, and thousands of miscellaneous props (from stoves to manhole covers) actually imported from China. See more »
At the very beginning of the film, the little girl looks up at the sky and blocks out the sun with her hand. But it is totally obvious that she is blocking out nothing, for there is no shadow of her hand across her eyes. See more »
When I was a child I would come to this park and play, and my grandmother would tell me why the bamboo was here. She said, it is waiting for the wind to touch it. It is filled with emotion. Listen to the sound, and you can feel that.
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The opening title is first displayed in Chinese "letters" (called hanzi) which then change into English. See more »
For about a dozen years, it was hard to find too many films Richard Gere made which weren't interesting and well-made. This was no exception. Once again, he "delivers the goods" and is involved in an interesting story.
Gere, a follower, I believe, of the Dalai Lama whom the Communists forced out of Tibet, uses this film to get his shots in at his mentor's enemy. Anyone who thinks this is just a coincidence is pretty naive. Nonetheless, the facts support the film's stark, brutal portrayal of Communist China's leadership. At the very least, it shows a regime unwilling to hear both sides of a story. (Hollywood has often given the same treatment to the U.S. government, showing it more often in a corrupt light, which is ludicrous compared to restrictive Communist China.)
Anyway, Gere really dominates this film, being in almost every scene. This is your basic frame-up-then-prove-your-innocence-in-court story. It keeps your attention throughout although I thought the ending was a bit confusing because things happened almost too fast for the viewer to take in. At two hours, the film could have been trimmed a tad but the lulls in here were not much.
Overall, an underrated film and unjustly criticized by the national critics, most of whom don't like it when communism is bashed.
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