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| Index | 33 reviews in total |
47 out of 61 people found the following review useful:
A masterpiece right under your eyes - but no one saw it...., 4 May 2004
Author:
Dr_Nightfly from Milan - Munich
Films generally carry a title for a reason. Salvatores's Nirvana's is the
key to understanding it. Without the key, the film will look like rubbish,
like many comments here testify. But, if you get that key and use it, it
can become one of the most astonishing movie experiences you may
make.
The title is not just the name of a videogame. That is totally incidental.
The movie is about the voyage towards Nirvana - the real thing - of two
men
(or maybe of one man and his own projection in a virtual world): how the
two
(or maybe the man and his own inner conscience) start to understand what
Nirvana is and how they eventually reach it, in spite of all misadventures
and (that is not casual at all...) the cycles of deaths and rebirths that
the virtual self Solo (meaning alone, in Italian, not Star Wars'
character -
again not a coincidence) has to go through.
This is a movie about symbolisms. This is a movie about the deepest
searches
of the soul. Searches that cannot be disturbed by petty concerns (see Bebo
Storti's apparently bizarre line after he appears in a flash for just a
few
seconds to shoot and kill a very unlucky henchman "I am MEDITATING
[profanities deleted]!").
Science fiction is incidental to its aims, and provides a fabulously well
used tool to unravel the story in what I regard as a cinematic
masterpiece.
Blade Runner's climax ended on the recognition that replicants (and
humans,
maybe) were just "tears... in the rain". Nirvana's is about snowflakes
that
fall forever, and yet never fall.... Pity this is so far above the
expectations of an average moviegoer that most viewers did not even
recognize the genius in its simplicity. My congratulations to Cacucci,
Corica and Salvatores!
31 out of 36 people found the following review useful:
Extremely moody, perfect atmosphere & soundtrack, 17 October 2004
Author:
KGB-Greece-Patras from Greece
Alright, as I can see, we have very mixed reviews on this one. I
personally really liked this sci-fi flick. What's so cool about it? No,
no, it's not thought-provoking like eXistenZ of David Cronenberg and
then again YES forget about Matrix - Nirvana is magical in a way a
Hollywood film will never be. Almost surreal, Nirvana presents the
future world in a most atmospheric way, and quite realistically manages
to capture the decadent atmosphere of a future cyberpunk world.
What's no realistic at all, and oversimplifying is the whole plot and
stuff. But who cares? Characters manage to be quite interesting, the
music builds an awesome atmosphere. As you see, I don't try to
intellectualise any of it: i like it for what it is, a small euro
sci-fi that, at least to me, delivered the goods!
A recommendation... especially if you like Gibson-like, cyber-punk
literature. BUT DON'T EXPECT TOO MUCH
25 out of 30 people found the following review useful:
One of the best Cyberpunk pic ever..., 10 December 2002
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Author:
Switcher1972 from Between Avignon and St Rémy, Provence, France, Europe
An European hard-science action movie is rare these days, especially a good
one, and Nirvana was a good surprise when released in France... The critics
bashed it - with some interesting exceptions, and the public did not come to
see it (bad promo material)... Nevertheless, it's still one of my favorite.
This is not a Wakowsky Bros frenzy festival with "bullettime effect" (did
you know that it was a french who created them ?) and kick-ass fighting, but
Gabriele Salvatores (an "intellectual" director as it seems) did an
excellent low-budget film with GREAT scenario, GREAT acting (Lambert at his
best, seriously), a credible world...
It's not centered on the VFX, and it's great. Sometimes a bit slow, but
it's for the "ambiance", and, what an ending... A must-see, not especially
for Lambert-fans... Be open-minded, and try it...
22 out of 27 people found the following review useful:
Enjoyable cyberpunk movie!, 9 July 2001
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Author:
Sentinel-15 from Antwerp, Belgium
Christophe(r) Lambert heads an international cast in this 1997
French-Italian(?) co-production. While the movie doesn't have the big budget
a Hollywood blockbuster would have had, it still manages to create an
interesting & convincing near-future world. Actually, it's one of the few
films that really manage to create a decent cyberpunk setting; right now, I
can only think of "Nemesis" which was a pretty good effort, and then there's
always "Blade Runner", of course...
As for the acting in this movie, it's always tough to rate the level of
acting when the movie is dubbed, but all in all I'm not complaining. Lambert
is good, and Diego Abatantuono (sp?) is interesting as the sentient game
character Solo - and kind of appropriate, too, since he has the physical
look of a real-life "Mario on steroids". :-)
There are also several nice touches of humour, that prevent the movie from
taking itself too seriously (check out the meditating guy later on in the
movie for a nice example...). Finally, there is some nice music in there as
well.
All in all, an enjoyable little movie - with cult potential, I
think.
23 out of 30 people found the following review useful:
Take a moment to rethink what your life game is all about., 30 March 2003
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Author:
Joel (toocoolo) from Mexico City, Mexico.
Solo suddenly finds out that what he's living has happened before. In the
middle of a "deja-vu" he discovers that he's not really alive. He's just
the
main character of a video game, and he refuses to keep "playing" in a non
sense life, where he'll be born and killed again and again and again. He
tries to convince the people around him, that they are inside a game, that
their lifes are not real; that everything that happens has already
happened
before. But its useless: he's the only one who realizes it. Like a
prophet,
like a Jesus or a Buddha, he has just realized what he is, and the stupid
meaning of his life-game. And he's the only one who can speak to their
creator; their designer: Jimi Dini, a succesfull video game designer of
the
real life. A real life where Jimi lives, depressed, bored and numb. He's
got
something in common with Solo, thats why he decide to help him, erasing
the
game, his last an great creation, Nirvana, before its too late.
Its not a matter of spoiling the great end of your life, but have you
realized how repetitive it is? Maybe you should pay attention to Solo. Or
try to find Jimi and ask him to be deleted.
25 out of 35 people found the following review useful:
Better than the Matrix!, 4 June 2004
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Author:
HighlanderArg from Buenos Aires, Argentina
OK, so you've always wondered what the matrix would be like with a good
leading actor (rather than the wooden Reeves), a better script, no
spectacular action scenes, and low budget. This is your film. We have
Chris Lambert in one of his best films (along with "Subway" and of
course, "Highlander"), this is not his average film. The goal is to
erase the game in which its main character is aware of his condition of
"gamething" and is damned to live and die. This Super Mario working for
the Mafia (Abatantuono) is terrifically great. Sergio Rubini is great
too, and the whole cast in general kicks ass! What to do with low
budget? THIS MOVIE!
8/10
16 out of 20 people found the following review useful:
2nd Best Cp movie ever - truly on the razor edge, 12 October 2007
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Author:
rgolan-trevize from Milano, Italy
Gibson, Dick, Sterling all together in this movie... It's the only CP
and real Sci-F movie ever made in Italy... I've had the fortune to see
it in Italian and the depth of dialogs is great... The storyline follow
the standard of Gibson's books... the plot is not necessary, but the
landscape is everything and this is what happens in this movie.
I'm sorry for all the people who believe this is a crappy movie but in
my opinion that means that they have never understood what cyberpunk
means and how it must be represented... and this movie represents it.
Here there is everything: Sprawl, Hacking, Virtual Reality, Surviving,
Cybermad, Corporations, Future...
11 out of 13 people found the following review useful:
An intriguing meditation on the nature of memory and experience, reality and simulation., 7 November 1999
Author:
Tylerdurden80
Jimi, a computer programmer, is trying to finish his latest role-playing
computer game Nirvana for the Okasama Star corporation. He is surprised to
find that Solo, the lead character has developed awareness of his location
in the game, the fact that every time he dies he is reborn, and that he is
doomed to live out the same life and situations over and over again. He
asks Jimi to delete the game.
Jimi needs to penetrate Okasama's mainframe, and enlists the help of many
technological wizards. Chief among them are Joystick, a poor hacker (or
'angel') who has sold his eyes to raise money and now sees with the aid of
small black and white cameras in his eye sockets; and Naima, a woman whose
memories have been erased and who can only remember things with the
assistance of artificially created memories loaded through a port in her
skull. The mainframe is protected by sophisticated anti-hacking devices
known as 'devils' which feed off memories and mental energy to destroy the
brains of the angels who try to penetrate it. Jimi is also battling
painful
memories of his own - his lost girlfriend who disappeared from his life
leaving only a video recording and a picture to remind him of
her...
Although there is not much in this film for action buffs, there is
conceptually a link to other films about simulated experience such as Total
Recall and The Matrix, as well as some existential musings on the nature of
memory and experience in the digital age where such things can be easily
synthesised. A delightfully ambiguous ending emphasises the film's main
themes.
Good use is made of a medium budget to simulate an anarchic future world
sliding into decay, with a decline in morality and a low value placed on
the
sanctity of life and the human body - the streets of the slums are replete
with organ thieves; and Joystick's synthetic eyes are a physical complement
to Naima's synthetic memories. A strong visual style is complemented by an
insistent soundtrack.
6 out of 8 people found the following review useful:
Fun and games in a future not too far from the present, 23 September 2006
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Author:
jotix100 from New York
*** This review may contain spoilers ***
Director Gabriele Salvatores and his collaborators, Pino Caciucci and
Gloria Corica, came up with one of the most stylish films in recent
memory when they decided to undergo this project. "Nirvana", which was
shot in Italy, was done for under ten million, something that in
Hollywood it would have cost ten times more without any major stars. It
shows how talented Mr. Salvatores, a director we had admired for his
previous work, can produce a marvelous film with little. As he showed
with his excellent film, "I'm Not Scared", the director is up to the
challenge.
This film will resonate with sci-fi and cyberpunk fans who will clearly
see a lot in this intricate movie that has some of the best special
effects in quite some time. The costumes alone, designed by Giorgio
Armani, Patrizia Cherecomi, and Florence Emir, are worth the price of
the DVD rental. The atmosphere captured by Italo Petriccione's
cinematography and the music by Federico DeRobertis and Mauro Pagani,
are blended well in Massimo Fiocchi's editing.
The actors are all fine. Christian Lambert plays his role of Jimi Dini
in his usual deadpan style, which helps set the tone of the movie.
Diego Abatantuono, one of the best Italian actors of the last years
makes a contribution with his Solo. Stefania Rocca, Emmanuelle Seigner,
Amanda Sandrelli, add their beauty to the story.
"Nirvana" is a great film to look at, in the tradition of others of the
genre. Gabriele Salvatores shows why he is one of the best Italian
directors of his generation.
5 out of 7 people found the following review useful:
A chef d'oeuvre in a Psychedelic future, 26 March 2005
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Author:
kaltorak2k from Italy
I've seen the Italian version and I found the dubbing marvelous,in particular Lisa-Emmanuelle Seigner, the interpretation very good, I really loved Solo-Diego Abatantuono in this new role. You know, in Italy he's a comic-cabaretist of the '80. Jimi decides to leave his normal and blank life of programmer to find his beloved Lisa, his life, in a cyberpunk "blade runner like" world. His story interlaces with Solo's story, the main character of the Jimi's video game. He gain auto-conscience thanks to a virus and find himself trapped in the game and is forced to repeat the same events over and over, he's only hope i Jimi... Particular story, I think it's from a book. Symbolisms, starting from the title...
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