On a journey to find the cure for a Tatarigami's curse, Ashitaka finds himself in the middle of a war between the forest gods and Tatara, a mining colony. In this quest he also meets San, the Mononoke Hime.
While protecting his village from rampaging boar-god/demon, a confident young warrior, Ashitaka, is stricken by a deadly curse. To save his life, he must journey to the forests of the west. Once there, he's embroiled in a fierce campaign that humans were waging on the forest. The ambitious Lady Eboshi and her loyal clan use their guns against the gods of the forest and a brave young woman, Princess Mononoke, who was raised by a wolf-god. Ashitaka sees the good in both sides and tries to stem the flood of blood. This is met be animosity by both sides as they each see him as supporting the enemy. Written by
Around 550 colors were used in this film See more »
When Ashitaka spots San for the first time at the river spitting out a mouthful of Moro no Kimi's blood from the bullet wound in her chest, the number of large wolf teeth on San's necklace changes from four, to three, back to four. See more »
In ancient times, the land lay covered in forests, where, from ages long past, dwelt the spirits of the gods. Back then, man and beast lived in harmony, but as time went by, most of the great forests were destroyed. Those that remained were guarded by gigantic beasts who owed their allegiances to the Great Forest Spirit. For those were the days of gods and of demons...
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The 2014 Blu-ray release uses the Disney logo, instead of the Miramax logo. See more »
I saw this film in Japan, in Japanese with no sub-titles, I don't speak a word of the language and I was still enthralled! It is Miyazaki most visually intense (surpassing, at long last, Nausicaa) and is alive with color and movement the like not yet seen in anime.
The story is complex, and after talking with Japanese friends, it is clear that much of it went over my head (particularly that relating to specific Japanese myths), but the important elements came through. Miyazaki's long infatuation with technology verses nature and man's relation to God (or gods) weave throughout the film as does his trend for strong women characters.
Even with the language barrier, the film is of such intense emotion that it caries you through to the end. The change in dynamic between the crashing fight scenes and the quiet scenes of healing by the lake is so broad and so well paced that I can't remember a film where my emotional state was so expertly varied.
If you have a chance to see this film, in any language, I recommend you do.
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