Lester is an occasional substitute teacher and he's very jealous. He is jealous about the last boyfriend of Lester's slightly wacky current partner Ramona - arrogant best-selling author ... See full summary »
Based on the true childhood experiences of Noah Baumbach and his brother, The Squid and the Whale tells the touching story of two young boys dealing with their parents' divorce in Brooklyn in the 1980s.
A story that follows a New York woman (who doesn't really have an apartment), apprentices for a dance company (though she's not really a dancer), and throws herself headlong into her dreams, even as their possibility dwindles.
Ted, a stuffy white guy from Illinois working in sales for the Barcelona office of a US corporation, is paid an unexpected visit by his somewhat less stuffy cousin Fred, who is an officer ... See full summary »
An aspiring singer, Denise Waverly/Edna Buxton, sacrifices her own singing career to write hit songs that launch the careers of other singers. The film follows her life from her first break... See full summary »
Lester is an occasional substitute teacher and he's very jealous. He is jealous about the last boyfriend of Lester's slightly wacky current partner Ramona - arrogant best-selling author Dashiell. Lester joins Dashiell's therapy group under an alias to find out if Dashiell still has any feelings for her. Written by
On The Man Who Shot Liberty Valance marquee that appears in the film, a quote ("a classic") is attributed to G Brown. The critic in question is Georgia Brown, famed Village Voice film critic and mother of writer/director Noah Baumbach. See more »
Numerous occurrences. At one point, not only is the mike visible, the *boom* is visible. See more »
After the final credits Lester, Vince and Lint are shown in an additional scene in the diner. They apparently have been playing dominos and Lint is somehow offended and is packing up his set while accusing Vince of still having a 20-sided die from their D&D days. See more »
Le Que L'On Tait
Performed by Antour De Lucie
Written by V. Loulliot, F. Moovoisin, F. Loull
Published by BIG Music Publishing France/Big Songs, Inc. (ASCAP)
Courtesy of La Village Nettwerk Records See more »
If you haven't seen this film yet, just wait a few minutes until IFC shows it again. They seem to like it there.
And me, I like it too. I find it to be a really smart, romantic and bittersweet film with a lot of funny moments and genuinely good acting. There is a certain pretentiousness, but it is self-effacing. Eigeman, for instance does a turn on his pompous shtick, adding subtle elements that make him a level-9 fop. Stoltz and Sciorra are perfect together. Jacott is hilarious in just about every scene he's in, particularly his wedding vows.
I like movies where the central conceit of the movie does not become the entire movie. Jealousy is a theme in Stoltz's character, but it is not all of what drives him, which I guess is why some people have a problem with the title. Similarly, the plot device of invading someone's therapy group would be used as an entire basis for farce in a less subtle director's hands. Here it is merely another hilarious bit of detail off of which branch many smaller truths.
For as much as IFC shows this, I can't stop watching it any time I begin.
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