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The Myth of Fingerprints (1997) Poster

Soundtracks

I Like It Like This
Written by David Bridie and John Phillips
Performed by David Bridie and John Phillips
Published by Winnie Music / Pig Pen Music / WB Music Corp (ASCAP) / Mushroom Music (APRA)
Courtesy of Mushroom Records
Lost in Space
Written by Dean Wareham / Justin Harwood / Sean Eden / Stanley Demeski
Performed by Luna
Published by Moon Palace Songs / Sub Pop Songs / Songs of PolyGram International Inc. (BMI)
Courtesy of Elektra Entertainment Group/Beggars Banquet Records Ltd.
By Arrangement with Warner Special Products
You Go to My Head
Lyrics by Haven Gillespie
Music by J. Fred Coots
Performed by the Rozz Nash Sextet
Published by Haven Gillespie Music (ASCAP) and Toy Town Tunes (ASCAP)
c/o The Songwriters Guild of America/Warner Bros. Inc. (ASCAP)
Don't Be That Way
Written by Edgar M. Sampson / Mitchell Parish / Benny Goodman
Performed by Bing Crosby
Published by EMI Robbins Catalog Inc. (ASCAP) / Parmit Music (ASCAP)
c/o The Songwriters Guild of America
Courtesy of MCA Records
by arrangement with Universal Music Special Markets
Low
Written by David Bridie
Performed by My Friend the Chocolate Cake
Published by Winnie Music / WB Music Corp (ASCAP) / Mushroom Music (APRA)
Courtesy of Mushroom Records
Adeste Fidelis (O Come All Ye Faithful)
Music by John Reading
Lyrics by John Francis Wade and Frederick Oakeley
Performed by Bing Crosby
Courtesy of MCA Records
by arrangement with Universal Music Special Markets
Vainement, ma bien-aimée
from opera "Le Roi d'Ys" (1888)
Composed by Edouard Lalo (as Lalo)
Libretto by Edouard Blau (uncredited)
Arranged and Performed by Rufus Wainwright
Recorded by Pierre Marchand, Wildsky Studios, Montreal
Courtesy of DreamWorks Records
Tenderly
Written by Jack Lawrence and Walter Gross
Performed by the Rozz Nash Sextet
Published by Edwin H. Morris & Company
A Division of MPL Communications, Inc. (ASCAP)
On the Banks of the Wabash
Words and music by Paul Dresser
Performed by Rufus Wainwright, Jon Brion and Ethan Johns
Recorded by Ethan Johns, The Hook Studio, Los Angeles
Courtesy of DreamWorks Records

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