Nick Beam's life couldn't get any worse. He discovers he has been living a lie and is on the verge of a nervous breakdown. So when T. Paul, a carjacker, attempts to rob him, it is the last ... See full summary »
Nick Beam's life couldn't get any worse. He discovers he has been living a lie and is on the verge of a nervous breakdown. So when T. Paul, a carjacker, attempts to rob him, it is the last straw for Nick. With everything to gain and nothing to lose, he kidnaps T. Paul and attempts to put his life back together. Written by
Robert Krzanowski <email@example.com>
When Nick and T are arguing in the desert after escaping from the gas station that T robbed, there is the top of a car visible over Nick's right shoulder when they are on the drivers side of the vehicle. See more »
Where do I start? It's not you. Well actually it is you. Look, I'm just not... I'm not attracted to you anymore. I need space. You kinda... you kinda gross me out. In the beginning it was different. In the beginning, you were better. But then I got to know you real well, and I came to realize... that you're a fat idiot.
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After the credits are finished, a mailman brings a letter to the hillbilly whose gas station was robbed. The letter is marked "Hillbilly Motherfucker", just as T. called him in the movie. Inside is a few hundred dollars cash. In the cut version this is changed to "Hillbilly at the gas station". See more »
Usually I hate 'buddy' movies. But I like road movies, too. This a combination of those two, and the two sub-genres mixed together made a great combination. Martin Lawrence had lots of funny lines, and Tim Robbins provided some great slapstick comedy (The bit when his shoes caught on fire was hilarious). The ending was a bit weak, but still satisfying. The whole film was good, and better than I expected it to be.
PLOT: 7 DIRECTION: 7 ACTING: 8 SCRIPT: 6 MUSIC: 7
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