Music From Another Room is a romantic comedy that follows the exploits of Danny, a young man who grew up believing he was destined to marry the girl he helped deliver as a five year old boy... See full summary »
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Max is gay and as such is sent to Dachau concentration camp under the Nazi regime. He tries to deny he is gay and gets a yellow label (the one for Jews) instead of pink (the one for gays). ... See full summary »
Music From Another Room is a romantic comedy that follows the exploits of Danny, a young man who grew up believing he was destined to marry the girl he helped deliver as a five year old boy when his mother's best friend went into emergency labor. Twenty-five years later, Danny returns to his hometown and finds the irresistible Anna Swan but she finds it easy to resist him since she is already engaged to dreamboat Eric, a very practical match. In pursuit of Anna, Danny finds himself entangled with each of the eccentric Swans including blind, sheltered Nina, cynical sister Karen, big brother Bill and dramatic mother Grace as he fights to prove that fate should never be messed with and passion should never be practical. Written by
All of the Swan sisters' names derive from "Anna Karenina" - Anna, Karen and Nina. See more »
In the scene when Anna runs in and up the stairs, her fiancée and brother (with a cast on his foot) are at the foot of the stairs. They try to stop Anna from going upstairs, and when she still goes up, her brother turns around and it is clearly visible on the back of his cast that it's a slip on (it looks like Velcro might be holding it together). See more »
Just like the other comment above, I had never heard of this film before but saw it (twice!) on the in-flight entertainment of a long flight back from down under. The overall feeling of the film is a bit like a condensed John Irving novel (Hotel New Hampshire): a sprawling storyline concerning an eccentric family with delightful sub-plots involving the births, deaths and loves of the various members. But because the film works on a much smaller scale than a huge doorstop novel, the characters are developed very economically in the film. However, thanks to an absolutely inspired bit of casting, with the likes of Jeniffer Tilly and Brenda Blethyn as the dying mother, the film works extremely well. And of course the chemistry between the two leads, Jude Law and Gretchen Mol, is undeniable and provides much of the appeal of the film. An absolute must see love story which skips beautifully over the potential cliches of the genre, and will have you laughing and crying in equal measures.
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