Substance-addicted Hollywood actress Suzanne Vale is on the skids. After a spell at a detox centre her film company insists as a condition of continuing to employ her that she live with her... See full summary »
An English Professor tries to deal with his wife leaving him, the arrival of his editor who has been waiting for his book for seven years, and the various problems that his friends and associates involve him in.
When Susan tells Henry "none of us have run a presidential campaign before" she puts her left hand on his shoulder; in the next shot it's on his upper arm instead. (The discontinuity is interesting in light of the first lines of the film, which discuss the significance of where exactly Jack Stanton would place his hand on the arm of a person he was greeting.) See more »
Gov. Jack Stanton:
[handing Picker the scandalous information concerning his dealings with Reyes]
This is the only copy left. I want you to have it because it might help you to know what someone else may find. I shouldn't have looked for it. I'm really sorry.
Gov. Fred Picker:
Fuckin' cocaine. You know, I was really so successful at everything I did. Business, politics, hell, I could handle anything... except cocaine. Only I didn't know that because of cocaine. That's what really fucked up my marriage. It wasn't anything else. And....
[...] See more »
Now that the Monica Lewinsky/Bill Clinton circus has played itself out, I finally saw Elaine May's excellent, under-appreciated rendering of the tale of a thinly disguised American politician and his campaign to become President of the United States. The performances in "Primary Colors" are remarkable. John Travolta does an astonishing impersonation of Clinton without being a Saturday Night Live caricature. Emma Thompson is perfect as his long-suffering wife, always waiting for the other shoe to drop revealing his indiscretions. Kathy Bates deserved her Academy Award nomination as his public relations trouble-shooter. Her not quite over-the-top performance is the heart of this opus. Last, but not least, Adrian Lester is the idealist young African American in charge of his campaign. This impassioned portrayal bodes well to a successful future in films. Mike Nichols has directed Miss May's script with intelligence and humor. See it now, after all the gossiping has died down, for an insightful, entertaining glimpse into the world of politics.
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