Two small time scam artists, Black and Blue, sell boom boxes and broken TVs from their van at the parking lot. When, by mistake, a shipment of cellular phones gets to them, it doesn't take long before FBI and gangsters are after them.
A bounty hunter is on the trail of a conman who skipped bail. The two wind up in a deserted warehouse where they witness a diamond scam in action, caught in the midst they put their ... See full summary »
Vusi Madlazi returns to the South African village he left as a young boy (he was organizing against apartheid, and left in fear of his life) to bury his father. He meets up with his brother... See full summary »
Craig and Day Day have finally moved out of their parents houses and into their own crib. The cousins work nights at a local mall as security guards. When their house is robbed on Christmas... See full summary »
In Los Angeles, two rival gang leaders are also trying to be music producers. When DJ's equipment shorts out and Lonzo is cut out of the action by a record producer, the two join forces, ... See full summary »
Diana, a young mom working at a shoe store meets two strippers, Tricks and Ronnie. They tell her that she should work at The Playa's Club for big money. The woman accepts and soon introduces her cousin into the club. Then she finds out that her cousin is doing housecalls which Tricks bribed her to do. One day Diana returns to her house after almost being raped by an obsessed fan and finds her cousin sleeping with her ex-boyfriend. She kicks her cousin out and starts dating Blue, a DJ at the club. They go out one night and Diana's cousin calls asking her to pick her up from a bachelor party. Diana refuses and soon after her cousin is raped. Now she has only one option, to put Tricks in her place. Written by
At one point, there was a scene when Lil Man asked Officer Freeman played by John Amos, "Did you know you look just like the father from Good Times?" Amos did, in fact, play the father in the 1970s sitcom Good Times (1974). See more »
When Brooklyn aims the rocket launcher at The Players Club, you can see that the tube has no rocket in it. See more »
Stripping business started in Africa. Long time ago, long long time ago, white man went to Africa. And he saw all these bootiful black women, walking around, dancing, working, living, in the nude. Bucked Nakeds! You could see their public hairs. This white man went from village to village to seek out these bootiful black women, watching them perform, in the nude. TITTIES! Asses. Free. White man got an idea. He figure he go back to Europe and start the same type of business, taking away from our...
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After the ending credits, two Ice Cube videos are shown. The first video is Ice Cube - We Be Clubbin. The second video is Ice Cube featuring Mr. Short Khop - My Loved Ones. See more »
Performed by Tela, Eightball and MJG
Written by Tela (as W. Rogers), Eightball (as P. Smith), MJG (as M. Goodwin), S. Arrington and P. Alexander
Courtesy of Suave House/Relativity Records See more »
"An Ice Cube film" Wow, that's already big enough. Not that Ice Cube is the biggest celebrity of the planet, but he is an actor I appreciate; too much. He is honest, simple; pure. He is a rapper, a musician who writes songs for films, and is good at it, besides being a low profile artist. Plus, he is a very good actor who does what he pleases and likes to and never disappoints. With the production company he has, he could have the highest ego, but he continues on doing his job.
In 1998, he got his chance to direct his movie; his first and only up to date. He wouldn't do the stupid gangster films the other rappers do because he takes the job seriously; so seriously he wrote his own neighborhood and people story, which is unexpectedly touching in its most impressive moments. He had done that type of film before, with independent man John Singleton, among others in that film I regret not seeing yet, "Boyz N' the Hood". Whether he got inspiration from there or not, I don't care, but the screenplay is his.
In his tale, where he also allows a role for him, we meet Diana (a powerful and gripping performance by Lisa Raye), a young girl and aspiring journalist with a lot of problems that drive her towards working on a strippers club, to get money and become Diamond. In Dollar Bill's (original Bernie Mac) club, "The players club", she is not the typical stripper, dancing with all the others; she has a special number, and some clients. Every day she deals with cousin Ebony (Monica Calhoun), who lives with her and has more than two times her problems; her unfaithful boyfriend and the different people in the club, including DJ Blue (a calm portrayal by Jamie Foxx), who likes her.
Like in any other story, these are not the only ones in Cube's vision There are lots of them and each of them has their own thing that relates to another thing. However, Cube always keeps the story focused in its center point. His gift as a director (because he could have sucked) comes with the importance he gives to the camera. He has a desperate need to show things as real as possible, even if it is a fiction story, so his camera moves like eyes most of the times, like afraid of watching what's waiting on the other side, so the impact is harder when we seed alongside the camera. It is a very effective technique.
What is also captivating and remarkable, is how much of him we can see in the film. Like directors of the league of Scorsese or Oliver Stone, Ice Cube tries to makes us see what he sees. There are a few scenes with enormous violence; glasses that break, shootings, people hurt We feel it, and it is hard to watch. I was thinking about Spike Lee, and how personal his movies are. I was shocked with the ending of "Do the right thing", but I understood it was just Spike Lee expressing himself.
I don't know what exactly the message Lee wanted to give was, I don't know what was going through his mind at the time, just as I didn't know what was Ice Cube thinking, so he could end up showing "The players club" in flames during the first frames of his movie.
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