The first film in Pedro Costa's transformative trilogy about Fontainhas, an impoverished quarter of Lisbon, Ossos is a tale of young lives torn apart by desperation. After a suicidal ...
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After the Portuguese government demolishes his slum and relocates him to a housing project on the outskirts of Lisbon, 75-year-old Cape Verde immigrant Ventura wanders between his new and ... See full summary »
The film tells a story of Mariana, a nurse who leaves Lisbon to accompany an immigrant worker in a comatose sleep on his trip home to Cape Verde. The devoted Portuguese nurse took a journey only to find herself lost in abstract drama.
Inês de Medeiros,
Isaach De Bankolé,
Vicente, seventeen, lives with brother Nino, ten-years-old, and his ailing father in a derelict house on the outskirts of the capital. They don't seem to remember their mother, and are very... See full summary »
Inês de Medeiros
"The time is now, a numbing and timeless present of hospital stays, bureaucratic questioning, and wandering through remembered spaces... and suddenly it is also then, the mid '70s and the ... See full summary »
Ema is a very attractive but innocent girl, so pretty that cars crash in her presence. Young marries Dr. Carlo Paiva, who she is not attracted to, but is her father's friend. They move to ... See full summary »
Manoel de Oliveira
Cécile Sanz de Alba,
Luís Miguel Cintra
Julio, aged nineteen, has just left the provinces to settle down in the outskirts of Lisbon. He lives there in a poor area with his uncle Afonso and starts working as an apprentice ... See full summary »
Episodes from entire military history of Portugal are told through flashbacks as a professorish soldier recounts them while marching through a Portuguese African colony in 1973. He easily ... See full summary »
Manoel de Oliveira
Luís Miguel Cintra,
The first film in Pedro Costa's transformative trilogy about Fontainhas, an impoverished quarter of Lisbon, Ossos is a tale of young lives torn apart by desperation. After a suicidal teenage girl gives birth, she misguidedly entrusts her baby's safety to the troubled, deadbeat father, whose violent actions take the viewer on a tour of the foreboding, crumbling shantytown in which they live. With its reserved, shadowy cinematography by Emmanuel Machuel (who collaborated with Bresson on L'argent), Ossos is a haunting look at a devastated community. Written by
Before watching this film, and because of what I had been reading about it on the Internet, I thought it was an attempt to capture the feeling of decadence present in the city of Lisbon and its surroundings (if you have been there you know what I mean). But then I saw it. And understood that in a way I was right... it is an attempt, it does not mean that the director was capable of doing so.
The so called "slow movies" or "long shot sequences" cannot, alone, produce a film. "Ossos" seems to be just that, just a bunch of long shots filmed in an extremely slow pace trying to be - by itself - an art-movie. There is here no connection at all between form and content.
The feeling I got from watching this was that anyone could have made the film. No idea was needed, and no money for production I am sure. You just need to film a couple of people staring at the walls, with no script at all, with some shouting in the background.
It is almost impossible to debate this film as it is completely empty as a film. OK, we can discuss the content but as a representation of a piece of reality, leading us the a discussion about something independent from the movie itself. But the film is just that: a big ZERO.
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