Los Angeles advertisement director Max visits his friend, artist Charlie, who was diagnosed with A.I.D.S. in New York. There he meets Karen, they are attracted to each other and after they ... See full summary »
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Confused, non-linear film tells the sexual story of a film director from his life at age 5, age 12, age 16, a man embarking on his first film in 1950's Tunisia, and finally to his current ... See full summary »
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Robert Downey Jr.,
Natasha Gregson Wagner
Rosa Lynn sends her druggie daughter Loretta and her children Thomas and Tracy away from the big city to live with their uncle Earl in the ancestral home in rural Mississippi. Earl puts ... See full summary »
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Robert Downey Jr.,
Los Angeles advertisement director Max visits his friend, artist Charlie, who was diagnosed with A.I.D.S. in New York. There he meets Karen, they are attracted to each other and after they meet later that day at the concert, they have a passionate night. Then he returns home to L.A. to his family and wife Mimi. A year later Max returns to New York again to visit Charlie who is now dying, and there he meets Karen again, who is married to Charlie's brother Vernon. Written by
In his autobiography Hollywood Animal, Eszterhas states that his completed script was 90% dialogue and that Michael De Luca, New Line's head of production, told him that the company's employees liked the script so much that they were going around the office reciting lines of dialogue. See more »
The photo that Max takes of Charlie gets mirrored when printed (for his funeral). See more »
This movie is different from others in a sense that there's no good guy and bad guy line here. Nobody's perfect and nobody's totally wrong. However, in order to show Max-Caren pair as "unfaithful" as Mimi-Vernon pair, the event that was taking place outside the party was too imposed and simplistic. Some better idea should have come there. Extra-marital relationship is very complicated subject and deserves lot of thought. This movie at least provokes that kind of thought, though in a very simple way.
Ming-Na Wen and Wesley Snipes were over-acting on some occasions. Wesley's ad-firm colleagues were unnecessarily shown as stupid. However, Robert Downey Jr.'s part was superb, though his character was not directly related to the movie's main story. I was moved by him talking to Wesley about "life's like an orange". Some people here found Nastassja Kinski boring. I completely disagree. She was not blabbing, that's true, but look at her subtle facial expressions. One will rarely find this talent in Hollywood stars' face.
Another feature in this movie that I liked very much is the natural relationship between Black-White-Asian, which I can hardly find in a Hollywood movie unless the theme of the movie is race discrimination or something alike.
I give it a little above average credit. With better acting and little modification in the script this could be an extraordinary movie.
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