Holden and Banky are comic book artists. Everything's going good for them until they meet Alyssa, also a comic book artist. Holden falls for her, but his hopes are crushed when he finds out she's a lesbian.
Erin is a nurse and her longtime boyfriend has dumped her. Her mother Piper places a personal ad for her. Meanwhile the film follows the life of Alan, a volunteer at a local aquarium who dreams of becoming a marine biologist. Will their paths cross? Written by
The title refers to a stop on the MBTA (Boston's public transit system, a.k.a. "The T"). The stop is at the Wonderland Greyhound Park racetrack, which is the last stop on the Blue Line. See more »
The level of wine in Erin's glass, when she is dining with the Brazilian. See more »
But wouldn't you say that consistency is the hobgoblin of little minds?
Well, actually, its "a foolish consistency is the hobgoblin of little minds." That's Ralph Waldo Emerson.
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This is a very enjoyable movie. I must admit that I had my doubts at first, as it looked far too sugary for my taste. Poor marketing I guess. However, this is the first movie in years which I watched and then watched again the next day. Hope Davis' character, Erin, elicits many emotions -- the first of which is pity. Having been dumped by what is clearly the wrong man, we witness her attempt to re-enter the dating scene. She is immediately catapulted back into the world of losers, married men, and guys who are downright scary. She handles all of this with grace, but more than a hint of cynicism. You can often see the depression in her face, as she moves from one date to the next, always telling her friends that "there's no such thing as destiny." And yet, there is (as she discovers.)
Her character seems very much the essence of the modern young single person: She tells herself she is happy alone, but quietly yearns for the depth of true love. She is never rude, except when it's deserved, but she is never particularly friendly either. She inadvertantly wears the scars of years of dating on her sleeve. A very subtle and clever performance from the ethereal and under-appreciated Hope Davis. HIGHLY RECOMMENDED
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