| Photos (see all 12 | slideshow) |
| Douglas Henshall | ... | Michael | |
| Gary Lewis | ... | Thomas | |
| Rosemarie Stevenson | ... | Sheila | |
| Stephen McCole | ... | John | |
| Ann Swan | ... | Mother of Family | |
| Gilbert Martin | ... | Frank | |
| Jan Wilson | ... | Sandra (Woman in Bar) | |
| Lenny Mullan | ... | Julian (Bar Manager) | |
| Malcolm Shields | ... | Duncan | |
| June Brogan | ... | Mona | |
| Paul Doonan | ... | Lenny (Duncan's brother) | |
| Linda Cuthbert | ... | Evelyn (Waitress in Bar) | |
| Lex Keith | ... | Himself | |
| Hugh Ferris | ... | Himself | |
| Joel Strachan | ... | Neil (Lad in Toilet) | |
| Tam White | ... | Alistair (Taxi Driver) | |
| Vanya Eadie | ... | Maria (Receptionist at Evettes) | |
| Dorothy Jane Stewart | ... | Margaret | |
| Michael Mallon | ... | Rab (Cheeky Boy in Street) | |
| Alan Gracie | ... | James (Cheeky Boy in Street) | |
| Jim Twaddale | ... | Liam (Bus Driver) | |
| Frank Gallagher | ... | Tanga | |
| Eric Barlow | ... | Mr. Bell | |
| Frances Carrigan | ... | Mrs. Bell | |
| Judith A. Williams | ... | Amanda (Baby-sitter) | |
| Michael Sharpe | ... | David (Michael's Son) | |
| Laura O'Donnell | ... | Carole | |
| Lee-Ann McCran | ... | Anne Marie (Paper-girl) | |
| Debbie Welsh | ... | Melissa (Paper-girl) | |
| Donna Chalmer | ... | Bernadette (Paper-girl) | |
| Sarah Hepburn | ... | Louise (Carole's Sister) | |
| Deirdre Davis | ... | Alison (Carole's Mum) | |
| Sheila Donald | ... | Mrs. Finch | |
| Martha Leishman | ... | Alice | |
| Catherine Connell | ... | Angela (Michael's Daughter) | |
| John Comerford | ... | Ed (Carole's Dad) | |
| Stephen Docherty | ... | Alastair (Barman in Pub) | |
| Alex Norton | ... | Hanson | |
| Louise Dunn | ... | Moira (Woman Collecting) | |
| Luke Coulter | ... | Paper Boy (In Pub) | |
| Laurie Ventry | ... | Henry (In Basement) | |
| Maureen Carr | ... | Minnie (In Basement) | |
| Steven Singleton | ... | Seamus (In Basement) | |
| Kate Brailsford | ... | Deaf Boy's Mum | |
| Luka Kennedy | ... | Fraser (Deaf Boy) | |
| Helen Devon | ... | Jessica (Woman in Tube) | |
| Josie Aitken Sheridan | ... | Duncan's Baby | |
| Seamus Ball | ... | Father Fitzgerald | |
| Dave Anderson | ... | Uncle Ian | |
| Robert W. Carr | ... | Mr. Leitch (Undertaker) (as Robert Carr) | |
| Jenny Swan | ... | Aunt Geraldine | |
| rest of cast listed alphabetically: | |||
| Mary Wells | ... | PC McGiffen (uncredited) | |
Directed by | |||
| Peter Mullan | |||
Writing credits(in alphabetical order) | ||
| Peter Mullan | writer | |
Produced by | |||
| Frances Higson | .... | producer | |
| Paddy Higson | .... | executive producer | |
Original Music by | |||
| Craig Armstrong | |||
Cinematography by | |||
| Grant Cameron | |||
Film Editing by | |||
| Colin Monie | |||
Casting by | |||
| Doreen Jones | |||
Production Design by | |||
| Campbell Gordon | |||
Art Direction by | |||
| Frances Connell | |||
Costume Design by | |||
| Lynn Aitken | |||
Makeup Department | |||
| Claire Davies | .... | makeup assistant | |
| Sara Kramer | .... | makeup assistant | |
| Anastasia Shirley | .... | makeup artist | |
Production Management | |||
| Miara Martell | .... | production manager (as Martell) | |
Art Department | |||
| Paul Curren | .... | painter | |
| Jim Davers | .... | dressing props | |
| Caroline Grebbell | .... | art department assistant | |
| Cliona Harkin | .... | assistant art director | |
| Christopher Higson | .... | stand-by carpenter (as Chris Higson) | |
| Mike Ireland | .... | prop buyer | |
| Scott Keery | .... | stand-by props | |
| William Maxwell | .... | stand-by stagehand | |
| Alan Reid | .... | storyboard artist | |
| David Reilly | .... | prop master | |
| Alex Robertson | .... | carpenter | |
| Tony Sheridan | .... | stand-by props | |
| Danny Sumsion | .... | construction manager | |
| Billy Wilson | .... | stand-by rigger | |
Sound Department | |||
| Peter Brill | .... | sound recordist | |
| Felicity Cottrell | .... | foley artist | |
| John Fitzgerald | .... | assistant dubbing mixer | |
| Pat Hayes | .... | dubbing mixer | |
| Lorraine Keiller | .... | dialogue editor | |
| Bronek Korda | .... | additional adr artist | |
| Alastair Mason | .... | sound trainee | |
| Peter Murphy | .... | boom operator | |
| Mike Prestwood Smith | .... | adr mixer | |
| Mike Prestwood Smith | .... | adr recordist | |
| Lionel Selwyn | .... | foley artist | |
| Ted Swanscott | .... | foley recordist | |
| Hilary Wyatt | .... | supervising dubbing editor | |
Special Effects by | |||
| Stuart Brisdon | .... | special effects supervisor | |
| Nik Cooper | .... | special effects operator (as Nick Cooper) | |
| Mark Haddenham | .... | special effects operator | |
| Colin Tilley | .... | special effects operator | |
| Mike Tilley | .... | special effects operator | |
Visual Effects by | |||
| Steve Corduroy | .... | model construction | |
| Cliff Culley | .... | matte artist | |
| Neil Culley | .... | model camera operator | |
| Richard Dimbleby | .... | optical printer operator (as Dick Dimbleby) | |
| Roy Field | .... | visual effects | |
Stunts | |||
| Danielle da Costa | .... | stunts | |
| Nrinder Dhudwar | .... | stunts | |
| Steve Griffin | .... | assistant stunt coordinator | |
| Ray Nicholas | .... | stunts | |
| Nick Powell | .... | stunt coordinator | |
| Stuart Stark | .... | assistant stunt coordinator | |
| Nick Wilkinson | .... | stunts | |
Camera and Electrical Department | |||
| John Adamson | .... | electrician | |
| Stuart Bunting | .... | grip | |
| Chris Burns | .... | focus puller: second unit | |
| Eddie Burt | .... | grip | |
| Fraser Campbell | .... | electrician | |
| Oliver Cheesman | .... | camera operator: second unit | |
| Kathy Friend | .... | focus puller: second unit | |
| Joe Gormley | .... | camera trainee | |
| Paul McGeachan | .... | best boy | |
| Kirstin McMahon | .... | clapper loader | |
| Alan McSheehy | .... | focus puller: second unit | |
| Mark Ritchie | .... | gaffer | |
| Jonathan Sykes | .... | focus puller | |
| Francis Todd | .... | focus puller | |
| John Ward | .... | Steadicam operator | |
| Alan Wylie | .... | still photographer | |
Casting Department | |||
| Lenny Mullan | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Margie Fortune | .... | wardrobe supervisor | |
| Carole Miller | .... | wardrobe assistant | |
Editorial Department | |||
| Giles Burgess | .... | third assistant editor | |
| David Gibson | .... | first assistant editor | |
| Lorraine Keiller | .... | second assistant editor | |
| Sylvia Wheeler | .... | negative cutter | |
Music Department | |||
| Sarah Dolan | .... | music assistant | |
| Sandy Dworniak | .... | music supervisor | |
| Paul Hulme | .... | music engineer | |
| Richard T. Norris | .... | music programmer | |
| Roger Pollen | .... | orchestra contractor | |
Other crew | |||
| Gillian Berrie | .... | production coordinator | |
| John Booth | .... | location manager | |
| Neil Cairns | .... | trainee accountant | |
| Louise Coulter | .... | production accountant | |
| Emma Davie | .... | assistant to the company | |
| Robert Etherson | .... | location assistant | |
| Michael Higson | .... | location assistant | |
| John McKain | .... | assistant accountant | |
| Mark Murdock | .... | floor runner | |
| Emma Olver | .... | stand-in | |
| Jessica Rundle | .... | production assistant | |
| Bernard Shepherd | .... | armorer | |
| Paul Shirley | .... | stand-in | |
| Janis Watt | .... | script supervisor | |
| Shirley Whiteside | .... | unit publicist | |
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| Big Fish | 24 7: Twenty Four Seven | Priest | A Sense of Freedom | Let Him Have It |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb UK section | Add this title to MyMovies |
When I checked this film on IMDB, I was surprised. Not by the popular rating, 6.7 out 10 is a good mark but by the number of votes. Only, 368 votes! How can such a good movie by largely ignored by the public?
Peter Mullan in the world of British cinema is especially known as an actor. We remember his performance in the trendy "Trainspotting" (1996) where he acted the role of a heroin supplier. With "Orphans", he decided to display his gifts as a director. He chose wisely. His real debut movie is, by any standards a remarkable one. However I am obliged to recognize that for his first direction, the place of the action which the city of Glasgow in Scotland has nothing welcoming. Indeed, most of its inhabitants are narrow-minded or unpleasant. I read a few reviews about Mullan's film and all of them had said that Glasgow's inhabitants are really like this. If it is true, truth is stranger than fiction.
But also Mullan for his first directing chose a tough topic: what can be the childrens' reactions following the death of their mother? To answer this question, the filmmaker divided his movie in 4 individual parts. Each one focuses on one of the 4 main characters. Thus, we can say the following answer to the quoted question: either with violence (John, the college boy who tries to prove himself as a hard man) either with obstinacy (Thomas, the holier-than-thou chief mourner who wants everything to be perfect for their mother's funeral). As for the two others, Michael and Sheila, they feel especially lost. What Mullan tries to reveal to the spectator is that these reactions are necessary because this painful hardship represents for them the definitive transition in adulthood and maturity. The very last sequence shows the three brothers and the disabled sister together and they seem more united.
"Orphans" is a movie that swings between humor and poignancy, violence and calm with ease. Moreover, the moment when the roof of the church is torn off by the wind gives the film a little surrealist air. In short, it easily ranks among the best British movies of the nineties and it deserves to be better known. At last, given the success of "the Magdalene sisters" in 2003, Peter Mullan is well away to become one of the finest British directors of these last years.