Los Angeles advertisement director Max visits his friend, artist Charlie, who was diagnosed with A.I.D.S. in New York. There he meets Karen, they are attracted to each other and after they ...
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Two girls, Carla and Lou meet on the street outside a loft waiting for their boyfriends. In a short time, they find out that they're waiting for the same guy - young actor Blake, who said ... See full summary »
Robert Downey Jr.,
Natasha Gregson Wagner
Friends for ten years, a group of twenty-somethings head for the ski slopes as guests of Ian's father. (Ian and dad are estranged because dad worked too many hours when Ian was a lad.) Dad ... See full summary »
Two affairs, a generation apart. Nick, a professor of architecture in upstate New York, comes to an Illinois town to be with his birth mother in the final days of her illness; he was ... See full summary »
Destiny. Faith (Marisa Tomei) believes that two soul-mates can be united if they find each other. From the Ouija board, she has found the name of her missing half, and it is D-A-M-O-N ... See full summary »
Robert Downey Jr.,
The housewife Claire Cooper is married with the pilot Paul Cooper and their little daughter Rebecca is their pride and joy. When a stranger kidnaps a girl, Claire dreams about the man but ... See full summary »
Robert Downey Jr.,
Lawyer Rick Magruder has a one-night-stand affair with caterer Mallory Doss. He becomes hooked on her, and when he learns her nut-case father Dixon is threatening her, he puts the weight of... See full summary »
Robert Downey Jr.
Los Angeles advertisement director Max visits his friend, artist Charlie, who was diagnosed with A.I.D.S. in New York. There he meets Karen, they are attracted to each other and after they meet later that day at the concert, they have a passionate night. Then he returns home to L.A. to his family and wife Mimi. A year later Max returns to New York again to visit Charlie who is now dying, and there he meets Karen again, who is married to Charlie's brother Vernon. Written by
According to the book "Robert Downey Jr - The fall and rise of the comeback kid", Mike Figgis and Robert Downey Jr. met at Kate Mantilini's, a restaurant on Wilshire Boulevard in Beverly Hills to discuss this movie. Downey arrived two hours late, barefoot, high and carrying a purse with a gun sticking out of it. Figgis was shocked at first but started a conversation anyway. Downey, who had lost a lot of weight because of his addiction, still expected to be offered the lead role of Max. Figgis offered him the part of Charlie, a man dying of AIDS instead. This in turn gave Downey a shock, but after taking a good look in the mirror (and doing a line of coke) he decided to accept the part. See more »
When Charlie finds out about Max and Karen's affair, Karen is wearing dark red nail varnish. By the end of the scene she isn't wearing any. See more »
I don't know what it is with films but some capture the mood for me and some don't. 'Leaving Las Vegas' didn't but this did. So why? The latter didn't receive half the aclaim of the first, but somehow despite 'Las Vegas' being the more technically perfect film 'One Night Stand' was more a more interesting study of Human relationships and how real life is.
I don't think I have seen a better performance from Snipes and Robert Downey Jnr leaves me stunned at why he hasn't been given more leading roles. Downey Jnr is up there with the best of them when it comes to ability and 'Chaplin' should have led to a continuous stream of top dramatic billing, A small but again thoughtful performance from him, never totally stealing the limelight but always there as the part demanded. There are only a few actors that leave me wanting more because of the insight they brought to the character, Pacino, De Niro, Duvall, Hopkins, to name some, but also, strange as it may be, based on the few decent roles he has had, Downey Jnr.
Figgis brings to this film a mood that captivates. The dialogue levels are appalling in places (sound recordists when are you going to learn its no good spending millions on a movie and people working their guts out if we cant hear the bloody thing!) and the story a little rushed at times. It could be compared, for those of you who are musicians, to recording a piece of Jazz or R & B Live in a studio and then quantizing the track so that all the notes and rhythms are absolutely in time, they then sound too mechanical. A little rough round the edges can often make the difference and ironically make the film perfect.
I had a problem with the ending and couldn't figure out why. Then it struck me, when you look at the two dinner scenes it was plain that the foursome only worked with the second arrangement and the end was inevitable thus the attempt by Figgis to make a twist was lost on an audience who were already half expecting that to happen at the first dinner scene, me included.
So flaws aside I still enjoyed this film immensely and certainly give it an above average rating.
On a a final note has anyone seen so many lowly parts played by such reputable British actors, namely Julian Sands, Amanda Donohue, and Ione Skye!
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