Critic Reviews



Based on 19 critic reviews provided by
Chicago Reader
This low-key romantic comedy proves that destiny-powered love stories can be formulaic without being predictable.
Both actors are so appealing, you root for the inevitable meeting to happen somewhere in the vicinity of Wonderland.
Next Stop Wonderland isn't really much more than a beautifully acted, finely edited sitcom, but it creates and sustains an intelligent, seriocomic mood better than any recent film about the urban single life.
Village Voice
The style of the filmmaking, the freewheeling handheld camera movement, the associative editing, and the buoyant Brazilian score convey Anderson's sense that chance plays a major role in our lives and that what's happening on the periphery is often more important than what's staring us in the face.
Dallas Observer
While too many things about the story don't ring true for the film as a whole to work, there is enough in Next Stop Wonderland to keep the viewer wide awake and entertained.
Austin Chronicle
The premise works despite its inbred hokiness due to Anderson's sure direction and the lovely central performances of Hope Davis and Alan Gelfant.
The Globe and Mail (Toronto)
The characters in Wonderland show an intelligent complexity and sharpness of contemporary observation that transcends romantic-comedy clichés.
There are times when, as diverting as it can be, Next Stop, Wonderland feels like a lengthy prologue to an as-yet unmade film.
The A.V. Club
What's good about Next Stop Wonderland -- and nearly good enough to warrant recommendation -- has nothing to do with Anderson's sloppy, disjointed filmmaking, and everything to do with Hope Davis' far more disciplined and appealing lead performance.
Like too many young filmmakers, Anderson seems to equate honesty with choppy editing, bad lighting (so harsh in a couple of shots you can see the pancake on Davis' face) and herky-jerky camera movements.

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