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Prince Valiant (1997)

In a time now lost in the mists of memory, the great King Arthur rules in the legendary citadel that is Camelot. His Knights of the Round Table commit acts of derring-do and spend their ... See full summary »

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(comic strip) (as Harold R. Foster), (story) | 3 more credits »
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Cast

Cast overview, first billed only:
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Pechet
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King Thane
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Erik the Old
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Hamish Campbell-Robertson ...
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Tiny
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Storyline

In a time now lost in the mists of memory, the great King Arthur rules in the legendary citadel that is Camelot. His Knights of the Round Table commit acts of derring-do and spend their spare time jousting, much to the delight of the local citizens and especially to Princess Ilene, a guest at Camelot. Watching her from afar is a young, inexperienced squire called Valiant, and when the young Welsh princess is sent home to marry Prince Arn, Valiant contrives to accompany her masquerading as Sir Gawain. Meanwhile, the evil sorceress Morgan le Fey, sister to King Arthur, has convinced the tyrannical Sligon, ruler of the Viking kingdom of Thule, that he should steal Arthur's sword, the powerful and magical Excalibur, knowing that its loss could bring about Arthur's downfall. So into the fray comes Sligon's unstable and psychotic brother Thagnar, who manages to steal the sword. Pandemonium reigns. But Valiant is having problems of his own - kidnappers attempt to steal away the Princess, and... Written by Helen Chavez

Plot Summary | Add Synopsis

Taglines:

He who holds the sword, rules the world.


Motion Picture Rating (MPAA)

Rated PG-13 for medieval action violence | See all certifications »

Parents Guide:

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Details

Country:

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Language:

Release Date:

24 July 1997 (Germany)  »

Also Known As:

El príncipe Valiente  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

This was Walter Gotell's final film before his death on May 5, 1997 at the age of 73. See more »

Goofs

As Valiant approaches Ilene's dead body he throws the sword. The sword was supposed to be facing away from Ilene. Instead in the next shot it was pointing towards her. See more »

Quotes

Princess Ilene: I demand to see your king.
Thagnar: Harem.
Prince Gawain: What? You can't do that she's a princess.
Princess Ilene: Who the hell is harem?
[she's thrown into a room full of other woman]
Woman #1: [giggles] I wonder if she's a wirgin.
Princess Ilene: Of course I'm a virgin. I'm Princess Ilene of Brenwyn.
Woman #2: We all had kingdoms once. Now we are all queens for a night.
[Ilene looks around scared]
Monday: I am Monday.
[...]
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Soundtracks

What We Are Waiting For
Performed by Alannah Myles and Zucchero
Written by Phil Roy, Simon Wilson, Siobhan Maher
Published by Sony Tunes Inc./Philster Music ASCAP,
Bugle Songs Ltd. PRS, BMG Music Publishing PRS
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User Reviews

 
Worst special effects and stunts of the late 1990s?
24 January 2003 | by (Farragut, Tennessee) – See all my reviews

Beautiful sets, great costumes and makeup.

Run of the mill script. Mediocre acting.

Bad special effects and stunts,and bad film-editing.

The special effects were truly terrible. Just stop-the-movie awful. Alligators that don't move and clearly are not alive. One alligator, clad in plate mail (huh?), shoots vertically out of the water into the air and descends down onto the stonework beside the water, where it doesn't move -while characters run about, pretending to be fearful of the clearly-lifeless, unmoving armor-clad alligator.

And lots of characters swinging Tarzan-like on ropes, slamming feet first into the villains. Except the actors are clearly hanging on ropes being moved by an overhead crane. And the ropes move slowly, as if there was great concern on the set about hurting the actors. In these scenes the villain conveniently stands in one spot until the slow-swinging good guy finally collides with him. This isn't a one-time screw-up; the slow-swinging Tarzan-bit happens over and over again.

The film editing is bad enough that it makes it hard to follow the story at spots. And the stunts and special effects kept blowing up the suspension of disbelief.

There is plenty of no-brainer action, though, and high production values on the sets and costumes. This could have been fun if it was better made.


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