Aurora and Emma are mother and daughter who march to different drummers. Beginning with Emma's marriage, Aurora shows how difficult and loving she can be. The movie covers several years of ... See full summary »
James L. Brooks
Recent college graduate Benjamin Braddock is trapped into an affair with Mrs. Robinson, who happens to be the wife of his father's business partner and then finds himself falling in love with her daughter, Elaine.
New York City. Melvin Udall, a cranky, bigoted, obsessive-compulsive writer, finds his life turned upside down when neighboring gay artist Simon is hospitalized and his dog is entrusted to Melvin. In addition, Carol, the only waitress who will tolerate him, must leave work to care for her sick son, making it impossible for Melvin to eat breakfast. Written by
Jon Reeves <firstname.lastname@example.org>
At the 1998 Oscar ceremony, when his name was announced as the winner of the Best Actor award, Jack Nicholson ascended to the podium by carefully stepping over the cracks between the tiles on the stage, in imitation of his character, Melvin Udall. Nicholson dedicated his Oscar to his A Few Good Men (1992) co-star J.T. Walsh who had died shortly before the Academy Awards in 1998. See more »
When Carol tells Melvin that he can bring the dog into the restaurant, her mouth isn't moving. See more »
Okay... What I do is, I watch. Ever watch somebody who doesn't know you're watching them? An old woman sitting on a bus? Or kids going to school? Somebody just waiting, and you see this flash come over them. And you know immediately that has nothing to do with anything external because that hasn't changed. They're just sort of realer and more alive. You look at someone long enough, you discover their humanity.
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In cast credits dogs are credited as: Verdell - Jill Supporting dogs - Timer, Billy See more »
"As Good As It Gets" boasts a splendid, delightful combination of wonderful, zesty acting and a remarkably bright and effective screenplay. Jack Nicholson is pitch-perfect as the obsessive-compulsive curmudgeon Melvin Udall, who possesses some of the strangest and most curious tendencies ever concocted by screenwriters; his Udall is so human, so heartfelt, so genuine, and so whimsical and Nicholson perfects him to such a degree that not a moment of his screen time is unwanted or uninteresting: in my valid opinion, this is Nicholson's best performance of his career, and one of the most reverent performances in film history. What an engaging, enthralling story: an troubled, insecure man helps a troubled, insecure waitress (troubled and insecure in different respects), and the two form an unlikely relationship from being distant acquaintances (Hunt even exclaims that Nicholson is crazy in their most uncomfortable moment in the film) to practical soul mates (Nicholson to Hunt: "I feel that I'm the only person that knows that you are the greatest woman alive"), through a series of misfortunes, self-explorations, and mutual bondings. Kinnear's character Simon has the distinct purpose in being both the bridge and the divider of Nicholson and Hunt's relationship, and he identifies with his character with compassion and understanding, as he has frequently been wronged throughout his existence. The most curious aspect to a story such as this, involving such unduly, diverse characters: a miserable recluse, a zesty, yet insecure waitress, and a sensitive and insightful, yet wronged homosexual, is that in their distinct differences, they share many of the same problems, and these problems eventually bring them all together, although hardly in a civilized manner. I appreciated practically every element in this wonderful, delightful masterpiece of exemplary romantic comedy, in its indelible acting (Oscars well deserved), its whimsical, touching screenplay (This was neons above "Good Will Hunting"'s quality) and its comforting morale, that despite all of the great odds in life which prevent us from being happy, we can perhaps find it within ourselves to take that one important step in reversing our fortunes, in "stopping with taking pills" and to allow our lives, and our desires to shine and be realized, as this story depicts life. The best romantic comedy, certainly the best film of 1997, and one of the greatest films of all time, "As Good As It Gets" succeeds in practically every entertaining and endearing cinematic respect. **** out of ****
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