| Photos (see all 23 | slideshow) | Videos |
| Miguel Ferrer | ... | Richard Dees | |
| Julie Entwisle | ... | Katherine 'Jimmy' Blair | |
| Dan Monahan | ... | Merton Morrison | |
| Michael H. Moss | ... | Dwight Renfield | |
| John Bennes | ... | Ezra Hannon | |
| Beverly Skinner | ... | Selida McCamon | |
| Rob Wilds | ... | Buck Kendall | |
| Richard K. Olsen | ... | Claire Bowie | |
| Elizabeth McCormick | ... | Ellen Sarch | |
| J.R. Rodriguez | ... | Terminal Cop #1 | |
| Robert Casey | ... | Terminal Cop #2 (as Bob Casey) | |
| Ashton Stewart | ... | Nate Wilson | |
| William Neely | ... | Ray Sarch | |
| Windy Wenderlich | ... | Henry Gates | |
| General Fermon Judd Jr. | ... | Policeman | |
| Deann Korbutt | ... | Linda Ross | |
| Rachel Lewis | ... | Libby Grant | |
| Kristan Leigh | ... | Dottie Walsh | |
| Simon Elsworth | ... | Duffery Bartender | |
| Jim Grimshaw | ... | Gas Station Attendant | |
| Matthew Johnson | ... | Caretaker | |
| Terry Neil Edlefsen | ... | Drunk | |
| Joy Knox | ... | Dream Vampire #1 | |
| Randal Brown | ... | Dream Vampire #2 | |
| Laurie Wolf | ... | Dream Vampire #3 | |
| Keith Shepard | ... | Dream Vampire #4 | |
| Ruth Reid | ... | Dream Vampire #5 | |
| Matt Webb | ... | Reporter #1 | |
| David Zum Brunnen | ... | Reporter #2 | |
| April Turner | ... | Reporter #3 | |
| Manya K. Rubinstein | ... | Reporter #4 | |
| Kelley Sims | ... | Intern | |
| rest of cast listed alphabetically: | |||
| Jeff Johnston | ... | Reporter (uncredited) | |
Directed by | |||
| Mark Pavia | |||
Writing credits(WGA) | ||
| Stephen King | (story) | |
| Mark Pavia | (screenplay) & | |
| Jack O'Donnell | (screenplay) | |
Produced by | |||
| Benjamin Carr | .... | associate producer (as Neal Stevens) | |
| Alfredo Cuomo | .... | co-producer | |
| Mitchell Galin | .... | producer | |
| David R. Kappes | .... | executive producer | |
| Jack O'Donnell | .... | co-producer | |
| Richard P. Rubinstein | .... | producer | |
Original Music by | |||
| Brian Keane | |||
Cinematography by | |||
| David Connell | |||
Film Editing by | |||
| Elizabeth Schwartz | |||
Casting by | |||
| Leonard Finger | |||
| Lyn Richmond | |||
Production Design by | |||
| Burton Rencher | |||
Set Decoration by | |||
| Timothy Stepeck | (as Timothy Smithwick Stepeck) | ||
Costume Design by | |||
| Pauline White | |||
Makeup Department | |||
| Howard Berger | .... | special makeup effects supervisor | |
| Jeff Goodwin | .... | key makeup artist | |
| David Halsey | .... | key hair stylist | |
| Robert Kurtzman | .... | special makeup effects supervisor | |
| Gregory Nicotero | .... | special makeup effects supervisor | |
| Rick Pour | .... | assistant makeup artist | |
| Rick Pour | .... | assistant makeup effects | |
Production Management | |||
| Michael Gornick | .... | post-production supervisor | |
| Shannon Rippy | .... | production manager | |
Sound Department | |||
| David Acord | .... | utility sound | |
| Tim J. Carroll | .... | stereo sound consultant | |
| Neil Cedar | .... | adr recordist | |
| Neil Cedar | .... | foley recordist | |
| Des Desloovere | .... | sound effects assistant editor | |
| Ken Hahn | .... | sound re-recording mixer | |
| Jay Meagher | .... | sound mixer | |
| Ray Palagy | .... | sound effects editor | |
| Randy Smith | .... | boom operator | |
| Rick Wessler | .... | foley artist | |
| John Bowen | .... | additional sound editor (uncredited) | |
Special Effects by | |||
| Michael Schorr | .... | mechanical effects coordinator | |
| Bob Smith | .... | special effects assistant (uncredited) | |
Visual Effects by | |||
| Julie Goldberg | .... | visual effects producer | |
| André Mazzone | .... | computer graphics artist: Image Design, NYC | |
| Oliver Rockwell | .... | visual effects supervisor | |
| David B. Schwartz | .... | optical consultant | |
Stunts | |||
| John Almeida | .... | stunts | |
| Terri Brock | .... | stunts | |
| John Copeman | .... | stunt coordinator | |
| David Forrester | .... | stunts | |
| Scott Hinson | .... | stunts | |
| Dean Mumford | .... | stunts | |
| Keith Siglinger | .... | stunts | |
Camera and Electrical Department | |||
| Alan Aldridge | .... | first assistant camera | |
| Neil Beard | .... | electrician | |
| Michael Bonsignore | .... | dolly grip | |
| Kevin Davis | .... | grip | |
| Scott R. Davis | .... | best boy grip | |
| Michael Dhonau | .... | grip | |
| John Ferguson | .... | gaffer | |
| Peter Girolami | .... | electrician | |
| Laurel Hughes | .... | camera loader | |
| Eric Jennings | .... | electrician | |
| David R. Kappes | .... | camera operator: second unit | |
| J.B. Long | .... | generator operator | |
| Carson E. Mayne | .... | electrician | |
| Thomas C. Nisbet | .... | best boy electric | |
| Fred Norris | .... | still photographer | |
| Mike Repeta | .... | second assistant camera | |
| Dick VanNewkirk | .... | grip | |
| Dennis Zoppe | .... | key grip | |
| Tom Dean | .... | electrician (uncredited) | |
| Dan Dickey | .... | electrician (uncredited) | |
| John R. Sutton | .... | grip (uncredited) | |
Casting Department | |||
| Nicole Hennessey | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Missy Anderson | .... | wardrobe assistant | |
| Irene Hanson | .... | tailor | |
| Vanessa Jenik | .... | costumer | |
| Amy Lilley | .... | wardrobe supervisor | |
Music Department | |||
| Ron Bach | .... | music designer | |
| Keith Brown | .... | composer: song "Sign Of The Cross" | |
| Kerry Brown | .... | composer: song "Sign Of The Cross" | |
| Chainsuck | .... | musician: "Til My Head Explodes" | |
| Keith Chirgwin | .... | music designer | |
| Jeff Frez-Albrecht | .... | music designer | |
| Brian Keane | .... | music designer | |
| Jason Miles | .... | music designer | |
| Chris Randall | .... | composer: songs "Red" and "Disease" | |
| Mark Rew | .... | composer: song "Sign Of The Cross" | |
| Marydee Reynolds | .... | composer: song "Til My Head Explodes" | |
| Steve Roach | .... | music designer | |
| Sister Machine Gun | .... | music performers: "Red" and "Disease" | |
| Don Wallace | .... | music copyist | |
Transportation Department | |||
| W.L. Barnhill | .... | driver | |
| Karen Brigman | .... | driver | |
| Donell Crumpler Jr. | .... | driver | |
| Clint Davis | .... | driver | |
| Coel Lee Hansley | .... | driver | |
| Kim Hardwick | .... | driver | |
| J.B. Long | .... | driver | |
| Jeff Long | .... | transportation captain | |
| Patti Cohen Long | .... | driver | |
| Roy Rogers | .... | driver: honeywagon | |
| Lee Siler | .... | transportation coordinator | |
| Jesse Smith | .... | driver | |
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| Braindead | The Night Stalker | Cabin Fever | Phenomena | The Hills Have Eyes |
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| Full cast and crew | Company credits | External reviews |
| IMDb Fantasy section | IMDb USA section | Add this title to MyMovies |
I'm not going to say that this is a great movie, or even a great horror movie. A more appropriate way of saying it might be that it's an interesting movie. Those poor filmmakers, they're starting to run out of Stephen King novels to make into movies, so they have to turn to his short stories. Usually this means what should have been a 30 minute movie is drawn out into an hour and a half or longer. But in the case of Mark Pavia's "The Night Flier", story works because Pavia is able to expand on King's original story, and he also seems to have a bit of talent as a director.
Most people complain that Miguel Ferrer's character, Richard Dees, is too mean, or something like that. QUIT COMPLAINING PEOPLE! He's suppose to be an utterly heartless, sleazy, sorry excuse of a person. You're not suppose to feel sorry for him at all as he descends to insanity. Instead having such a terrible lead character is suppose to pose the question whose the real monster? Or, actually I think it'd be more accurate to say, whose the real hero? Is there a hero? Ferrer pulls off the performance perfectly, making a character that could make James Woods or Clint Eastwood whimper in fear. Unfortunately the rest of the cast doesn't do so well, and this pulls in the movie down a little way.
Anyway, Pavia himself has a talent for gloomy atmosphere, with his overcast, gray skies and quiet music and always just slightly-off-angle photography. He expertly subdues the beginning 2/3s of the movie and then throws a bloodbath at us. It's a very well planned and a shocking move on his part.
"The Night Flier" kicks into major gear towards the end. The final, final conclusion is a little weak, but it really couldn't have ended any other way.
Overall, the couple flaws drag "The Night Flier" down to a good but not great movie, but the really cool climax and other elements make up for it, and make it a good time. Be warned, it won't leave you feeling happy or good.