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Princess Mononoke (1997)

Mononoke-hime (original title)
On a journey to find the cure for a Tatarigami's curse, Ashitaka finds himself in the middle of a war between the forest gods and Tatara, a mining colony. In this quest he also meets San, the Mononoke Hime.

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, (adapted by: English version)
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Cast

Cast overview, first billed only:
...
Ashitaka (voice)
...
Jigo (voice)
...
Lady Eboshi (voice)
...
Gonza (voice)
...
San (voice)
...
Kohroku (voice)
...
Toki (voice)
...
Moro (voice)
...
Okkoto / Narrator (voice)
...
Additional Voices (voice)
...
Kaya / Additional Voices (voice) (as Tara Charandoff)
Julia Fletcher ...
Additional Voices (voice) (as Julia DeMita)
...
Hii-sama / Additional Voices (voice)
...
Additional Voices (voice)
...
Additional Voices (voice)
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Storyline

While protecting his village from rampaging boar-god/demon, a confident young warrior, Ashitaka, is stricken by a deadly curse. To save his life, he must journey to the forests of the west. Once there, he's embroiled in a fierce campaign that humans were waging on the forest. The ambitious Lady Eboshi and her loyal clan use their guns against the gods of the forest and a brave young woman, Princess Mononoke, who was raised by a wolf-god. Ashitaka sees the good in both sides and tries to stem the flood of blood. This is met be animosity by both sides as they each see him as supporting the enemy. Written by Christopher Taguchi

Plot Summary | Plot Synopsis

Taglines:

The Fate Of The World Rests On The Courage Of One Warrior. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for images of violence and gore | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

12 July 1997 (Japan)  »

Also Known As:

Princess Mononoke  »

Box Office

Budget:

JPY 2,400,000,000 (estimated)

Opening Weekend:

$144,446 (USA) (29 October 1999)

Gross:

$2,298,191 (USA) (17 December 1999)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(English-language version)|

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Contrary to what some may think, the English-language dialogue in the American version is not a direct translation from Japanese to English. One only has to turn on Literal Japanese-to-English translation subtitles on the region-1 DVD to see that dialogue was paraphrased into comfortable American English. See more »

Goofs

When Ashitaka swims to Iron Town during the battle, there is a shot of the water. In the next shot there is a floating corpse not visible in the previous shot. See more »

Quotes

[first lines]
Narrator: In ancient times, the land lay covered in forests, where, from ages long past, dwelt the spirits of the gods. Back then, man and beast lived in harmony, but as time went by, most of the great forests were destroyed. Those that remained were guarded by gigantic beasts who owed their allegiances to the Great Forest Spirit. For those were the days of gods and of demons...
See more »

Crazy Credits

There are no opening credits. See more »

Connections

Referenced in Marvel's Off the Rack: Episode #1.5 (2016) See more »

Soundtracks

The Tatara Women Work Song (Tatara Fumu Onnatachi)
Lyrics By Hayao Miyazaki
Music composed by Joe Hisaishi
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
An extremely good movie that superseded my preconceptions about the animation style it is presented in.
21 April 2007 | by (United States) – See all my reviews

A few years ago I would have tossed this film into a collection of movies I like to call the rubbish pile. Recently, however, I have forced myself, with great difficulty, to open my mind and look at the entire picture. Instead of focusing on one or two aspects of the movie I do not like and formulating a biased opinion based on my hasty and clouded notions, I can now decipher both the good and bad points of a given flick. Upon watching Princess Mononoke, I must say I first thought it would be very difficult to look past the animation style and see it for what it was- a dynamic film directed be the highly acclaimed Hayao Miyazaki. After about ten minutes of dwelling on the follies (and there are, in my opinion, many) of the "anime" style of art, I became enthralled with the quickly unfolding plot and the subsequently dire fate bestowed upon Ashitaka, the protagonist of the film. After Ashitaka leaves his village to search for a treatment to remedy his affliction, I no longer cared that this was an animated feature; I was on the edge of my seat, wondering what would happen next. I no longer disliked that every character had abnormally large eyes (though not over-sized to the point of utter absurdity) or that the English overdubbing was a little choppy. In fact, I even began to enjoy the accomplished yet subtle computer generated effects interspersed throughout. By the last half hour I was hooked to the screen, eagerly awaiting the conclusion I wanted so badly to end the bitter conflict of the plot. By the end, I realized that this movie carried a powerful moral with it: man's continuous tampering with nature brings about as much savagery as it does progress, as much suffering as it does good, and that a sound compromise must be struck between nature and civilization. I do not harbor any negative feelings towards those who rated this movie poorly, as I used to be one of those people. All I have to say to them is this: look at a both the visual and symbolic attributes of a movie before rating it harshly. If, after observing all these features and idiosyncrasies, you still wholeheartedly hate the film, then by all means give it a one. After all, what would the world be like if we were all did not criticize or question our surroundings?


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