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The Postman (1997)

A nameless drifter dons a postman's uniform and bag of mail as he begins a quest to inspire hope to the survivors living in post-apocalyptic America.

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Cast

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Storyline

In the year 2013 civilization has all but destroyed itself. After a war that decimated the government and most of the population of the United States (possibly the world) people struggle to survive against starvation and rogue groups of armed men. One such group is called the Wholeness. This group is bigger than any other and their leader, General Bethlehem, has delusions of ruling the country. A drifter is captured by the group and forced to join. He escapes at the first chance and happens on a mail jeep with a skeleton in it. The skeleton is wearing a postal uniform and the drifter takes it to keep him warm. He also finds a mailbag and starts conning people with old letters. The hope he sees in the people he delivers to changes his plans and he decides that he must help bring the Holnists down. Written by <KingVegeta8@yahoo.com>

Plot Summary | Add Synopsis

Plot Keywords:

drifter | hope | escape | postman | usa | See All (144) »

Taglines:

It is 2013. War has crippled the Earth. Technology has been erased. Our only hope is an unlikely hero. See more »


Motion Picture Rating (MPAA)

Rated R for violence and some sexuality | See all certifications »

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Details

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Release Date:

25 December 1997 (USA)  »

Also Known As:

El mensajero  »

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Box Office

Budget:

$80,000,000 (estimated)

Opening Weekend:

$5,260,324 (USA) (26 December 1997)

Gross:

$17,593,391 (USA) (13 February 1998)
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Company Credits

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Technical Specs

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2.35 : 1
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Did You Know?

Trivia

Kevin Costner's children all appear in the film. See more »

Goofs

As The Postman and General Bethlehem are starting their parley in the climactic scene, a cameraman and camera are visible on the rock face behind the General. See more »

Quotes

The Postman: Once more into the breach, my friends, once more. We'll close the wall with our dead. In peace, nothing so becomes a man as modesty and humility, but when the blast of war blows in our ears, then imitate the action of the tiger, summon up the blood, disguise fair nature with rage and lend the eye a terrible aspect.
See more »

Connections

Featured in David Walliams' Awfully Good: Awfully Good Movies (2011) See more »

Soundtracks

This Perfect World
Written by John Coinman and Glenn Burke
Produced by Jono Manson
Performed by John Coinman
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Frequently Asked Questions

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User Reviews

Not as horrible as all that
30 November 2004 | by (Tokyo, Japan) – See all my reviews

"The Postman" is one of those films that has become almost synonymous with the concept of "lousy, awful, horrible, terrible, stinking mess of a movie." Like "Plan 9 from Outer Space," "Ishtar," or "Gigli," it is sometimes invoked in this manner on Internet message boards or in chatter between friends. But is "The Postman" truly such a horrible disaster? I would argue that its bad reputation is overdone.

Make no mistake, this movie is no "Citizen Kane." There is no way, by any stretch of the imagination, that this could be called a "great" movie. But every week B-movies that are orders of magnitude worse come out. What is it about this one that accounts for its enduring lousy reputation? This in itself is an interesting question.

Part of the answer has to do with Kevin Costner. It is hard to imagine now, but at one time (especially in the wake of "Dances with Wolves") his reputation in Hollywood was towering and unassailable. Costner squandered his mega-star status with a series of expensive yet mediocre duds such as this one, and in the end "The Postman's" crime is not that it is a truly terrible movie, but that it is simply a not-great movie that deflated the public's hopes and expectations of what Kevin Costner film should be. The curse of too-high expectations.

The worst aspect of this movie is its occasional pomposity and self-importance, derived from Costner's own enormous mid-90s ego, and it is easy to laugh at the final scene or various dramatic sequences with swirling symphonic music and glistening slo-mo shots. But if you can get beyond this and look at the movie as just a somewhat entertaining way to pass a few hours, it really isn't that bad, especially if you are a fan of the "dark future" genre of films. Will Patton in particular provides a good, convincing performance, as do a number of other minor characters.

And the world of "The Postman" -- a decayed, post-apocalyptic, decentralized

America where the federal government has collapsed -- is interesting in its own right. Remember, this film was borne of the early/mid 1990s, a time that gave us Timothy McVeigh, anti-government sentiment, Waco, and fear about "militias." There was a sense in the air that America could possibly disintegrate and fragment into local areas battling each other in the long run. This world view seems very alien in the post-9-11 era, where there is much more of a consciousness of being an American, "rallying around the flag," and the role of the federal government as a powerful military force, for good or for ill. Nowadays fear of outsiders and terrorism has largely replaced fears of internal anarchy and domestic unraveling. "The Postman" reminds us that not so long ago America envisioned its dark possible futures in a very different way than it currently does, and this in itself is instructive and worth pondering.


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