| Randee Allen | ... | Waitress | |
| Arija Bareikis | ... | Daphne | |
| Justin Barreto | ... | Young Jake | |
| Chris Bauer | ... | Jerry | |
| Nicholas Bourgeois | ... | Young Warren | |
| Tom Cumler | ... | Man at Train Station | |
| Blythe Danner | ... | Lena | |
| Hope Davis | ... | Margaret | |
| Christopher Duva | ... | Tom | |
| Kelsey Gunn | ... | Young Leigh | |
| Laurel Holloman | ... | Leigh | |
| Brian Kerwin | ... | Elliot | |
| James Le Gros | ... | Cezanne (as James LeGros) | |
| Julianne Moore | ... | Mia | |
| Polly Pelletier | ... | Young Mia | |
| Pam Jack | ... | Bookstore Woman (as Pamela Polhemus) | |
| Michael Rupert | ... | Warren's Psychiatrist | |
| Roy Scheider | ... | Hal | |
| Michael Vartan | ... | Jake | |
| Noah Wyle | ... | Warren |
Directed by | |||
| Bart Freundlich | |||
Writing credits | ||
| Bart Freundlich | (written by) | |
Original Music by | |||
| David Bridie | |||
| John Phillips | |||
Cinematography by | |||
| Stephen Kazmierski | (director of photography) | ||
Film Editing by | |||
| Ken J. Sackheim | |||
| Kate Williams | |||
Casting by | |||
| Douglas Aibel | |||
| Christine Sheaks | |||
Production Design by | |||
| Susan Bolles | |||
Art Direction by | |||
| John McFarlane | |||
Set Decoration by | |||
| Catherine Pierson | |||
Costume Design by | |||
| Lucy W. Corrigan | |||
Makeup Department | |||
| Deborah Cross | .... | additional makeup assistant | |
| Gianna Sparacino | .... | key hair designer | |
| Tracy Warbin | .... | key makeup artist | |
Production Management | |||
| Ross Katz | .... | post-production supervisor | |
| Jake Myers | .... | unit manager | |
| Natascha Tillmanns | .... | production manager | |
Art Department | |||
| Pamela Berkeley | .... | charge scenic | |
| Brian Buteau | .... | set dresser | |
| Pamela Chodosh | .... | scenic artist | |
| Lisa Frantz | .... | property master | |
| Hector M. Gonzalez | .... | scenic artist (as Héctor González) | |
| Shannon Hart | .... | scenic artist | |
| Paul Hausman | .... | carpenter | |
| Mame James | .... | assistant set decorator | |
| Dianne Kalemkeris | .... | assistant props | |
| Cailin Kavanaugh | .... | art department intern | |
| Mary Jane Schepers | .... | scenic artist | |
| Jeffrey Scott Taylor | .... | lead man | |
| Nate Thibodeau | .... | art department intern | |
Sound Department | |||
| Stephen Altobello | .... | assistant sound editor | |
| Tim J. Carroll | .... | stereo sound engineer: Dolby | |
| Jesse Feigelman | .... | location sound mixer | |
| Steve Hamilton | .... | supervising sound editor | |
| Andrew Kris | .... | adr engineer (as Andy Kris) | |
| Leo Madrazo | .... | foley artist | |
| Kelly Neese | .... | additional boom operator | |
| David Novack | .... | post-production sound mixer | |
| James Palumbo | .... | apprentice sound editor (as James M. Palumbo) | |
| Jennifer Ralston | .... | sound effects editor | |
| Peter Schneider | .... | location sound mixer | |
| Juan Carlos Zaldívar | .... | dialogue editor | |
Stunts | |||
| Christopher Derek Lee | .... | stunt coordinator (as Christopher Lee) | |
Camera and Electrical Department | |||
| Joe Arcidiacono | .... | assistant camera | |
| Joe Arcidiacono | .... | camera operator: "b" camera | |
| Janice Arthur | .... | Steadicam operator | |
| David Bryant | .... | best boy grip | |
| Casey Campbell | .... | best boy electric | |
| Jason Carter | .... | additional assistant camera | |
| Trish Clark | .... | second assistant camera | |
| Scott Crawford | .... | additional assistant camera | |
| Bill Foley | .... | still photographer (as William Foley) | |
| Michael Fornasiero | .... | grip | |
| Matt Foster | .... | additional electrician | |
| J. Alan Hostetter | .... | gaffer (as Alan Hostetter) | |
| John Kiley | .... | additional electrician | |
| Peter Letzelter-Smith | .... | additional electrician | |
| Jayson Lobozzo | .... | additional grip | |
| Manuel Cuotemoc Malle | .... | still photographer (as Manuel Malle) | |
| Charles Papert | .... | Steadicam operator | |
| Antonio Rossi | .... | second assistant camera | |
| Kurt Schwarz | .... | key grip | |
| Jason Summers | .... | third electrician | |
| John Tanzer | .... | camera loader | |
Casting Department | |||
| Jordan Beswick | .... | casting associate | |
| Dee Cooke | .... | local casting | |
| Laurie Gershon | .... | extras casting | |
Costume and Wardrobe Department | |||
| Marie Abma | .... | wardrobe supervisor | |
| Pamela Kezal | .... | wardrobe assistant | |
| Laura Jean Shannon | .... | assistant costume designer | |
Editorial Department | |||
| Laurie Butler | .... | first assistant editor | |
| Dalton Helms | .... | first assistant editor | |
| David Pultz | .... | color timer | |
| Hurin Veis | .... | second assistant editor | |
Music Department | |||
| David Abuiso | .... | musician: double bass | |
| David Bridie | .... | musician: piano, keyboard and vocals | |
| Andrew Carswell | .... | musician: mandolin and tin whistle | |
| Hannah Cooper | .... | musician: oboe | |
| Robin Gador | .... | musician: bass | |
| Steve Hamilton | .... | music editor | |
| Zar Hanley | .... | assistant music engineer | |
| Michael Hill | .... | music supervisor | |
| Peter Luscombe | .... | musician: drums | |
| Tracy McKnight | .... | music supervisor | |
| Helen Mountfort | .... | musician: cello and harmonica | |
| Greg O'Shea | .... | assistant music engineer | |
| John Phillips | .... | musician: acoustic and electric guitars | |
| Simon Polinski | .... | music engineer | |
| Simon Polinski | .... | music mixer | |
Transportation Department | |||
| William McGrath | .... | driver | |
| William O'Brien | .... | transportation captain | |
Other crew | |||
| Dave Bennett | .... | office intern | |
| Gregory Blois | .... | electronic press kit crew | |
| Vanessa E. Cooper | .... | set intern | |
| Nicole Duryea | .... | additional production assistant | |
| Rick Eichler | .... | office intern | |
| Alfa Erma | .... | office intern | |
| Paola Freccero | .... | unit publicist | |
| Cliff Fuller | .... | office production assistant | |
| Bill Garvey | .... | additional production assistant | |
| Laurie Gershon | .... | product placement/clearances | |
| Douglas Hall | .... | location assistant | |
| Hilary Duval Hall-Allred | .... | stand-in | |
| Melissa Hanson | .... | set intern | |
| Elizabeth Heeden | .... | film conform assistant | |
| Greg Hudson | .... | electronic press kit crew | |
| Katie Hutchins | .... | office intern | |
| Chiemi Karasawa | .... | script supervisor | |
| Anne Kauffman | .... | assistant: Mr. Freundlich | |
| Myron I. Kerstein | .... | film conform assistant (as Myron Kerstein) | |
| Michael Kimball | .... | stand-in | |
| Michele Larocca | .... | film conform assistant | |
| Sig Libowitz | .... | assistant to producers | |
| Chip Liscombe | .... | office intern | |
| Harley Forrest Logan | .... | production assistant | |
| Joline Lord | .... | stand-in | |
| Pietro Lorino Jr. | .... | production accountant | |
| Jon Marcus | .... | assistant production coordinator | |
| Jennifer Murphy | .... | craft service | |
| Neil Orlowski | .... | production assistant | |
| William Perkins | .... | production coordinator | |
| Guy H. Rocourt II | .... | production assistant (as Guy Rocourt II) | |
| Andrew Saxe | .... | location manager | |
| Patrick Sheedy | .... | post-production accountant | |
| Tracy Skillin | .... | location scout | |
| Amanda Slater | .... | key set production assistant | |
| Joan Stein | .... | office intern | |
| Noreen Ward | .... | post-production accountant | |
| Christine Welker | .... | assistant location manager | |
| Shawn Wilson | .... | assistant accountant | |
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| Full cast and crew | Company credits | External reviews |
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For all of the movies I have been forced to accept and comprehend, _The Myth of Fingerprints_ is far and away the one that I most wish that I could have had a part in. It flows over a holiday visit like the cold breeze out their Maine window. The characters are more real than human beings could hope to be; some are willing to disclose who they are, and others leave us with only a trace understanding.
I could not hope to make a movie this sincere and beautiful; it achieves in an hour and half more than I could hope to see in a lifetime. Let's hope that Bart Freundlich can top this one.