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The Myth of Fingerprints (1997)

6.1
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Ratings: 6.1/10 from 2,106 users   Metascore: 58/100
Reviews: 36 user | 35 critic | 17 from Metacritic.com

An ambitious debut for writer/director Bart Freundlich charting the unrest with a family who gather together for thanks giving.

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Title: The Myth of Fingerprints (1997)

The Myth of Fingerprints (1997) on IMDb 6.1/10

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Director: Bart Freundlich
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Cast

Cast overview, first billed only:
Randee Allen ...
Waitress
...
Daphne
Justin Barreto ...
Young Jake
...
Jerry
Nicholas Bourgeois ...
Young Warren
Tom Cumler ...
Man at Train Station
...
Lena
Hope Davis ...
Margaret
...
Tom
Kelsey Gunn ...
Young Leigh
...
Leigh
...
Elliot
...
Cezanne (as James LeGros)
...
Mia
Polly Pelletier ...
Young Mia
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Storyline

An ambitious debut for writer/director Bart Freundlich charting the unrest with a family who gather together for thanks giving. Written by Jonathan Fox

Plot Summary | Add Synopsis

Genres:

Drama | Comedy

Motion Picture Rating (MPAA)

Rated R for sexuality and language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

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Release Date:

17 September 1997 (USA)  »

Also Known As:

Back home  »

Filming Locations:

 »

Box Office

Budget:

$2,000,000 (estimated)

Opening Weekend:

$42,009 (USA) (19 September 1997)

Gross:

$458,815 (USA) (7 November 1997)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Quotes

Jake: I know your true passion theory about two people destined to be together, but we can't all be filled with that much faith, trust and emotion. It just means if you have someone you're not alone. You're not going to find that in some fairy tale romance. Sometimes you have to sit through low times where you don't necessarily feel overwhelmingly, totally in love all the time.
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Connections

Referenced in Law & Order: Myth of Fingerprints (2001) See more »

Soundtracks

Vainement, ma bien-aimée
from opera "Le Roi d'Ys" (1888)
Composed by Edouard Lalo (as Lalo)
Libretto by Edouard Blau (uncredited)
Arranged and Performed by Rufus Wainwright
Recorded by Pierre Marchand, Wildsky Studios, Montreal
Courtesy of DreamWorks Records
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User Reviews

 
A modern masterpiece?
28 July 1999 | by (St. Catharines, Ont) – See all my reviews

I am always hard-pressed to find a movie made in this decade that can move me as much, as say, 'Love Story' or 'The Way We Were' did simply because people aren't making movies now that are so GOOD. 'The Myth of Fingerprints', however, is astoundingly powerful, in its subtle way of course, but its power is there nonetheless, and that is the point. This movie's plot is not really very original, its story emulating that true and tested family gathering "genre" where feelings long hidden and events long supressed inevitably surface, leaving the audience with a rather cathartic ending where normality is established and the house is once again set in order. There is something about this movie, however, that brings to mind Redford's masterpiece "Ordinary People", because like that movie, 'The Myth Of Fingerprints' "imprints" the thoughts and feelings and the subtle nuances of family life on the viewer so damn well. This movie doesn't just invite you to share the joys and pains of this family, but it grabs you and places you right into the scene. It is almost as if you are there, too, eating Thanksgiving dinner with them, like you were a friend of the family's and have known them for a long, long time. Noah Wyle gives a great performance, considering he is an amature to the big screen. Blythe Danner is still as lovely as ever, as are the rest of this astoundingly good looking family. If it is not quite a modern masterpiece of family drama in the 90's, show me something else that surpasses it, and I'll make my judgement then.


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