Los-Angeles commercials director Max visits his friend, artist Charlie, who was diagnosed with AIDS in New York. There he meets Karen, they are attracted to each other and after they meet ... See full summary »
Friends for ten years, a group of twenty-somethings head for the ski slopes as guests of Ian's father. (Ian and dad are estranged because dad worked too many hours when Ian was a lad.) Dad ... See full summary »
Two girls, Carla and Lou meet on the street outside a loft waiting for their boyfriends. In a short time, they find out that they're waiting for the same guy - young actor Blake, who said ... See full summary »
Robert Downey Jr.,
Natasha Gregson Wagner
Rosa Lynn sends her druggie daughter Loretta and her children Thomas and Tracy away from the big city to live with their uncle Earl in the ancestral home in rural Mississippi. Earl puts ... See full summary »
Claire Cooper dreams strange things from time to time. One night, she dreams about a little girl being taken away by a stranger, right in her neighbourhood. When her own daughter Rebecca is... See full summary »
Robert Downey Jr.,
Lawyer Rick Magruder has a one-night-stand affair with caterer Mallory Doss. He becomes hooked on her, and when he learns her nut-case father Dixon is threatening her, he puts the weight of... See full summary »
Robert Downey Jr.
After losing her job, making out with her soon-to-be former boss and finding out that her daughter plans to spend Thanksgiving with her boyfriend, Claudia Larson faces spending the holiday with her family.
Robert Downey Jr.
Los-Angeles commercials director Max visits his friend, artist Charlie, who was diagnosed with AIDS in New York. There he meets Karen, they are attracted to each other and after they meet later that day at the concert, they have a passionate night. Then he returns home to L.A. to his family and wife Mimi. A year later Max returns to New York again to visit Charlie who is now dying, and there he meets Karen again, who is married to Charlie's brother Vernon. Written by
In his autobiography Hollywood Animal, Eszterhas states that his completed script was 90% dialogue and that Michael De Luca, New Line's head of production, told him that the company's employees liked the script so much that they were going around the office reciting lines of dialogue. See more »
When Charlie finds out about Max and Karen's affair, Karen is wearing dark red nail varnish. By the end of the scene she isn't wearing any. See more »
LEAVING LAS VEGAS affected me like almost no other movie has, so I was bound to find this film somewhat of a let-down, but even I was surprised by how much. In his other films, Figgis has demonstrated he's a master with mood and atmosphere, and he's good here as well. The scene where Max and Karen first meet is nicely played, without too much foreshadowing thrown in. But this is a conventional plot, and try as he might, Figgis isn't able to make it interesting enough. And as much as I hate Joe Eszterhas (whose screenplay this is re-written from), I can't imagine his ending was any worse (or maybe this was his ending).
I'm not a big fan of Kinski to begin with, but to be fair, she has almost nothing to work with, and she does try. And I like Ming-Na Wen, but she's also stuck, she with a too-unsympathetic character. The men come off better; Snipes and MacLachlan are good, but really, the main reason this is worth watching is Robert Downey Jr., who avoids cliche even when his character is dying. Otherwise, you're left wondering, what the hell was the purpose here?
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