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Having always wanted to be a disc-jockey, Howard Stern works his way painfully from radio at his 1970's college to a Detroit station. It is with a move to Washington that he hits on an outrageous off-the-wall style that catches audience attention. Despite his on-air blue talk, at home he is a loving husband. He needs all the support he can get when he joins NBC in New York and comes up against a very different vision of radio. Written by
Jeremy Perkins <email@example.com>
When Howard and Allison pull into the gas station and he discusses the fact that he often holds back what he is really thinking while on the air, you can clearly see the car's rear-view mirror folded upwards and out of the way in order to avoid blocking the faces during the conversation. See more »
[after Howard called up Pig-Vomit's wife]
You're the anti-Christ. You know that, Stern?
You are the mother-fucking anti-Christ!
See more »
Kenny talks about his life after Howard, which eventually becomes a rant about how horrible Howard is. See more »
This gem of a flick is the great Rockyesque story of shock jock Howard Stern's rise to fame and infamy. I was thinking this film was gonna really suck going by a lot of the movie previews prior to its release, but I was sorely and happily mistaken.
The film is perfectly structured, perfectly written, and it's absolute travesty that Howard wasn't nominated for an Oscar for best actor! Here's what the Oscar nominees shoulda been for this film: Howard Stern for Best Actor, Best Director, and Best Adapted Screenplay.
Private Parts also manages to take a fresh approach on the old "woman having a noisy orgasm" comedy scene. Yes, this flick is one of the few cases where the movie is actually better than the book. Over, out, and all that jazz.
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