Having always wanted to be a disc-jockey, Howard Stern works his way painfully from radio at his 1970's college to a Detroit station. It is with a move to Washington that he hits on an outrageous off-the-wall style that catches audience attention. Despite his on-air blue talk, at home he is a loving husband. He needs all the support he can get when he joins NBC in New York and comes up against a very different vision of radio. Written by
Jeremy Perkins <email@example.com>
When Howard arrives at WCCC, he is standing at the studio door as Fred finishes his program. To the left of the door, there is an "on air" light that is initially off, even though Fred is broadcasting. In the next shot, when Howard enters the studio, the "on air" light is on, and is then turned off. See more »
Howard (as MamaLookaboobooday):
"Kill Kill Kill the White Man" by Eugene Mamalookaboobooday. Eugene is my pen name 'cause I wrote this while I was in the Pen.
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Kenny talks about his life after Howard, which eventually becomes a rant about how horrible Howard is. See more »
Private Parts went way beyond the call of duty. I went expecting only solid laughs. That is all I really was asking for. It delievered on all fronts: writing, directing, and acting were all top notch. It left me dumbstruck that a movie with such lowbrow humor could hand out a solid emotionally driven story at the same time. I feel this has much to do with the mix of Howard Stern's raunchy humor combined with Betty Thomas' female touch. A terrfic film.
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