Things don't seem to change much in Wabasha County: Max and John are still fighting after 35 years, Grandpa still drinks, smokes, and chases women , and nobody's been able to catch the ... See full summary »
After a single, career-minded woman is left on her own to give birth to the child of a married man, she finds a new romantic chance in a cab driver. Meanwhile the point-of-view of the newborn boy is narrated through voice over.
John Beckwith and Jeremy Grey, a pair of committed womanizers who sneak into weddings to take advantage of the romantic tinge in the air, find themselves at odds with one another when John meets and falls for Claire Cleary.
Care-free Charlie cons his widower brother-in-law Herb into an expenses-paid luxury cruise in search of rich, lonely ladies. The catch is that they are required to be dance hosts! With a tyrannical cruise director, and the luscious Liz and lovely Vivian, our heroes have lots of mis-adventures before they finally return to port. Written by
Derek Picken <firstname.lastname@example.org>
Out to Sea-Go Down to the Sea in Ships to Catch this One ***1/2
Walter Matthau and Jack Lemmon, both of whom are sadly missed, proved once again that they were a team dedicated to their craft of bringing hilarious moments to the screen. This film is just another example of this.
This time out they play two brothers-in-law who land on a ship as dance instructors on board.
Of course, their boss is a perfectionist and miserable person named Gil Godwin who just enjoys harassing these boys. It's hilarious how Lemmon gives a quick lesson in dancing to Matthau and how the latter dances a riotous rumba with the boat's owner Rue McLanahan.
Too bad that fellow dance instructors Hal Linden and Donald O'Connor are given so little to do but their parts call for that. Matthau falls for Dyan Cannon, on board with her fellow gold-digging mother, the usual outrageous Elaine Stritch. Unknown to them, Matthau has no money either. The widower Lemmon falls for Gloria De Haven, looking lovelier than ever.
The film belongs to Matthau and Lemmon and will serve as a further tribute to their illustrious careers.
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