Lester is an occasional substitute teacher and he's very jealous. He is jealous about the last boyfriend of Lester's slightly wacky current partner Ramona - arrogant best-selling author ... See full summary »
Based on the true childhood experiences of Noah Baumbach and his brother, The Squid and the Whale tells the touching story of two young boys dealing with their parents' divorce in Brooklyn in the 1980s.
A story that follows a New York woman (who doesn't really have an apartment), apprentices for a dance company (though she's not really a dancer), and throws herself headlong into her dreams, even as their possibility dwindles.
An aspiring singer, Denise Waverly/Edna Buxton, sacrifices her own singing career to write hit songs that launch the careers of other singers. The film follows her life from her first break... See full summary »
Jack comes back to town for his brothers funeral and finds things have changed. His brothers suicide is a little suspicous and he begins to investigate. A developing relationship with his ... See full summary »
Lester is an occasional substitute teacher and he's very jealous. He is jealous about the last boyfriend of Lester's slightly wacky current partner Ramona - arrogant best-selling author Dashiell. Lester joins Dashiell's therapy group under an alias to find out if Dashiell still has any feelings for her. Written by
On The Man Who Shot Liberty Valance marquee that appears in the film, a quote ("a classic") is attributed to G Brown. The critic in question is Georgia Brown, famed Village Voice film critic and mother of writer/director Noah Baumbach. See more »
Numerous occurrences. At one point, not only is the mike visible, the *boom* is visible. See more »
After the final credits Lester, Vince and Lint are shown in an additional scene in the diner. They apparently have been playing dominos and Lint is somehow offended and is packing up his set while accusing Vince of still having a 20-sided die from their D&D days. See more »
The downfall of nearly all comedies is that Silliness is so often used as a substitute for humor. In this film, I never felt embarrassed for any of the characters, who were allowed to seem like genuinely real people in the context of a genuinely humorous development. It was also literate, which was nice given the thread of narrative running through the thing. I felt that simply reading the script would have been a nice rainy-day read, but at the same time, the lines were not literarily pompous or turgid.
Altogether, this was not a great film---but nicely, nothing happened in it to make it a bad one, either. If you're fed up with variations on same-old-same-old, sit back and just let this film flow over you.
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