The film follows the life of famous 1970s runner Steve Prefontaine from his youth days in Oregon to the University of Oregon where he worked with the legendary coach Bill Bowerman, later to... See full summary »
The film follows the life of famous 1970s runner Steve Prefontaine from his youth days in Oregon to the University of Oregon where he worked with the legendary coach Bill Bowerman, later to Olympics in Munich and his early death at 24 in a car crash. Written by
Tom Cruise considered playing Prefontaine, but decided against it citing that he was too old for the part. See more »
The Olympic Fanfare is heard during television coverage of the 1972 Munich Olympics. However, John Williams didn't compose that piece until the 1996 Atlanta Olympics. See more »
Running, one might say, is basically an absurd past-time upon which to be exhausting ourselves. But if you can find meaning, in the kind of running you have to do to stay on this team, chances are you will be able to find meaning in another absurd past-time: Life.
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I have always been a huge fan of Robert Towne ever since I first saw Chinatown. I haven't seen a disappointing film of his other than Mission: Impossible 2, Without Limits was far from a letdown.
I'm not sure how much poetic license Towne used to make the film, for I never have been a fan of running or any other athletics and so have never really known anything about the characters, but like in the cases of The Insider or Quiz Show I truly don't care as long as he didn't get too muddled up in fiction.
The story is well told with great performances and a superb soundtrack, the greatest treat of all being Donald Sutherland's fantastic performance as Bill Bowerman. This bit of acting makes me wonder how once again Sutherland could be forgotten by the Oscars. With a career including such great roles as in M*A*S*H, Klute and Ordinary People, the fact that he is still cheated of even a nomination bewilders me, especially when this film came in a year where the only true competition for such a performance was Geoffrey Rush's scene stealing work in Elizabeth. (To all of you who agree with James Coburn's win, I haven't seen Affliction.)
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