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Oscar and Lucinda (1997)

In mid-1800s England, Oscar is a young Anglican priest, a misfit and an outcast, but with the soul of an angel. As a boy, even though from a strict Pentecostal family, he felt God told him ... See full summary »

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Writers:

(novel), (screenplay)

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Nominated for 1 Oscar. Another 10 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Oscar Hopkins
...
...
Reverend Dennis Hasset (as Ciaran Hinds)
...
Hugh Stratton
...
Mr. Jeffries
...
Theophilus
Bille Brown ...
Percy Smith
Josephine Byrnes ...
Miriam Chadwick
...
Wardley-Fish
...
Jimmy D'Abbs
...
Betty Stratton
...
Narrator (voice)
Polly Cheshire ...
Young Lucinda
Gillian Jones ...
Elizabeth Leplastrier
Robert Menzies ...
Abel Leplastrier
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Storyline

In mid-1800s England, Oscar is a young Anglican priest, a misfit and an outcast, but with the soul of an angel. As a boy, even though from a strict Pentecostal family, he felt God told him through a sign to leave his father and his faith and join the Church of England. Lucinda is a teen-aged Australian heiress who has an almost desperate desire to liberate her sex from the confines of the male-dominated culture of the Australia of that time. She buys a glass factory and has a dream of building a church made almost entirely of glass, and then transporting it to Bellingen, a remote settlement on the north coast. Oscar and Lucinda meet on a ship going to Australia; once there, they are for different reasons ostracized from society, and as a result "join forces" together. Oscar and Lucinda are both passionate gamblers, and Lucinda bets Oscar her entire inheritance that he cannot transport the glass church to the Outback safely. Oscar accepts her wager, and this leads to the events that ... Written by M.E. Nelson

Plot Summary | Add Synopsis

Taglines:

They dared to play the game of love, faith, and chance. See more »

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for a scene of sexuality, and for brief violence | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

|

Release Date:

31 December 1997 (USA)  »

Also Known As:

Oscar e Lucinda  »

Box Office

Budget:

AUD 16,000,000 (estimated)

Opening Weekend:

$137,163 (USA) (2 January 1998)

Gross:

$1,508,689 (USA) (13 March 1998)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Goofs

In that the Pentecostal Church / Movement came into existence in 1906, it would be impossible for "Oscar" to have grown up in a "Pentecostal" home. See more »

Quotes

[last lines]
Narrator: When Dennis Hasset told Lucinda the baby's history, she had only one thought in mind.
[Lucinda growls]
Narrator: [laughing]
[laughing]
Narrator: A dream, a lie, a wager - love. This is the story Lucinda gave to my grandfather... and I give to you.
Oscar Hopkins: [as Oscar's Great Grandson] All right. Let's go home.
[Oscar's Great Great Granddaughter nods]
Oscar Hopkins: Yeah? Check for rocks.
[Choir singing]
See more »

Connections

Referenced in Lost in Austen: Episode #1.3 (2008) See more »

Soundtracks

Motet - Os Justi
Written by Anton Bruckner
Performed by La Chapelle Royale / Collegium Vocale Ghent
Ensemble Musique Oblique
Conducted by Philippe Herreweghe
Courtesy of Harmonia Mundi S.A. France
See more »

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User Reviews

The Best Film You Never Seen...
14 September 2003 | by (Ithaca, NY) – See all my reviews

Based on Australian novelist, Peter Carey's award-winning book, Oscar and Lucinda, this is a faithful period piece about iconoclasts and their attempt to find love and purpose in strait-laced society despite their fears and obsessions.

Ralph Fiennes and Cate Blanchett have glorious, quirky chemistry in the title roles. Ralph Fiennes is such a mercurial actor that while watching this film, it's hard to believe this is the same man that played Amon Goeth in Schindler's List and Charles Van Doren in Quiz Show.

Cate Blanchett was discovered by Director Shekhar Kapur and awarded the title role in Elizabeth as a result of her natural, unforced acting in this little-seen Gillian Armstrong film. Brilliantly adapted, visually stunning, and (above all) extremely well-acted this is a film that it would be sad to miss.


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