Fernando, a journalist, and his friend César join terrorist group MR8 in order to fight Brazilian dictatorial regime during the late sixties. Cesare, however, is wounded and captured during...
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Cássia Kis Magro
The lively João Grilo and the sly Chicó are poor guys living in the hinterland who cheat a bunch of people in a small Northeast Brazil town. But when they die, they have to be judged by ... See full summary »
André, relatively poor, falls in love with Silvia, a neighbor whom he spies with a telescope. Falling more and more in love with her, he begins to follow her around the city and realizes ... See full summary »
Renata de Lélis,
Fernando, a journalist, and his friend César join terrorist group MR8 in order to fight Brazilian dictatorial regime during the late sixties. Cesare, however, is wounded and captured during a bank hold up. Fernando then decides to kidnap the American ambassador in Brazil and ask for the release of fifteen political prisoners in exchange for his life. Written by
Salvatore Santangelo <email@example.com>
According to an interview, the director Bruno Barreto cut out one scene where Alan Arkin's character appeared speaking his lines in Portuguese. Alan was very disappointed by the fact that this scene was removed. See more »
(at around 1h 16 mins) Shortly before 8:30 PM on the final day, late in the countdown to 10:00 PM, Maria's watch clearly shows the hands at approximately 9:32. See more »
The year is 1969. Brazil is under a brutal military dictatorship. Political prisoners are being held and tortured. In order to get the junta to free some of their comrades, a group of ragtag "revolutionaries" kidnap the U.S. Ambassabor and threaten his life unless their demands are met.
Well-written and tense, the film ably demonstrates the flaws of people trying to fight fire with fire: "an eye for and eye". Alan Arkin is wonderful as the ambassador. His character gives incisive psychological sketches of his kidnappers: fervent and brooding; yearning and lost.
Fernanda Torres and Pedro Cardoso are marvelous as comrades who become lovers by their admittance of how really scared they are.
My subject line refers to a line in the script that aptly describes the bending of the political spectrum at its ends. I'm glad I found this movie.
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