MOVIEmeter
SEE RANK
Up 22,129 this week

Onibi (1997)

7.1
Your rating:
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Ratings: 7.1/10 from 158 users  
Reviews: 2 user | 18 critic

A yakuza hitman gets out of jail and decides to start a new life, but soon his old life catches up with him.

Director:

0Check in
0Share...

On Disc

at Amazon

User Lists

Related lists from IMDb users

a list of 46 titles
created 16 Oct 2011
 
a list of 1285 titles
created 25 Nov 2011
 
a list of 490 titles
created 14 May 2013
 
a list of 67 titles
created 16 Nov 2013
 
a list of 24 titles
created 2 weeks ago
 

Related Items

Search for "Onibi" on Amazon.com

Connect with IMDb


Share this Rating

Title: Onibi (1997)

Onibi (1997) on IMDb 7.1/10

Want to share IMDb's rating on your own site? Use the HTML below.

Take The Quiz!

Test your knowledge of Onibi.
7 wins. See more awards »
Learn more

People who liked this also liked... 

Kamikaze Taxi (1995)
Action
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

A young foot soldier in the yakuza seeks revenge when his prostitute girlfriend dies after a session with a high-ranking Japanese politician with a taste for torture. He sets out on a '... See full summary »

Director: Masato Harada
Stars: Kôji Yakusho, Kazuya Takahashi, Mickey Curtis
Outrage (2010)
Crime | Drama
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

The boss of a major crime syndicate orders his lieutenant to bring a rogue gang of drug traffickers in line, a job that gets passed on to his long-suffering subordinate.

Director: Takeshi Kitano
Stars: Takeshi Kitano, Kippei Shîna, Ryô Kase
Koi gokudo (1997)
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  
Director: Rokuro Mochizuki
Stars: Yoshio Harada, Shôhei Hino, Shunsuke Matsuoka
Rainy Dog (1997)
Crime | Drama
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

A Japanese assassin stranded in Taiwan must take work from a local crime boss to make ends meet when suddenly a woman from his past delivers a son to him.

Director: Takashi Miike
Stars: Shô Aikawa, Li Wei Chang, Shih Chang
Tokyo Mafia (1995)
Action | Crime
    1 2 3 4 5 6 7 8 9 10 6/10 X  
Director: Seiichi Shirai
Stars: Riki Takeuchi, Masayuki Imai, Reiko Yasuhara
Dead or Alive (1999)
Action | Comedy | Crime
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

A yakuza of Chinese descent and a Japanese cop each wage their own war against the Japanese mafia. But they are destined to meet. Their encounter will change the world.

Director: Takashi Miike
Stars: Shô Aikawa, Riki Takeuchi, Renji Ishibashi
Crime | Drama
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

In the teeming black markets of postwar Japan, Shozo Hirono (Bunta Sugawara) and his buddies find themselves in a new war between factious and ambitious yakuza... See full synopsis »

Director: Kinji Fukasaku
Stars: Bunta Sugawara, Hiroki Matsukata, Kunie Tanaka
Izo (2004)
Action | Drama | Fantasy
    1 2 3 4 5 6 7 8 9 10 6.2/10 X  

An executed samurai takes an existential journey throughout time, space and eternity in search of bloody vengeance.

Director: Takashi Miike
Stars: Kazuya Nakayama, Kaori Momoi, Ryûhei Matsuda
Brother I (2000)
Crime | Drama | Thriller
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

A Japanese gangster is exiled to Los Angeles where his brother lives with a small but respectable multi-racial gang, who he inspires to expand their influence.

Director: Takeshi Kitano
Stars: Takeshi Kitano, Claude Maki, Omar Epps
Action | Crime
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

A yakuza, who has an untamed rage and lack of respect for authority, finds himself leading the remnants of the gang he once belonged to in order to secure an area of their own.

Director: Kinji Fukasaku
Stars: Bunta Sugawara, Noboru Andô, Mayumi Nagisa
Gozu (2003)
Crime | Drama | Horror
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

A yakuza enforcer is ordered to secretly drive his beloved colleague to be assassinated. But when the colleague unceremoniously disappears en route, the trip that follows is a twisted, surreal and horrifying experience.

Director: Takashi Miike
Stars: Yûta Sone, Shô Aikawa, Kimika Yoshino
Pale Flower (1964)
Crime | Thriller
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

Muraki, a hardboiled Yakuza gangster, has just been released from prison after serving a sentence for murder. Revisiting his old gambling haunts, he meets Saeko, a striking young ... See full summary »

Director: Masahiro Shinoda
Stars: Ryô Ikebe, Mariko Kaga, Takashi Fujiki
Edit

Cast

Cast overview, first billed only:
...
Noriyuki Kunihiro
Reiko Kataoka ...
Asako Hino
Shô Aikawa ...
Naoto Tanigawa
...
Hideyuki Sakata (as Yasushi Kitamura)
Ryûshi Mizukami ...
Hanamura
Hiroyuki Tsunekawa ...
Satoshi Fujima
Ryûji Yamamoto ...
Hiroshi Fujima
Yoshiaki Fujita ...
Kinjo
Ei Kawakami ...
Yoshida
Toshihiro Kinomoto ...
Aoki
Seiroku Nakazawa ...
Nagashima
Masai Ikenaga ...
Kizaki
Eiji Minakata ...
Kanigawa
...
Driving School Teacher
Yukio Yamanouchi
Edit

Storyline

A yakuza hitman gets out of jail and decides to start a new life, but soon his old life catches up with him.

Plot Summary | Add Synopsis

Plot Keywords:

yakuza | hitman | See All (2) »

Genres:

Drama | Thriller

Certificate:

See all certifications »
Edit

Details

Country:

Language:

Release Date:

19 April 1997 (Japan)  »

Also Known As:

The Fire Within  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Color:

Aspect Ratio:

1.85 : 1
See  »
Edit

Did You Know?

Trivia

An outbreak of E. Coli in Osaka at the time of filming made it difficult to secure a number of locations, such as the swimming pool (shot at the Osaka YMCA) or the scene involving Kunihiro's roommate found dead in the river. For the latter scene, the actor would only enter the water after wrapping himself from the waist down in food-service film. (The water leaked in anyway.) See more »

Connections

Referenced in Ban the Sadist Videos! (2005) See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
Onibi not bad, only could be better
31 October 2005 | by (London) – See all my reviews

Director Rokuro Mochizuki started his career in the Japanese porno industry before making his name with some strikingly characteristic work in the 1990s, a success contemporary with other industry colleagues such as Kiyoshi Kurosawa and Takashi Miike. Unlike these two however, Mochizuki has made less of an impact in recent years and, together with his Another Lonely Hit-man (1995). Onibi - The Fire Within is probably his best - or at least judged so from those seen so far in the west. As is frequently common practice in the conservative Nipponese film industry, where art house work is typically 'smuggled' to audiences in the guise of genre pieces, Mochizuki often works within the yakuza film, creating his own distinct style within the frequently considerably stretched boundaries of the gangster narrative. The 'fire within' of the title here refers to the flame of existence, something akin to essential essence, or the soul. At one point in the film there is reference to the ghost of a victim, materialising next to the killer immediately after an assassination and hero Kunihiro affirms its existence. But it more specifically refers to the hero's special kind of strength, recognised by those who befriend him upon his release: "You're just like a cultural asset," says his new boss, before Kunihiro's dry response: "and you want me to explode when necessary."

After so many years in prison he has had to rely upon this inner spirit to survive, a process that has become formalised through a love of classical music. He has also made the close acquaintance of Hideyuki Sakata and the suggestion is that their relationship, at least while inside, is more than that of close friends. Refusing a large amount of money to welcome him back to the gang immediately upon his release, Kunihiro has problems settling in, and there's a sense that he feels ill at ease with the gangsters of today. Instead of money from his new contacts, Kunihiro unexpectedly asks for a camera, through which he captures elements of his new environment, as well as establishing his own presence and viewpoint within it. Initially unable to connect even on the most rudimentary physical level with the female piano player Asako the film sees Kunihiro seeking to re-enter society though a series of what might be called meditative vignettes, the success of which brings him closer to Asako and her plight. Just as in Another Lonely Hit-man, it takes a woman to draw the chief protagonist back into normal life, and with similarly disastrous results. Similar to the earlier film too is the importance of photography. It is only when Asako asks the hit-man to help kill a man who has nude photographs of her that his re-assimilation begins in earnest, to the point that he later breaks into her house to retrieve her photo albums (which, ironically, she then refuses to look at). Some have seen the director's especial concern with cameras as a wider metaphor for his own interest in the nature of representation - Mochizuki was educated at Image Forum, an experimental film academy - an interpretation born out, perhaps by the final image of Kunhiro at the close, the most artificial shot in the film.

The Fire Within's source is from a story by a former lawyer of the Yamaguchi crime syndicate and presumably the original was based in brutal fact. Mochizuki brings a whole dimension of his own to the adaptation, in an exploration of outward image and real identity. Critic Tom Mes, for one, has no doubt as to the success of the result calling Onibi "the best Japanese film of the last 15 years" - a judgement at which this viewer, at least, would hesitate. Mochizuki's film is an extremely subtle one - but it has to be said that its calm surface is rather like a mirror, in which the more one stares in the hope of seeing, the more is reflected back - opportunities for this activity existing aplenty due to the slow, emphatic pacing throughout. Does Kunihiro distance himself from his fellow gangsters through an existential desire to be free for instance, or is he simply stunned and still trying to readjust to the new set of operations after 27 years? Chief actor Yoshio Harada (seen more recently in Azumi, 2003) and the also excellent 9 Souls, has had a long and distinguished film career. The depiction of Kunihiro was something of a change for him, as previously he had cultivated a macho action image on screen, "a long haired whirling dervish of controlled passion and anger," in such films as Fukusaku's Triple Cross and on that basis had amassed a large following. In the present film he excels in showing a great spirit in repose rather than action, turning himself into a different kind of actor completely.

The casual viewer will find the trance-like elements of this film either distancing or profound, according to taste. Notable is a scene set in a swimming pool (shot under difficult conditions during an E. Coli outbreak in Osaka) where the camera spends long moments on the participants, finding its own rhythm and pleasure though the play of elegant instrumentals. Mochizuki's use of music like this, to bring out the inherent mood and raptness of scenes, reminded this viewer of Kubrick's Barry Lyndon - a very different film indeed, but one which also contained moments of stillness and poise where the score, too, hinted at emotions laying below calm exteriors. Another director who springs to mind, closer to home, is Takeshi Kitano. He similarly places moments of Zen-like calm in his gangster films, including a fondness for water, only to interrupt such placid moments with abrupt violence. If Mochizuki is not quite as memorable as Kitano, his film is one which repays re-viewing for the patient fan, although those who seek their yakuza flicks with more up-front concerns will best advised to look elsewhere.


7 of 12 people found this review helpful.  Was this review helpful to you?

Message Boards

Discuss Onibi (1997) on the IMDb message boards »

Contribute to This Page

Create a character page for:
?