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An American attorney on business in China, ends up wrongfully on trial for murder and his only key to innocence is a female defense lawyer from the country.



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Cast overview, first billed only:
Peter Donat ...
David McAndrews
Ed Pratt
Chairman Xu
Lin Shou
Li Cheng
Ulrich Matschoss ...
Gerhardt Hoffman
Richard Venture ...
Ambassador Reed
Jessey Meng ...
Huan Minglu
Chi Yu Li ...
General Hong
Henry O ...
Procurator General Yang


Jack Moore is an American attorney having talks in Bejing about founding the first satellite TV joint venture. Suddenly he is arrested, accused of murder and has to prove it was a frame-up together with his court-appointed attorney Shen Yuelin. Written by Anonymous

Plot Summary | Add Synopsis

Plot Keywords:

china | murder | law | frame up | framed | See All (35) »


....severity for those who resist. See more »


Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for some violence and a scene of sexuality | See all certifications »

Parents Guide:



Official Sites:




Release Date:

31 October 1997 (USA)  »

Also Known As:

Justiça Vermelha  »

Filming Locations:


Box Office


$48,000,000 (estimated)

Opening Weekend:

$7,403,362 (USA) (31 October 1997)


$22,415,440 (USA) (23 January 1998)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

| |


Aspect Ratio:

1.85 : 1
See  »

Did You Know?


In order to heighten the film's reality, director Jon Avnet, actress Bai Ling, and co-producer Martin Huberty traveled to Beijing for a week of "guerilla" shooting (without the knowledge or permission of the Chinese government!) to capture the first-ever 35mm film of the city to appear in a Hollywood film. See more »


The closing scene of a Chinese airport reveals an American West 737. American West does not fly to China. See more »


[first lines]
Shen Yuelin: When I was a child I would come to this park and play, and my grandmother would tell me why the bamboo was here. She said, it is waiting for the wind to touch it. It is filled with emotion. Listen to the sound, and you can feel that.
See more »

Crazy Credits

The opening title is first displayed in Chinese "letters" (called hanzi) which then change into English. See more »


I want To Hold Your Hand
Written by John Lennon and Paul McCartney
See more »

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User Reviews

Boxer Rebellion in Madison Square Gardens?
26 April 2004 | by (United Kingdom) – See all my reviews

Essentially what we are shown here is not the classical American court drama. When our 'Mr. Deeds' goes to town, the town is Beijing, and his case becomes a show-trial in the cockpit of a new Chinese revolution that is taking place between the old-guard Maoists and the modernisers.

Richard Gere's American is an alienated, rootless 'Rick' caught in the cultural cross-fire between two power blocs. It is his enforced engagement with the reality of another world-view and the struggle of an intelligent Chinese woman to redeem the revolutionary excesses of her culture that lead directly to the Casablanca-esque ending, where love is sublimated beyond the personal to an ideal understanding and identification - 'You have a family here' - with the historical plight of a people.

This explains Richard Gere's unusually selfless performance, where he has had the taste and intelligence to let the women, particularly his Chinese defence lawyer, dominate every situation and every scene. Indeed, this feminist tendency in the film is also reflected in the consistently hostile view taken of the militaristic structure of Chinese state power as so much authoritarian posturing. As symbol of a new China the young woman lawyer is most effective: The ancient Greeks also saw the spirit of unbiased law as female, and Shakespeare's Portia is another such paradigm. And the actress portraying her illuminates the screen with her passionate intellectual intensity.

There is an effective parallelism to the revolutionary acts which destroyed the young lawyer's father during the time of the Cultural Revolution, leaving her with crippling and unresolved guilt, and the barrel of a gun in the hands of the murdered girl's father which alone can resolve the historical tensions at work in the courtroom, and reverse all the political lies in a new revolutionary act, additionally realising the great potential of a young China, by freeing that stirring Chinese conscience from its historical contradictions.

So this is an intelligent political thriller, although those of a more Costas-Gavrian or Godardian intellectual purity do seem to resent seeing a crisis of the Left viewed even from a very disengaged American viewpoint, disliking the humanist American strain of populist appeal in a political context, and resenting the smooth professionalism of the presentation as a mere circus. Even stranger are the objectors to Gere's Buddhism, who seemingly take fright at the intrusion of other perspectives into their own blinkered focus! In any case, Buddhism seems clearly not to be an issue to the scriptwriter.

This film in no way presents itself as the last word on its subject - but it is an intelligent and engaging movie, which, far from slandering the Chinese in the manner some vintage Korean-War tub-thumper about the 'Yellow Peril', goes out of its way not to identify the Chinese people with their masters. Curiously, this is exactly what the film's detractors do!

There is a sly reference to the Boxer Rebellion that began China's long road to modernisation, in the person of the trusty who was sent to beat up or even kill the American, but who comes to see that the real foreign devils in this instance are the corrupted Chinese officials who have sold out to the worst foreign traits of cynicism and greed by doing back-door deals with an unscrupulous Western communications company, and who finally confesses his error with true selfless revolutionary earnestness.

The fact that this Boxer Rebellion is played out in the blockbuster film equivalent of Madison Square Gardens, and is mightily entertaining throughout, has led many critics to assume that all they have been presented with is a superficial entertainment unworthy of such a serious subject. Actually, the film is fully engaged with the tragedy and passion of the Chinese people as they try to work out their destiny, and the proof of this is that, to any unbiased observer, the film leaves one with a new respect for the Chinese people, caught up in the complexities of their own history, and struggling for a better life. There is nothing patronising; there is emphatically no United States Cavalry riding to the rescue.

And I should have thought the contempt shown throughout towards official American diplomacy and state policy would have appealed to the most anti-American leftist. But are the critics just taking fashionable left jabs at their own right-wing bogies? - and I do mean Humphrey! Let us leave these obsessives to their futile shadow-boxing, forever engaged with an opponent entirely constructed from the straw which evidently bulks out their own brain-pans.

10 of 17 people found this review helpful.  Was this review helpful to you?

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