Donald Martin (writer)
Four old friends reunite to investigate the death of a good friend. | add synopsis
2 nominations more
Canada's Hedley heads to the U.S. with 'Never Too Late'
(From Monsters and Critics. 30 April 2009, 4:06 AM, PDT)
Wonderful Ensemble Cast! more (2 total)
| Olympia Dukakis | ... | Rose | |
| Jean Lapointe | ... | Woody | |
| Jan Rubes | ... | Joseph | |
| Cloris Leachman | ... | Olive | |
| Corey Haim | ... | Max | |
| Matt Craven | ... | Carl | |
| Ellen Dubin | ... | Carolyn | |
| Chip Chuipka | ... | Tom | |
| Joan Orenstein | ... | Joy | |
| Helen Hughes | ... | Eunice | |
| Frances Bay | ... | Elisabeth Kronner | |
| Jane Wheeler | ... | Bank Manager | |
| Catherine Colvey | ... | Dr. Smith | |
| Norris Domingue | ... | Bob | |
| Roger Garceau | ... | Male Resident #1 | |
| Babs Gadbois | ... | Female Resident #2 | |
| Victor Knight | ... | Justice of the Peace | |
| Bruce Dinsmore | ... | Jerry Corcoran | |
| Vanya Rose | ... | Juliet | |
| Miriam Samuels | ... | Secretary | |
| Gouchy Boy | ... | Steve | |
| rest of cast listed alphabetically: | |||
| Stefan Wodoslawsky | |||
Directed by | |||
| Giles Walker | |||
Writing credits(in alphabetical order) | ||
| Donald Martin | writer | |
Produced by | |||
| Tom Berry | .... | producer | |
| Pierre David | .... | co-producer | |
| Sam Grana | .... | co-producer | |
| Jan Rubes | .... | associate producer | |
| Susan Douglas Rubes | .... | associate producer | |
| Stefan Wodoslawsky | .... | producer | |
Original Music by | |||
| Normand Corbeil | |||
Cinematography by | |||
| Savas Kalogeras | |||
Film Editing by | |||
| Ion Webster | |||
Production Design by | |||
| Paola Ridolfi | |||
Art Direction by | |||
| David Blanchard | |||
Costume Design by | |||
| Janet Campbell | |||
Makeup Department | |||
| Antoine Bergeron | .... | key hair stylist | |
| Tom Brumberger | .... | hair stylist: Ms. Dukakis | |
| Tom Brumberger | .... | makeup artist: Ms. Dukakis | |
| Manon Parisien | .... | key makeup artist | |
| Marie Régimbald | .... | first assistant makeup artist | |
| Hanna Yee | .... | hair stylist | |
Production Management | |||
| Josée Bernard | .... | executive in charge of production | |
| Renaud Mathieu | .... | production manager | |
| Alain Thériault | .... | assistant unit manager | |
Second Unit Director or Assistant Director | |||
| Normand Bourgie | .... | first assistant director | |
| Claude Dallaire | .... | third assistant director | |
| Danielle Ste-Marie | .... | second assistant director | |
Art Department | |||
| Bernard Comte | .... | property master | |
| Luc Gagnier | .... | first art swing gang | |
| Alain Giguère | .... | key scenic artist | |
| Marc LeClerc | .... | property assistant | |
| Lyne Rancourt | .... | property buyer | |
| Julie Robert | .... | art department assistant | |
Sound Department | |||
| Mark Battenberg | .... | assistant foley artist | |
| François Béland | .... | boom operator | |
| Michel Descombes | .... | sound re-recording mixer | |
| Jacques Drouin | .... | location sound mixer | |
| Gavin Fernandes | .... | sound re-recording mixer | |
| Natalie Fleurant | .... | adr editor | |
| André Galbrand | .... | supervising sound editor | |
| Bradford L. Hohle | .... | stereo sound consultant | |
| Wojtek Klis | .... | dialogue editor | |
| Sid Lieberman | .... | foley artist | |
Stunts | |||
| William Washington | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Fabrice Barrilliet | .... | electrician | |
| Kristen Dolenko | .... | second assistant camera | |
| Emeric Grunebaum | .... | key grip | |
| Sylvain Hardy | .... | best boy grip | |
| Marc Hénaut | .... | best boy electric | |
| Mark Hoffman | .... | first assistant camera | |
| Walter Klymkiw | .... | gaffer | |
| François Lacasse | .... | electrician | |
| Keith McKenzie | .... | electrician | |
| Chloë Mercier | .... | assistant camera: second unit | |
| Bill Muloin | .... | electrician | |
| Kent Nason | .... | camera operator | |
| Bruno Philip | .... | director of photography: second unit | |
| Simon Prévost | .... | electrician | |
| Jan Thijs | .... | still photographer | |
| Sydney Watkins | .... | electrician | |
| Brahms Yaiche | .... | grip trainee | |
Casting Department | |||
| Andrea Kenyon | .... | casting: Montréal | |
| Myriam Vézina | .... | casting: Montréal | |
| Randi Wells | .... | extras casting | |
Costume and Wardrobe Department | |||
| Susan Lamond | .... | wardrobe assistant | |
| Martine Picard | .... | key costumer | |
| Mary Jane Wallace | .... | costumer | |
Editorial Department | |||
| Richard Bélanger | .... | post-production coordinator | |
| Claudette Champagne | .... | negative cutter | |
| François Grondin | .... | assistant film editor | |
| Diane Leroux | .... | negative cutter | |
| Vladimir Zabransky | .... | color timer | |
Music Department | |||
| Ranee Lee | .... | main title vocalist | |
Other crew | |||
| Grace Avrith | .... | nfb supervisor | |
| Marie-Elaine Bailly | .... | production secretary | |
| Rachèle Bélanger | .... | assistant: Ms. Bernard | |
| Carole Castonguay | .... | craft service | |
| Olivier Chouinard | .... | production assistant | |
| Didier Communaux | .... | production assistant | |
| Donna Croce | .... | assistant: Mr. Wodoslawsky | |
| Mathieu Donkin | .... | nfb coordinator | |
| Martha Fernandez | .... | production coordinator | |
| Anne Frank | .... | story consultant | |
| René Fréchette | .... | production assistant | |
| François Gosselin | .... | second art swing gang | |
| Joanne T. Harwood | .... | continuity | |
| François Lacasse | .... | production assistant | |
| Paul Lemaire | .... | first art swing gang | |
| Julie Matlin | .... | assistant: Mr. Berry | |
| Elissa McBride | .... | liaison: Los Angeles | |
| Ric Nish | .... | location manager | |
| Claude Paiement | .... | location manager | |
| Clark Peterson | .... | image project executive | |
| Daniel Plante | .... | location scout | |
| Ellie Presner | .... | script revisor | |
| Laura Lee Rhoades | .... | production assistant | |
| Rudolph Thuaud | .... | second art swing gang | |
Jamais trop tard (Canada: French title)
more
Rated PG for thematic elements, sensuality and mild language.
USA:96 min
Blame It On The Bossa Nova more
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I was lucky enough to learn that this Canadian-made movie was going to air on a local station a few months back. After watching it, I am glad I make sure I check out what that station airs in the earliest hours of the morning. `Never Too Late' features a cast of veteran actors, a rare thing in these modern times when our older stars are often ignored. The four leads are Jan Rubes, Olympia Dukakis, Cloris Leachman, and Jean Lapointe as retirees. They get together to play cards and talk about good old days, and Dukakis is the newest member of the group following the death of the other three's friend. Jan Rubes is hard-nosed, cranky, and stubborn, resisting the presence of Dukakis. She, on the other hand, is stubborn too, and gives him guff to the point where Rubes is speechless. These are the films best moments, giving too good actors a chance to really show emotion. I could tell that Rubes' character was not one that was used to being talked back to. Of course, all their bickering means that they really like each other and have no other way of expressing it. Seeing this develop is a real treat.
The main plot of the movie involves a local retirement home that Lapointe is living in. It is run by a shady Matt Craven, who the group believes to be embezzling the money the residents are paying him. After a rather bad confrontation with Craven, Lapointe has a stroke and is hospitalized. The others, smelling something funny, wants to stop Craven from leaving the country with all the people's money. To do this they send in Dukakis as a decoy, pretending that she is filthy rich to keep Craven around until he makes a move on her phantom money. This ploy, while sometimes confusing (it was hard to understand the computer aspect of Craven's fraudulent scheme), is a delight.
One of the reasons I saw this film is because Corey Haim, who I have always liked, has a part in it. He plays Rubes' grandson, aspiring to be an actor. Rubes is disgusted by Haim, who can only get work in a very seedy play. When Haim invites the old folks to the play, it is a sight to behold. I was laughing hard. For the rest of the movie, I was laughing at what I was supposed to be laughing at and grinning at everything else. This is a good movie that sadly will not be seen by many. It gives a great ensemble cast a chance to really show people what they can do. Lets hope these actors are given more chances before they are no longer with us. It's never too late to try. Zantara's score: 7 out of 10.