Victor is a man who gets to Paris to join his family around their seriously ill father, Max. As the chance of selling the family business begins to disrupt the family relationships, Victor ... See full summary »
Fernando Fernán Gómez,
When it appears as though the end is in sight, the pilots, flight crew, and passengers of a plane heading to Mexico City look to forget the anguish of the moment and face the greatest danger, which we carry within ourselves.
PERDONA BONITA, PERO LUCAS ME QUERIA A MI (roughly translated means ' Pardon me Duckie, but Lucas loves Me!) is a piece of fluff from Spain that is so over the top that it is almost Daliesque. Were it not for a fairly strong cast this little film could be mistaken for a low budget TV series type project.
Toni (Jordi Mollà), Dani (Roberto Correcher) and Carlos (Pepón Nieto) are three gays living together in a flat and find their rent is so past due that they are to be evicted unless they come up with some fast cash. Their flat has an extra room, they advertise for a tenant, interview an endless group of hilarious misfits and finally settle on the hunky Lucas (Alonso Caparrós) with whom all three fall in love! The scene flashes forward three months and when Lucas doesn't show up at the apartment the three begin to confess that each is enamored with and seeing Lucas secretly. When Lucas cannot be found at the usual designated meeting places the three return to their flat to find Lucas murdered in his bed! The police are called, the policewomen are bizarre beyond words and it is discovered that Lucas is the missing lover of one of the two women. In a very high camp setting each of the three roommates 'confesses' his own dalliance with the dead Lucas (this is done with flashbacks that paint Lucas in the imagined delusional image of each), various 'witnesses' contribute their views, and finally when the murder cannot be solved the entire group disposes of the corpse in an odd manner and the way in which the story ends is hilarious.
Some may be offended by the stereotypes that represent every character, but since each of the characters is campy and ludicrous no one type is damaged intentionally. The clichés are broad and the humor is pushed to extremes, but the little film bounces merrily along as the bit of fluff it is. The actors truly make it better than the writers/directors Dunia Ayaso and Félix Sabroso material. Grady Harp
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