Stripped of his medical license after performing an operation while high on amphetamines, famed LA surgeon Dr Eugene Sands abandons his former life only to find himself crossing paths with ... See full summary »
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The sheriff of a suburban New Jersey community populated by New York City policemen slowly discovers the town is a front for mob connections and corruption.
Director:
James Mangold
Stars:
Sylvester Stallone,
Harvey Keitel,
Ray Liotta
A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in LA. He must find a way to save both himself and one last victim.
Stripped of his medical license after performing an operation while high on amphetamines, famed LA surgeon Dr Eugene Sands abandons his former life only to find himself crossing paths with Raymond Blossom, an infamous counterfeiter. Employed as a "gun-shot doctor" when Raymond's associates cannot risk visiting a hospital, Eugene is lured deep into the criminal world and becomes entangled with his boss's girlfriend. Written by
Anonymous
David Duchovny plays a doctor asked by a criminal to help his friend. Duchovny says "He's dead." Pointing a gun at Duchovny, the criminal says, "Well, fix him!" Duchovny responds, "I'll see what I can do." Twenty years earlier, in A Bridge Too Far, James Caan plays a soldier who takes a wounded comrade to a field doctor. After the doctor tells him his friend is dead, Caan points a gun at the doctor and insists that he look at his friend. The doctor replies, "I can give him a quick examination if you like." See more »
Goofs
Photographs are being taken at a Lakers game with a digital camera, but we hear the sound of a motor drive. See more »
Quotes
[Eugene is drinking from the faucet]
Gage:
You might want to take a piss before we go.
Eugene:
[sarcastically]
And on the way there can we stop at Dairy Queen?
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Hollywood possesses the penchant for remaking old classic films, such as Gus Van Sant's re-working of Hitchcock's Psycho. Here's an idea: instead of remaking GOOD movies, why don't we remake bad ones, and try to improve them? In such a world, I would nominate "Playing God" for a treatment. The premise is interesting, and the script, although at times uneven, has moments of poetic lyricism and some nice touches. So . . . what happened? The finger must be pointed at the performances, which fail to capture the essence of the screenplay. David Duchovny is cast against type as a drug-addled ex-physician, and Timothy Hutton's portrayal of gangster Raymond Blossom borders on the plane of villainy and its cariacture. Duchovny, whose deadpan delivery and solemn glances work fine in the X-Files, must realize that the role he's playing here is NOT Fox Mulder, but a much more unsympathetic character. Grade: C
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Hollywood possesses the penchant for remaking old classic films, such as Gus Van Sant's re-working of Hitchcock's Psycho. Here's an idea: instead of remaking GOOD movies, why don't we remake bad ones, and try to improve them? In such a world, I would nominate "Playing God" for a treatment. The premise is interesting, and the script, although at times uneven, has moments of poetic lyricism and some nice touches. So . . . what happened? The finger must be pointed at the performances, which fail to capture the essence of the screenplay. David Duchovny is cast against type as a drug-addled ex-physician, and Timothy Hutton's portrayal of gangster Raymond Blossom borders on the plane of villainy and its cariacture. Duchovny, whose deadpan delivery and solemn glances work fine in the X-Files, must realize that the role he's playing here is NOT Fox Mulder, but a much more unsympathetic character. Grade: C