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Nowhere (1997)

 -  Comedy | Drama | Sci-Fi  -  9 May 1997 (USA)
6.3
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Ratings: 6.3/10 from 5,662 users  
Reviews: 96 user | 35 critic

The third film in a trilogy by writer-director Gregg Araki. Described as "90210 on acid", the film tells the story of a day in the lives of a group of high school kids Los Angeles and the strange lives they lead.

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Title: Nowhere (1997)

Nowhere (1997) on IMDb 6.3/10

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Cast

Cast overview, first billed only:
...
...
Mel
Nathan Bexton ...
Montgomery
...
Kriss
...
Kozy
...
Joshua Gibran Mayweather ...
...
...
...
Egg / Polly
...
Cowboy (as Guillermo Diaz)
...
Alan Boyce ...
...
The Teen Idol
...
Shad
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Storyline

A group of teenagers try to sort out their lives and emotions while bizarre experiences happen to each one, including alien abductions, bad acid trips, bisexual experiences, suicides, bizarre deaths, and a rape by a TV star. All of this happens before "the greatest party of the year". Written by Parca Mortem <icy_shadow@rocketmail.com>

Plot Summary | Plot Synopsis

Plot Keywords:

alien | bisexual | teenager | party | s&m | See more »

Taglines:

Let the love feast begin See more »

Genres:

Comedy | Drama | Sci-Fi

Motion Picture Rating (MPAA)

Rated R for scenes of strong violence, sexuality and drug use involving teens, and for strong language | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

9 May 1997 (USA)  »

Also Known As:

Nowhere  »

Filming Locations:


Box Office

Opening Weekend:

$27,354 (USA) (9 May 1997)

Gross:

$27,354 (USA) (9 May 1997)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Due to the high cost of the music used in the film, it has yet (as of 2012) to receive a region 1 dvd release. See more »

Goofs

Dark's facial stubble changes constantly. See more »

Quotes

[first lines]
Dark: [voice-over] L.A. is like... nowhere. Everybody who lives here is lost.
See more »

Crazy Credits

All the way past the credits, we see Dark sitting on his bed covered in gore and blood, finally breaking free of his shock with a horrible scream. See more »

Connections

Referenced in Brows Held High: The Doom Generation (2011) See more »

Soundtracks

Tryin' To Reach You
Written by Neil Halstead
Performed by Mojave 3
Courtesy of 4AD Records
See more »

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User Reviews

A masterpiece
17 October 2003 | by (Ft. Worth, TX, USA) – See all my reviews

This, along with "The Doom Generation", is one of my many favorite films. I remember showing this to quite a few people at different times, and two things seem to upset people the most: the bisexuality/homoeroticism and the loads of sex scenes that, depending on the scene, serve various purposes. One person I watched it with (she thought she was an intellectual and felt it was beneath her to sit through it) said there was no way this film could be saying anything important and called it a "porno movie". Naturally, since this film shows not one exposed genital organ or even a bare female breast, her argument was ridiculous. As for the homosexual things that go on in the film, I think that that makes people upset because it depicts these characters as human beings with emotions (which homosexuals and bisexuals are) and/or because it turns them on. I love this movie for many reasons. It's very schizophrenic, always going back and forth from harsh realities to gutbusting humor, and sometimes managing to blend them together in a strange and equal mix. It seems that Gregg Araki was trying to defy expectations of him here, and that he was trying not to make a film easily judged as "exploitation". This movie has more sex scenes than "The Doom Generation", but they are not explicit at all. The reasons these scenes are erotic and entertaining is because Araki works with the characters and dialogue to make the sex interesting without showing any nudity other than the occasional male butt. Also, where there would be so many people to call "The Doom Generation" garbage for its constant use of obvious profanities, the dialogue in "Nowhere", if you'll notice, was done without hardly any cusswords, unless you count the myriad of VERY creative slang terms poured all throughout. And as for the gore, there's one big scene and one brief, minor scene. What I find amazing is that even with these differences, "Nowhere" is no less fascinating and brutally effective than "The Doom Generation". I love them both, and, no matter how many disagree, I believe Araki is a very important, skillful, and versatile cinematic artist. I've decided to include no spoilers, but I do want to add one more thing: If you don't see any meaning to this, that still doesn't mean that it is completely meaningless and without a point.


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