Joey Breaker is a fast-talking, ambitious, workaholic agent representing actors, screenwriters, and comedians for the New York firm of Morgan Creative. He is callous and intolerant, but ... See full summary »
Ruby Weaver has man trouble: she tries to fix them, so she's stuck herself with a string of losers. Her current lover, Sam Deed, seems different: he's sweet, tender, just in from Dubuque. ... See full summary »
A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.
Paul Thomas Anderson
Philip Seymour Hoffman
The Levys, a glamorous couple, used to make their living robbing golfers, until they met their fatal handicap. Years later, scriptwriter Remy Gravelle decides to observe the Levy progeny as... See full summary »
Erin is a nurse and her longtime boyfriend has dumped her. Her mother Piper places a personal ad for her. Meanwhile the film follows the life of Alan, a volunteer at a local aquarium who dreams of becoming a marine biologist. Will their paths cross? Written by
Though the film cost a mere $1 million to make, it was purchased by Miramax for a staggering $6 million after a bidding war broke out amongst studios at the Sundance Film Festival. See more »
Erin's lipstick when she runs into Alan on the train. When she falls into his arms she has none on, then when she finally steps away from him, she has on lipstick. See more »
[reading/quoting William Wordsworth, "The Prelude"]
"When from our better selves we have too long Been parted by the hurrying world, and droop, Sick of its business, of its pleasures tired, How gracious, how benign, is Solitude."
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Unlike most romantic comedies that get distributed, Next Stop Wonderland is neither star-peopled nor entirely plot-driven. Although the film was marketed as another Nora Ephron knockoff, it is very different from the slick, syrupy Meg Ryan vehicles viewers were led to believe it would resemble. Brad Anderson's beautiful, shimmering treatment of light, and his pleasingly idiosyncratic manner of filming the Boston urban landscape (and the lovely Hope Davis), well serve the sympathetic honesty with which he treats the search for love in the modern American city. A magnificent film.
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