| Aleksei Ananishnov | ... | Son | |
| Gudrun Geyer | ... | Mother |
Directed by | |||
| Aleksandr Sokurov | |||
Writing credits(in alphabetical order) | ||
| Yuri Arabov | ||
Produced by | |||
| Aleksandr Golutva | .... | executive producer | |
| Martin Hagemann | .... | executive producer | |
| Thomas Kufus | .... | producer | |
| Katrin Schlösser | .... | executive producer | |
Original Music by | |||
| Mikhail Ivanovich | |||
Cinematography by | |||
| Aleksei Fyodorov | |||
Film Editing by | |||
| Leda Semyonova | |||
Production Design by | |||
| Esther Ritterbusch | |||
| Vera Zelinskaya | |||
Art Direction by | |||
| Esther Rittersbusch | |||
| Leda Zelinskaia | |||
Makeup Department | |||
| Yekaterina Beschastnaya | .... | makeup artist | |
| Grit Kosse | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Marina Koreneva | .... | assistant director | |
Sound Department | |||
| Vladimir Persov | .... | sound | |
| Martin Steyer | .... | sound | |
Music Department | |||
| Andrey Deryabin | .... | music producer | |
Other crew | |||
| Michael Kruger | .... | location manager | |
Thanks | |||
| Andrey Deryabin | .... | thanks | |
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| As Far As My Feet Will Carry Me | Grand Illusion | Everything Is Illuminated | Antonia's Line | The Kite Runner |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Russia section |
In just over an hour, Sokurov achieves in Mother and Son' a wholly satisfying balance between the aesthetic, emotional, and spiritual elements that inform this simple but extremely profound film. In many ways the film is reminiscent of Andrei Tarkovsky, but where Tarkovsky was more specifically Christian in his metaphysical leanings, Sokurov suggests a kind of "humanist mysticism", an elegiac hymn to the natural rhythms of life and death, and the fragile poignancy of human love. As a celebration of life in the face of death, Mother and Son' portrays the journey we must all eventually face with a simple naturalistic acceptance, and is perhaps the closest thing one might find in cinema to what I can only describe as a sort of "non-religious sacredness".
Sokurov's approach here is very pared-down'. While the dialogue is kept to an absolute minimum, the soundtrack is extremely expressive and is an essential element of the work - the wind, the sea, the "music" of the earth, provide a brilliant counterpoint and commentary to what is seen. The look of the film is remarkable, inspired by the paintings of Caspar David Friedrich, but while the images are indeed beautiful, they are never merely "picturesque". From beginning to end, Mother and Son is a work of genius.