Los Angeles advertisement director Max visits his friend, artist Charlie, who was diagnosed with A.I.D.S. in New York. There he meets Karen, they are attracted to each other and after they ... See full summary »
Friends for ten years, a group of twenty-somethings head for the ski slopes as guests of Ian's father. (Ian and dad are estranged because dad worked too many hours when Ian was a lad.) Dad ... See full summary »
Confused, non-linear film tells the sexual story of a film director from his life at age 5, age 12, age 16, a man embarking on his first film in 1950's Tunisia, and finally to his current ... See full summary »
Two girls, Carla and Lou meet on the street outside a loft waiting for their boyfriends. In a short time, they find out that they're waiting for the same guy - young actor Blake, who said ... See full summary »
Robert Downey Jr.,
Natasha Gregson Wagner
Rosa Lynn sends her druggie daughter Loretta and her children Thomas and Tracy away from the big city to live with their uncle Earl in the ancestral home in rural Mississippi. Earl puts ... See full summary »
An aspiring young physician, Robert Merivel found himself in the service of King Charles II and saves the life of a spaniel dear to the King. Merivel joins the King's court and lives the ... See full summary »
Robert Downey Jr.,
Los Angeles advertisement director Max visits his friend, artist Charlie, who was diagnosed with A.I.D.S. in New York. There he meets Karen, they are attracted to each other and after they meet later that day at the concert, they have a passionate night. Then he returns home to L.A. to his family and wife Mimi. A year later Max returns to New York again to visit Charlie who is now dying, and there he meets Karen again, who is married to Charlie's brother Vernon. Written by
Joe Eszterhas wrote the original script, which was a series of loosely-connected sex scenes. When Mike Figgis took over the project and rewrote most of the script, Ezsterhas decided to take his name off the film. See more »
The photo that Max takes of Charlie gets mirrored when printed (for his funeral). See more »
LEAVING LAS VEGAS affected me like almost no other movie has, so I was bound to find this film somewhat of a let-down, but even I was surprised by how much. In his other films, Figgis has demonstrated he's a master with mood and atmosphere, and he's good here as well. The scene where Max and Karen first meet is nicely played, without too much foreshadowing thrown in. But this is a conventional plot, and try as he might, Figgis isn't able to make it interesting enough. And as much as I hate Joe Eszterhas (whose screenplay this is re-written from), I can't imagine his ending was any worse (or maybe this was his ending).
I'm not a big fan of Kinski to begin with, but to be fair, she has almost nothing to work with, and she does try. And I like Ming-Na Wen, but she's also stuck, she with a too-unsympathetic character. The men come off better; Snipes and MacLachlan are good, but really, the main reason this is worth watching is Robert Downey Jr., who avoids cliche even when his character is dying. Otherwise, you're left wondering, what the hell was the purpose here?
7 of 10 people found this review helpful.
Was this review helpful to you?