Ruby Weaver has man trouble: she tries to fix them, so she's stuck herself with a string of losers. Her current lover, Sam Deed, seems different: he's sweet, tender, just in from Dubuque. ... See full summary »
Claire is a tough gang member that has to find the Boss' mistress, Kitty, who ran away from him. She is accompanied by Boss' trigger-happy son Jimmy. Claire's colleague gangster Nick is ... See full summary »
Joey Breaker is a fast-talking, ambitious, workaholic agent representing actors, screenwriters, and comedians for the New York firm of Morgan Creative. He is callous and intolerant, but ... See full summary »
The Levys, a glamorous couple, used to make their living robbing golfers, until they met their fatal handicap. Years later, scriptwriter Remy Gravelle decides to observe the Levy progeny as... See full summary »
The year is 1750. Europe is in a ravaged state following a plague. Victor Moritz and Rufolf de Sevre are gamblers, frequenters of elegant casinos and fashionable brothels. Rudolf is a young... See full summary »
Erin is a nurse and her longtime boyfriend has dumped her. Her mother Piper places a personal ad for her. Meanwhile the film follows the life of Alan, a volunteer at a local aquarium who dreams of becoming a marine biologist. Will their paths cross? Written by
The MBTA (subway) map at the beginning of the film is wrong. It also doesn't correspond to the subway route used in the movie. The conductor says the next stop inbound is Aquarium from Airport. The map says the next stop should be Maverick (which it is, in real life). See more »
Andre de Silva:
You like my country's music, right? I can tell there is a little bit of Brazil in you.
Andre de Silva:
See, you are sad and happy. You don't smile but you are content. You are sad and happy at the same time. In Brazil we have a term for that - it's 'Saudade'. It's like ... melancholic, nostalgic; it's very Bossanova.
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Unlike most romantic comedies that get distributed, Next Stop Wonderland is neither star-peopled nor entirely plot-driven. Although the film was marketed as another Nora Ephron knockoff, it is very different from the slick, syrupy Meg Ryan vehicles viewers were led to believe it would resemble. Brad Anderson's beautiful, shimmering treatment of light, and his pleasingly idiosyncratic manner of filming the Boston urban landscape (and the lovely Hope Davis), well serve the sympathetic honesty with which he treats the search for love in the modern American city. A magnificent film.
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