Julia finds 300 million pesetas hidden in a dead man's house while selling an apartment. She's a 40-ish real estate agent now forced to face the wrath of a very peculiar community (of ... See full summary »
Álex de la Iglesia
Rafael is the best salesman in the biggest department store of Madrid. He is a fascinating man; all his colleagues fell in love with him. He tries to live a high-standard life. He is ... See full summary »
A basque priest finds by means of a cabalistic study of the bible that the anti-christ is going to be born on Christmas day in Madrid. Helped by a heavy-metal fan and by the showman of a TV... See full summary »
Álex de la Iglesia
Armando De Razza,
Al enamorarnos, apostamos. Y es un juego demasiado íntimo para asimilar con facilidad el fracaso. Elena sabe que el enfriamiento que atraviesa su matrimonio no es algo temporal. Alberto , ... See full summary »
Armed with a licence to kill, Secret Agent James Bond sets out on his first mission as 007 and must defeat a weapons dealer in a high stakes game of poker at Casino Royale, but things are not what they seem.
Rough girl Perdita and her demonic lover Romeo Dolorosa need humans to sacrifice following Romeo's religion before he can go on a mission ordered by mob boss Santos. They kidnap teen sweethearts Duane and Estelle and travel with them to Las-Vegas. Written by
Carlos Bardem and Javier Bardem got badly burnt due to excessive gunpowder and a badly synchronized explosion caused by a special effects technician. Another crew member got second and third degree burns in 80% of his body. See more »
Shadow of the dolly and cameraman during the scene in the airplane junkyard. See more »
Being a huge Barry Gifford fan, having enjoyed De La Iglesia's Day of the Beast, and of the opinion that Wild at Heart was one of the best novel to film adaptations in the history of cinema, needless to say, my expectations for this movie were very high. I couldnt have imagined it being so satisfying.
De La Iglesia's adaptation of Perdita Durango takes its liberties but (like Wild At Heart) finds its inspiration in the original source material without destroying the spirit.
Romeo and Perdita carve their way through the world with violence, magic, and sex. They are sadistic, perverse, and perfect for each other. From their first fateful meeting, to their kidnapping of two suburban white kids, to driving a truck full of fetus destined to be black market makeup, it is a dark destiny, a collision of two black souls. If the movie has any message, it is that even the most wicked person has a diabolic soulmate. Love does not discriminate.
The performances are great. Javier Bardem as Romeo was totally unrecognizable as the same guy who played the stud in Jamon, Jamon. He plays Romeo as charming, self preserving, and almost noble killer because of his beliefs in darkness, sacrifice, revenge, and amoral spirituality. My fears of Rosie Perez, an actress I am not fond of in any way, were unfounded as she embodied Perdita perfectly with sadism and sizzle. James Gandolfini, as the Wile E Coyote like DEA agent Dumas, was also very good, perpetually abused and doggedly determined.
De La Iglesia handles with the film with great skill. The pacing is fast and furious. Every scene is alive with energy, and his composition is masterful. He has vastly improved from the flawed, yet entertaining, Day of the Beast, and demonstrates that his is a talent that continues to grow. Given the proper material and time, I can see him providing a enjoyable body of manic, surreal, and outrageous work.
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