6.9/10
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An Air So Pure (1997)

Un air si pur... (original title)
Set in Europe during WWI, a doctor and lawyer have converted a musty old mansion into a ritzy hotel and health spa. The chateau is inhabited by an eccentric collection of characters from ... See full summary »

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(novel), | 4 more credits »
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1 nomination. See more awards »

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Cast

Cast overview, first billed only:
...
Magnus
...
Dr. Boyer
...
Julie d'Espard
Redjep Mitrovitsa ...
Moss
...
M. Elmer
...
Daniel
Jean-Pierre Lorit ...
Florent
...
Mme Leduroy
...
Mme Ruben
...
Mlle Sophie
Emmanuelle Laborit ...
Mathilde
Christer Bladin
Nicolas Vaude ...
Simon
...
Laure Surville
Roberto Della Casa ...
M. Ruben
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Storyline

Set in Europe during WWI, a doctor and lawyer have converted a musty old mansion into a ritzy hotel and health spa. The chateau is inhabited by an eccentric collection of characters from whom the proprietors go to great lengths to hide the endless parade of dying men coming back from battle. Despite the owner's efforts, people in the hotel begin to die mysteriously as events become a surreal meditation on death, disease, and hypocracy. Written by Anonymous

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Genres:

Comedy | Drama

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Details

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Language:

Release Date:

3 September 1997 (France)  »

Also Known As:

An Air So Pure  »

Filming Locations:

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Box Office

Budget:

FRF 53,000,000 (estimated)
 »

Company Credits

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Technical Specs

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Color:

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Did You Know?

Goofs

At the formal dinner in the hotel dining room, a modern plastic bottled water has been put on each table. The blue commercial label is even clearly shown. This story takes place during World War I. See more »

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User Reviews

 
Classic Style
19 July 2003 | by (Northampton, MA) – See all my reviews

Some Fellini touches, theatrical acting, intense irony.

Apparently, the film is loosely adapted from Hamsun's work. The result has some literary depth but done in a slow-paced drama.

The feeling of "huis clos" is somewhat balanced by the scenery.

Luchini's character, although almost typecast upon him from his prior work, works in the setting of the film. Dussolier's tone also worked well in such a context. Other characters were quite multi-dimensional, in a portrait manner.


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