The third film in a trilogy by writer-director Gregg Araki. Described as "90210 on acid", the film tells the story of a day in the lives of a group of high school kids Los Angeles and the strange lives they lead.
Jordan White and Amy Blue, two troubled teens, pick up an adolescent drifter, Xavier Red. Together, the threesome embark on a sex and violence-filled journey through an America of psychos and quickiemarts.
An average, calm mid-20s girl named Veronica restarts her dead dating life all of the sudden, but with two guys: a sensitive failed writer named Abel and an airheaded drummer named Zed. At ... See full summary »
In a country (alluded to be Chile) under dictatorship, a police night raid comes up with a few usual anti-regime suspects. They are sent to a camp in the middle of nowhere. Their friends on the outside start to plan their escape.
Luigi Maria Burruano
A group of teenagers try to sort out their lives and emotions while bizarre experiences happen to each one, including alien abductions, bad acid trips, bisexual experiences, suicides, bizarre deaths, and a rape by a TV star. All of this happens before "the greatest party of the year". Written by
Parca Mortem <firstname.lastname@example.org>
All adult characters in this movie are known actors from sitcoms and comedies from the 70s and 80s. Dark's Mom is Beverly D'Angelo from the Vacation movies, the Fortune Teller is Charlotte Rae from The Facts of Life, Bart's parents are Christopher Knight and Eve Plumb from The Brady Bunch, Moses Helper the televangelist is John Ritter from Three's Company, the newscaster is Lauren Tewes from The Love Boat and Egg and Ducky's father is David Leisure from Empty Nest. See more »
Dark's facial stubble changes constantly. See more »
L.A. is like... nowhere. Everybody who lives here is lost.
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Gregg Araki can be faulted for not inviting the "main stream" audience into his "vision" of the world. But this probably isn't really a goal of his, anyway. As I watched "Nowhere" in the theater (twice in one week) I was filled with awe that something I had always felt had been so colorfully put on celluloid: finding love is all that matters, but the world isn't designed to make that finding easy. So when "Dark" finds an amazingly true moment amongst the usual Araki violence, hilarity, sex and clutter (a moment to simply relax and hold the person in the bed next to him) it rings true to the heart of experience. The movie ends in the next moment with an equally true touch. So, the sooner we find love, the sooner it can find its own reason to leave us. Araki's best film. If you don't get it, then he probably doesn't want you to.
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