There is more to this story than this review lets on. It reflects all different facets of society over one drivers shift. He starts out it seems as a cold, ignorant man. But his character ... See full summary »
On a rainy London night in 1946, novelist Maurice Bendrix has a chance meeting with Henry Miles, husband of his ex-mistress Sarah, who abruptly ended their affair two years before. ... See full summary »
The movie's "The Myth of Fingerprints" title is taken from the Paul Simon song "All Around the World or the Myth of the Fingerprints" which was included on his 1986 album "Graceland". See more »
I know your true passion theory about two people destined to be together, but we can't all be filled with that much faith, trust and emotion. It just means if you have someone you're not alone. You're not going to find that in some fairy tale romance. Sometimes you have to sit through low times where you don't necessarily feel overwhelmingly, totally in love all the time.
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I would recommend this film; I was drawn in by the cast, particularly Julianne Moore and Blythe Danner. It's a typical situation...tense family angst around the Thanksgiving table. But this time, it's not played for cuteness (i.e., Jodie Foster's "Home for the Holidays"). Dad (Roy Scheider, giving a really icy performance) is seriously unstable, as is the eldest daughter (Julianne Moore). Mom (Blythe Danner) and the baby of the family (Noah Wyle, also a producer) are more likeable -- this being an indie, it also means they're less interesting. The other two children are pretty much ignored by the script, though Hope Davis as the eldest son's romantic interest gives the picture a lift whenever she appears on screen. There are a few amusing moments and clever lines of dialogue, but it's not a Woody Allen comedy/drama -- this one is more raw and probably more honest. Definitely worth a rental. You might love it or hate it, but it will assuredly affect you one way or the other.
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