Nick Beam's life couldn't get any worse. He discovers he has been living a lie and is on the verge of a nervous breakdown. So when T. Paul, a carjacker, attempts to rob him, it is the last ... See full summary »
Nick Beam's life couldn't get any worse. He discovers he has been living a lie and is on the verge of a nervous breakdown. So when T. Paul, a carjacker, attempts to rob him, it is the last straw for Nick. With everything to gain and nothing to lose, he kidnaps T. Paul and attempts to put his life back together. Written by
Robert Krzanowski <firstname.lastname@example.org>
Despite the fact that this was filmed in the standard spherical format, "Filmed in Panavision" is listed in the end credits. See more »
When 'T' falls out of the back window of Nick's SUV, he ends up rolling backwards on the street, in a direction opposite the momentum of the truck's direction. See more »
Where do I start? It's not you. Well actually it is you. Look, I'm just not... I'm not attracted to you anymore. I need space. You kinda... you kinda gross me out. In the beginning it was different. In the beginning, you were better. But then I got to know you real well, and I came to realize... that you're a fat idiot.
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After the credits are finished, a mailman brings a letter to the hillbilly whose gas station was robbed. The letter is marked "Hillbilly Motherfucker", just as T. called him in the movie. Inside is a few hundred dollars cash. In the cut version this is changed to "Hillbilly at the gas station". See more »
If You Want to See Just One Martin Lawrence Movie, This Is the One to See.
NOTHING TO LOSE is Martin Lawrence's finest hour and is really one of the very few films to showcase his comedic talent. Lawrence plays a jobless carjacker who meets a depressed executive (Tim Robbins) who is having a very bad day. The two team up for a wild adventure consisting of robberies, car chases and other encounters while being pursued by not only the police, but two rival criminals as well. While the chemistry between Lawrence and Robbins is quite strong, the highlight of the film is Lawrence at home getting his face smacked repeatedly by his mother. Simply put, this is Martin Lawrence's best movie.
4 out of 5
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