Old Nat Moyer is a talker, a philosopher, and a troublemaker with a fanciful imagination. His companion is Midge Carter, who is half-blind, but still the super of an apartment house. When ... See full summary »
Walter Matthau plays a professional killer going by the name of Trabucco, who is on his way to rub out gangster Rudy "Disco" Gambola, set to testify against the mob. As Trabucco heads off ... See full summary »
Avoiding to settle in a nursing home, Joseph Kotcher, a retired salesman, is obliged to leave his son's family. He embarks on a road trip during which he strikes up a friendship with a ... See full summary »
After his mother's death, Collin Fenwick goes to live with his father's cousins, the wealthy, avaricious, and controlling Verena Talbo, and her compliant, earthy sister Dolly. When a city ... See full summary »
Care-free Charlie cons his widower brother-in-law Herb into an expenses-paid luxury cruise in search of rich, lonely ladies. The catch is that they are required to be dance hosts! With a tyrannical cruise director, and the luscious Liz and lovely Vivian, our heroes have lots of mis-adventures before they finally return to port. Written by
Derek Picken <email@example.com>
After Herb and Charlie have boarded the 767 for Miami and tried to get into Business Class, they are sent to seats 37H and J. They go aft and sit down in the center row of seats. But seats H and J are always the aisle and window seats in the right hand row of the plane. See more »
Hah! A couple of gold diggers, comin' up empty. That's terrific!
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During the first part of the credits, the cast (singly and in pairs) dances; during the latter part, we see outtakes. See more »
Out to Sea-Go Down to the Sea in Ships to Catch this One ***1/2
Walter Matthau and Jack Lemmon, both of whom are sadly missed, proved once again that they were a team dedicated to their craft of bringing hilarious moments to the screen. This film is just another example of this.
This time out they play two brothers-in-law who land on a ship as dance instructors on board.
Of course, their boss is a perfectionist and miserable person named Gil Godwin who just enjoys harassing these boys. It's hilarious how Lemmon gives a quick lesson in dancing to Matthau and how the latter dances a riotous rumba with the boat's owner Rue McLanahan.
Too bad that fellow dance instructors Hal Linden and Donald O'Connor are given so little to do but their parts call for that. Matthau falls for Dyan Cannon, on board with her fellow gold-digging mother, the usual outrageous Elaine Stritch. Unknown to them, Matthau has no money either. The widower Lemmon falls for Gloria De Haven, looking lovelier than ever.
The film belongs to Matthau and Lemmon and will serve as a further tribute to their illustrious careers.
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