In mid-1800's England, Oscar is a young Anglican priest, a misfit and an outcast, but with the soul of an angel. As a boy, even though from a strict Pentecostal family, he felt God told him... See full summary »
Sir Robert Chiltern is a successful Government minister, well-off and with a loving wife. All this is threatened when Mrs Cheveley appears in London with damning evidence of a past misdeed.... See full summary »
Johnny Scardino is working for blackmailers, photographing wealthy guys in seedy motels. One such assignment turns the wrong way and blackmailers die one by one. Is Johnny the next on the ... See full summary »
A woman takes the law into her own hands after police ignore her pleas to arrest the man responsible for her husband's death, and finds herself not only under arrest for murder but falling in love with an officer.
The group of women from different countries and social levels are prisoners in a Japanese POW camp, where one of them, Adrienne, who is a graduate of the Royal Academy of Music, organizes a vocal band in spite of their guards resistance. Written by
Gripping and uplifting true story of women faced with indomitable odds.
This film gripped me from the opening scene in the hotel ballroom and prooved to be a class act right to the end. Director Bruce Beresford's track record includes Driving Miss Daisy, Tender Mercies and Breaker Morant, so Paradise Road came as a special treat, not realising at the time of viewing that he had directed these films. The realistic scenes of violence had a tremendous impact in contrast to some of the wonderful underplaying of the leading actresses, notably Glenn Close and Pauline Collins. The Japanese actors, although unknown to me were chillingly effective. I can only hope for more films of this calibre but alas they are few and far between.
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