6.7/10
24,975
155 user 124 critic

Primary Colors (1998)

R | | Comedy, Drama | 20 March 1998 (USA)
A man joins the political campaign of a smooth-operator candidate for president of the USA.

Director:

Writers:

(novel) (as Anonymous), (screenplay)

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Nominated for 2 Oscars. Another 10 wins & 29 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Mamma Stanton
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Rebecca Walker ...
March
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Lucille Kaufman
Tommy Hollis ...
William McCullison (Fat Willie)
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Arlen Sporken
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Uncle Charlie
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Storyline

Jack Stanton is running for president. The election is seen through the eyes of young Henry Burton. Along the way Stanton must deal with a sex scandal. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

He was born to run. See more »

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for strong language and sexual references | See all certifications »

Parents Guide:

 »
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Details

Country:

| | | |

Language:

Release Date:

20 March 1998 (USA)  »

Also Known As:

Mit aller Macht  »

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Box Office

Budget:

$65,000,000 (estimated)

Opening Weekend USA:

$12,045,395, 22 March 1998, Wide Release

Gross USA:

$38,966,057, 21 June 1998

Cumulative Worldwide Gross:

$52,055,057
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

| | |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

In an interview with Charlie Rose', Mike Nichols said that the first scene that he envisioned upon reading the book was the scene when Jack Stanton is in the doughnut shop. Nichols said that he knew how to approach filming the scene with the camera shot starting from outside the building as Henry Burton walks inside. See more »

Goofs

Stanton's hand positions during speech to senior citizens. See more »

Quotes

Jack Stanton: We can do incredible things. We can change this country. I'm gonna win this thing. Look me in the eye, Henry, and tell me that you don't want to be a part of it.
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Connections

Spoofs Sudden Impact (1983) See more »

Soundtracks

TOOT TOOT TOOTSIE! (GOODBYE)
Written by Gus Kahn, Ernie Erdman, Ted Fio Rito (as Ted Fiorito)
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User Reviews

 
An excellent political satire.
6 January 2005 | by See all my reviews

The much under-rated Primary Colors represents the zenith of its genre: a consistently excellent political satire armed with a stellar cast, an involving, intricate plot, and some of the finest direction in recent times from the sporadic (yet always reliable) Mike Nichols. John Travolta's portrayal of a Clinton-esquire Southern governor with a weakness for women and doughnuts is note perfect, encapsulating the flawed yet undoubtedly brilliant Jack Stanton with effortless flair and charisma. Travolta is ably supported by English character actors Emma Thompson and big screen debutant Adrian Lester, as well as an Oscar nominated Kathy Bates, Billy Bob Thornton and a resurgent Larry Hagman.

The film is, in essence, a chronology of Stanton's rise of the political ladder and the struggles encountered by his vibrant team in keeping their man in the race, despite numerous setbacks and tragedies along the way. The script gives Travolta a perfect platform to express the very human emotions that both constrain and encourage us: his early speeches (particularly at an adult literacy centre) are punctuated by salient (yet entirely falsified) anecdotes, and were are given equal insight into Stanton the man and Stanton the politician. Thus the film's fundamental paradox arises: the audience is clearly conditioned to sympathise with Stanton as a result of his remarkable eloquence, yet we are frequently undercut by revelations of sex scandals, endless untruths and the often heartless pragmatism he embarks upon. This conflict for the audience is superbly manipulated so that, at the film's conclusion, we are unsure as to what our own emotions should be. Few films manage to pull this off: fewer with the nuanced skill of Nichols' political odyssey.

I want to add a few words about the female performances in the film. Emma Thompson, as the Hilary Clinton of the the cast, nails both the accent and mannerisms of her model with a convincing determination. Her character is often the mediator among the campaign team, yet there is a ruthlessness about her, a quiet conviction in her actions that her husband is clearly sustained by. Kathy Bates is the unhinged lesbian media consultant who is drafted in to nullify the potent threat of negative media reporting. She clearly gets all the best lines (a prize shared with the equally crazy Billy Bob Thornton character) including a memorable reference to Stanton's string of lovers as "sorry trash bins": scrupulous editing on my part here. At the film's conclusion, Bates comes to the fore, spelling out the impossible conflict between what is politically right and what is humanly right with an intensity that few actors could accomplish. Her subsequent Oscar nomination was well deserved and she was unlucky to be pitted against a triumphant Judi Dench in the Best Supporting Actress category.

That said, this is Travolta's movie. This is a career-defining performance from an actor unfortunately sullied by a series of mind-numbing duds (Battlefield Earth, anyone?), yet had he chosen his roles more wisely (as, say, Pacino has done) a more creditable media image would most certainly have been forthcoming.

Don't be put off by its subject matter: this is film making at its best and is a credit to its highly talented cast and crew.

10/10


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