6.3/10
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73 user 43 critic

Perdita Durango (1997)

A psychotic criminal couple kidnaps a random teenage couple. The woman rapes the male captive, and lets him watch his lover being raped by the man. They then plan to sacrifice the couple.

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(novel), (screenplay) | 3 more credits »
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6 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
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...
...
...
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Screamin' Jay Hawkins ...
Adolfo
...
Catalina (as Demian Bichir)
...
Reggie
...
Shorty Dee
Harry Porter ...
Ford
Carlos Arau ...
Phillips
...
Santos
Alex Cox ...
Doyle
Miguel Galván ...
Doug
Regina Orozco ...
Lilly
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Storyline

Rough girl Perdita and her demonic lover Romeo Dolorosa need humans to sacrifice following Romeo's religion before he can go on a mission ordered by mob boss Santos. They kidnap teen sweethearts Duane and Estelle and travel with them to Las-Vegas. Written by Anonymous

Plot Summary | Add Synopsis

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Get On The Road


Motion Picture Rating (MPAA)

Rated R for strong violence including rape, sexuality, language and some drug content | See all certifications »

Parents Guide:

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Details

Country:

| |

Language:

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Release Date:

31 October 1997 (Spain)  »

Also Known As:

Dance with the Devil  »

Filming Locations:

 »

Box Office

Budget:

€4,200,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (R-rated) | (unrated) | (DVD)

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

When Bigas Luna was due to direct the film, Madonna, Javier Bardem and Dennis Hopper were his first choices to play Perdita, Romeo and Woody Dumas. Madonna deserted the project and Victoria Abril was supposed to replace her as Perdita, alongside Johnny Depp as Romeo and Ray Liotta as Dumas. Then Luna abandoned the production and Álex de la Iglesia was set to direct with the definitive cast: Rosie Perez, Javier Bardem and James Gandolfini. See more »

Goofs

Shadow of the dolly and cameraman during the scene in the airplane junkyard. See more »

Quotes

Perdita Durango: [Perdita to Estelle, while Estelle holds a gun to her, threatening to shoot] If you really wanna do something, you just do it. But you don't think about it. That's the difference between you and me.
[Estelle gives Perdita the gun. Perdita then knocks Estelle to the ground and makes her kiss her foot]
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Connections

References Faster, Pussycat! Kill! Kill! (1965) See more »

Soundtracks

El Cartel De A Kilo
(Mario Quintero Lara - SACM)
Performed by Los Tucanes de Tijuana - Alacrán Productions Records
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Frequently Asked Questions

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User Reviews

Excellent dark-satire, violent-rom-com rampage
10 November 2004 | by (UK) – See all my reviews

Following the success of El Dia De Bestia and Accion mutante, once again the director pursues the nature of dark obsession. The two main leads are dysfunctional amoral sadists who re in some ways rediscovering a part of them that they miss - love.

It's a story of trying to move on but the main characters are very amoral however there's darker circles than them, which pulls them further down the spiral. In essence this movie is an antithesis of a glamour Mafia movie and I believe represents Mafia dealings in a very dark fashion. In some ways I believe there's a nod to David Lynch with the actor playing the Mafia boss.

The film is not a sick puppy nor is it banal. For those that have followed this director they will read between the lines to discover some salient points of US government intervention out of the states and human traffic - in this case embryos used for beauty products. Like 'clean Madrid' in El Dia de Bestia there were fascist movements in the capital at the time. Iglaisia puts this on the screen as a cultural reminder.

Watching this movie at face value will seem very ultra violent and in some places extremely disturbing. Unlike other cult producers like Tarintino Iglasia uses a loot of cult cultural references to make his films extremely dark and funny (like La Communidad). If you're Latin or Spanish I feel there would be a lot more in this movie for you. Recommended viewing - but not for the faint hearted.


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