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As Good as It Gets (1997)

A single mother/waitress, a misanthropic author, and a gay artist form an unlikely friendship after the artist is assaulted in a robbery.

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Writers:

(story), (screenplay) | 1 more credit »
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Won 2 Oscars. Another 35 wins & 49 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
...
...
Beverly
...
Jackie
...
Nora
...
Verdell (as Jill)
Timer the Dog ...
Supporting Dog (as Timer)
Billy the Dog ...
Supporting Dog (as Billy)
Bibi Osterwald ...
Neighbor Woman
Ross Bleckner ...
Carl
...
Caterer
Jaffe Cohen ...
Partygoer
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Storyline

New York City. Melvin Udall, a cranky, bigoted, obsessive-compulsive writer, finds his life turned upside down when neighboring gay artist Simon is hospitalized and his dog is entrusted to Melvin. In addition, Carol, the only waitress who will tolerate him, must leave work to care for her sick son, making it impossible for Melvin to eat breakfast. Written by Jon Reeves <jreeves@imdb.com>

Plot Summary | Plot Synopsis

Taglines:

A comedy from the heart that goes for the throat. See more »

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 on appeal for strong language, thematic elements, nudity and a beating | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 December 1997 (USA)  »

Also Known As:

Old Friends  »

Box Office

Budget:

$50,000,000 (estimated)

Opening Weekend:

$12,606,928 (USA) (28 December 1997)

Gross:

$148,478,011 (USA)
 »

Company Credits

Production Co:

,  »
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Technical Specs

Runtime:

Sound Mix:

|

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Shirley Knight's real-life actress daughter, Kaitlin Hopkins, has a cameo in this film. Her character bumps into Helen Hunt, who plays her onscreen daughter, in the lobby. See more »

Goofs

When Carol returns from the dinner with Melvin is dark night but when Simon rips his cast to draw her, there is light coming from the window in the back. See more »

Quotes

Simon Bishop: Thank you, Melvin. You... overwhelm me.
[pauses]
Simon Bishop: I love you.
Melvin Udall: I tell you, buddy... I'd be the luckiest guy alive if that did it for me.
See more »

Crazy Credits

In cast credits dogs are credited as: Verdell - Jill Supporting dogs - Timer, Billy See more »


Soundtracks

FOR SENTIMENTAL REASONS (I LOVE YOU)
Written by Deek Watson and Willie Best (as William Best)
Performed by Nat 'King' Cole (as Nat King Cole)
Courtesy of Capitol Records
Under license from EMI-Capitol Music Special Products
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
How to create something out of nothing? Ask Mark Andrus and Jim L. Brooks
19 April 2000 | by (Zagreb, Croatia) – See all my reviews

Really, how to make something original, fresh and odd out of absolutely nothing except a few characters? Using characters, only characters and nothing except characters. That's the simple formula Brooks uses in all of his work, but, for me, he has never created so much charm, warmth and sensibility as he did in `As good as it gets'.

Characters write the screenplay in this movie, and everything that happens - happens because of what they are. They are nothing special – they are ordinary people we meet in the street every day and that have the same problems a lot of other people have. This movie presents the example of how much you can pull out of that. And if that is written as well as it is in this case, not even a happy ending can bother you. Because, in real life, shown here, what is the end?

Everything is good and warm in this movie, everything is fresh and vivacious, understandable and well performed. Jack Nicholson brings one of the best performances of his career, that terrific Helen Hunt finally got a chance to show how skilfully an actor can connect naturalism with the laws of the camera performance, and Greg Kinnear shows the most convincing emotions coming from a gay character I've ever seen.

The relationships between the characters are created in the way that you can't predict anything that's going to happen, eventhough you know in advance what could come out of their mouth and what kind of attitude they'll have in a certain situation.

You can simply feel the progressive collaboration that occurred between Brooks and the actors and the mutual understanding they developed, and it's not often that you see that kind of artistic superstructure shining on the screen so much as it does here.

I find `As good as it gets' complexed, vital, intelligent, emotionally deep and studied, fresh, original, amusing, cheerful, funny, and one of the best films of 1997.


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