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Substance-addicted Hollywood actress Suzanne Vale is on the skids. After a spell at a detox centre her film company insists as a condition of continuing to employ her that she live with her... See full summary »
Director:
Mike Nichols
Stars:
Meryl Streep,
Shirley MacLaine,
Dennis Quaid
An English Professor tries to deal with his wife leaving him, the arrival of his editor who has been waiting for his book for seven years, and the various problems that his friends and associates involve him in.
Director:
Curtis Hanson
Stars:
Michael Douglas,
Tobey Maguire,
Frances McDormand
Satirical comedy follows the machinations of Big Tobacco's chief spokesman, Nick Naylor, who spins on behalf of cigarettes while trying to remain a role model for his twelve-year-old son.
The Buckman family is a midwestern family all dealing with their lives: estranged relatives, raising children, pressures of the job, and learning to be a good parent and spouse.
Director:
Ron Howard
Stars:
Steve Martin,
Mary Steenburgen,
Dianne Wiest
Cady Heron is a hit with The Plastics, the A-list girl clique at her new school, until she makes the mistake of falling for Aaron Samuels, the ex-boyfriend of alpha Plastic Regina George.
Jack Stanton is running for president. The election is seen through the eyes of young Henry Burton. Along the way Stanton must deal with a sex scandal. Written by
Anonymous
During the Mill speech you can see 2 TelePrompTers hidden in the crowd that John Travolta's character uses to give his dialog. In the reverse shot (back of his head) the TelePrompTers are removed from the shot. See more »
The much under-rated Primary Colors represents the zenith of its genre: a consistently excellent political satire armed with a stellar cast, an involving, intricate plot, and some of the finest direction in recent times from the sporadic (yet always reliable) Mike Nichols. John Travolta's portrayal of a Clinton-esquire Southern governor with a weakness for women and doughnuts is note perfect, encapsulating the flawed yet undoubtedly brilliant Jack Stanton with effortless flair and charisma. Travolta is ably supported by English character actors Emma Thompson and big screen debutant Adrian Lester, as well as an Oscar nominated Kathy Bates, Billy Bob Thornton and a resurgent Larry Hagman.
The film is, in essence, a chronology of Stanton's rise of the political ladder and the struggles encountered by his vibrant team in keeping their man in the race, despite numerous setbacks and tragedies along the way. The script gives Travolta a perfect platform to express the very human emotions that both constrain and encourage us: his early speeches (particularly at an adult literacy centre) are punctuated by salient (yet entirely falsified) anecdotes, and were are given equal insight into Stanton the man and Stanton the politician. Thus the film's fundamental paradox arises: the audience is clearly conditioned to sympathise with Stanton as a result of his remarkable eloquence, yet we are frequently undercut by revelations of sex scandals, endless untruths and the often heartless pragmatism he embarks upon. This conflict for the audience is superbly manipulated so that, at the film's conclusion, we are unsure as to what our own emotions should be. Few films manage to pull this off: fewer with the nuanced skill of Nichols' political odyssey.
I want to add a few words about the female performances in the film. Emma Thompson, as the Hilary Clinton of the the cast, nails both the accent and mannerisms of her model with a convincing determination. Her character is often the mediator among the campaign team, yet there is a ruthlessness about her, a quiet conviction in her actions that her husband is clearly sustained by. Kathy Bates is the unhinged lesbian media consultant who is drafted in to nullify the potent threat of negative media reporting. She clearly gets all the best lines (a prize shared with the equally crazy Billy Bob Thornton character) including a memorable reference to Stanton's string of lovers as "sorry trash bins": scrupulous editing on my part here. At the film's conclusion, Bates comes to the fore, spelling out the impossible conflict between what is politically right and what is humanly right with an intensity that few actors could accomplish. Her subsequent Oscar nomination was well deserved and she was unlucky to be pitted against a triumphant Judi Dench in the Best Supporting Actress category.
That said, this is Travolta's movie. This is a career-defining performance from an actor unfortunately sullied by a series of mind-numbing duds (Battlefield Earth, anyone?), yet had he chosen his roles more wisely (as, say, Pacino has done) a more creditable media image would most certainly have been forthcoming.
Don't be put off by its subject matter: this is film making at its best and is a credit to its highly talented cast and crew.
10/10
58 of 68 people found this review helpful.
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The much under-rated Primary Colors represents the zenith of its genre: a consistently excellent political satire armed with a stellar cast, an involving, intricate plot, and some of the finest direction in recent times from the sporadic (yet always reliable) Mike Nichols. John Travolta's portrayal of a Clinton-esquire Southern governor with a weakness for women and doughnuts is note perfect, encapsulating the flawed yet undoubtedly brilliant Jack Stanton with effortless flair and charisma. Travolta is ably supported by English character actors Emma Thompson and big screen debutant Adrian Lester, as well as an Oscar nominated Kathy Bates, Billy Bob Thornton and a resurgent Larry Hagman.
The film is, in essence, a chronology of Stanton's rise of the political ladder and the struggles encountered by his vibrant team in keeping their man in the race, despite numerous setbacks and tragedies along the way. The script gives Travolta a perfect platform to express the very human emotions that both constrain and encourage us: his early speeches (particularly at an adult literacy centre) are punctuated by salient (yet entirely falsified) anecdotes, and were are given equal insight into Stanton the man and Stanton the politician. Thus the film's fundamental paradox arises: the audience is clearly conditioned to sympathise with Stanton as a result of his remarkable eloquence, yet we are frequently undercut by revelations of sex scandals, endless untruths and the often heartless pragmatism he embarks upon. This conflict for the audience is superbly manipulated so that, at the film's conclusion, we are unsure as to what our own emotions should be. Few films manage to pull this off: fewer with the nuanced skill of Nichols' political odyssey.
I want to add a few words about the female performances in the film. Emma Thompson, as the Hilary Clinton of the the cast, nails both the accent and mannerisms of her model with a convincing determination. Her character is often the mediator among the campaign team, yet there is a ruthlessness about her, a quiet conviction in her actions that her husband is clearly sustained by. Kathy Bates is the unhinged lesbian media consultant who is drafted in to nullify the potent threat of negative media reporting. She clearly gets all the best lines (a prize shared with the equally crazy Billy Bob Thornton character) including a memorable reference to Stanton's string of lovers as "sorry trash bins": scrupulous editing on my part here. At the film's conclusion, Bates comes to the fore, spelling out the impossible conflict between what is politically right and what is humanly right with an intensity that few actors could accomplish. Her subsequent Oscar nomination was well deserved and she was unlucky to be pitted against a triumphant Judi Dench in the Best Supporting Actress category.
That said, this is Travolta's movie. This is a career-defining performance from an actor unfortunately sullied by a series of mind-numbing duds (Battlefield Earth, anyone?), yet had he chosen his roles more wisely (as, say, Pacino has done) a more creditable media image would most certainly have been forthcoming.
Don't be put off by its subject matter: this is film making at its best and is a credit to its highly talented cast and crew.
10/10