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A New York City narcotics detective reluctantly agrees to cooperate with a special commission investigating police corruption. However, he soon discovers that he's in over his head, and nobody can be trusted.
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Spanning nearly 40 years from 1925 to 1964, two Texas farm boys; straight-arrow Gid and laid-back Johnny fight over the affections of the beautiful and headstrong Molly Taylor, who ... See full summary »
Sean Casey is the newest member of the district attorneys office and he is close to uncovering a police scandal that might involve his father Liam, who works for the NYPD. Then his father is critically wounded in a stake-out, Sean is chosen to prosecute the case. Written by
This movie is loosely based on the real-life case of Larry Davis, a drug dealer who shot six cops but was acquitted (with William Kunstler as his lawyer) after charging that the police were trying to kill him because they were involved in the drug trade. The Manhattan district attorney, Robert Morgenthau, was also nicknamed "Morgy". See more »
I really have no idea what motivates Sidney Lumet's choice of movies to do, even though I've read his book "Making Movies," which sheds a lot of light on his decision making process.
If I had to take a guess, I might say that perhaps he wants a variety, and doesn't calculate the risk involved with certain works that have obviously turned out to be major flops. Or maybe he does know the risk and he just doesn't care. Now remember, though I'm sure even the "master" critics have jumped on and trashed some of his better work, if you place something like "Prince of the City" or "Equus" next to "The Wiz," "Running on Empty" and "Serpico" next to "Critical Care," wow! I mean you are just asking for trouble.
Regardless, this guy is a filmmaker.
As with anything, there are people who will dog this and say it was slow and Lapaglia was over the top or whatever the multitude of criticisms may be, "the lighting created an unwanted mood" (by whose standards), "the script had flaws" (oh did it? What were they?) and the list goes on. However without getting into every nook and cranny available, I will just say if you enjoy a good drama, you may enjoy this.
For the decent side of Lumet's work, this is a pretty fair example and on every front, I think it works out okay. Do I have any criticisms? None worth more than "I liked it or didn't." I did in fact like it by the way. It might be considered standard fare or even dated a bit by some and as a result, not as powerful as it might be otherwise, but it is a good example of Sidney Lumet's better filmmaking and not a bad story to boot.
Dig Colm Feore's role here. I like this guy and though he's probably found in the shadows more than in the spotlight, he is one vastly talented actor. I caught him last year in the lead for "My Fair Lady" at the Stratford Festival in Ontario, Canada and though he really probably is an acquired taste, he is a talent to be reckoned with for sure. It would be nice to see him garner larger roles since talent like this sure seems wasted on bit parts.
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