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Princess Mononoke (1997)

Mononoke-hime (original title)
On a journey to find the cure for a Tatarigami's curse, Ashitaka finds himself in the middle of a war between the forest gods and Tatara, a mining colony. In this quest he also meets San, the Mononoke Hime.

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Cast

Cast overview, first billed only:
...
Ashitaka (voice)
...
Jigo (voice)
...
Lady Eboshi (voice)
...
Gonza (voice)
...
San (voice)
...
Kohroku (voice)
...
Toki (voice)
...
Moro (voice)
...
Okkoto / Narrator (voice)
...
Additional voices (voice)
...
Kaya / Additional voices (voice) (as Tara Charandoff)
...
Woman in Iron Town / Emishi Village Girl / Additional voices (voice)
...
Additional voices (voice) (as Matt Miller)
Marnie Mosiman ...
Additional voices (voice)
Julia Fletcher ...
Additional voices (voice) (as Julia DeMita)
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Storyline

While protecting his village from rampaging boar-god/demon, a confident young warrior, Ashitaka, is stricken by a deadly curse. To save his life, he must journey to the forests of the west. Once there, he's embroiled in a fierce campaign that humans were waging on the forest. The ambitious Lady Eboshi and her loyal clan use their guns against the gods of the forest and a brave young woman, Princess Mononoke, who was raised by a wolf-god. Ashitaka sees the good in both sides and tries to stem the flood of blood. This is met be animosity by both sides as they each see him as supporting the enemy. Written by Christopher Taguchi

Plot Summary | Plot Synopsis

Taglines:

The Fate Of The World Rests On The Courage Of One Warrior. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for images of violence and gore | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

12 July 1997 (Japan)  »

Also Known As:

Princess Mononoke  »

Box Office

Budget:

JPY 2,400,000,000 (estimated)

Opening Weekend:

$144,446 (USA) (29 October 1999)

Gross:

$2,298,191 (USA) (17 December 1999)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(English-language version)|

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Disney/Miramax, which released the film in North America, was contractually obligated not to edit any footage out for its North American release. They asked to, but were refused. Although they kept their end of the bargain in not editing the film, they did release it into far fewer theaters than promised and expressed surprise that it had made little money at the box office. See more »

Goofs

While Eboshi and Jigo are speaking to each other in Irontown, Captain Gonza is seen standing directly behind Eboshi. The next scene shows a close-up of Jigo. The scene after that pans back to Eboshi and shows Gonza has been replaced with a man in a hat. See more »

Quotes

[first lines]
Narrator: In ancient times, the land lay covered in forests, where, from ages long past, dwelt the spirits of the gods. Back then, man and beast lived in harmony, but as time went by, most of the great forests were destroyed. Those that remained were guarded by gigantic beasts who owed their allegiances to the Great Forest Spirit. For those were the days of gods and of demons...
See more »

Crazy Credits

The 2014 Blu-ray release uses the Disney logo, instead of the Miramax logo. See more »

Connections

Referenced in Ausverkauft! (1999) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Stunning and sharp (in any language)
11 January 1999 | by (NYC, New York) – See all my reviews

I saw this film in Japan, in Japanese with no sub-titles, I don't speak a word of the language and I was still enthralled! It is Miyazaki most visually intense (surpassing, at long last, Nausicaa) and is alive with color and movement the like not yet seen in anime.

The story is complex, and after talking with Japanese friends, it is clear that much of it went over my head (particularly that relating to specific Japanese myths), but the important elements came through. Miyazaki's long infatuation with technology verses nature and man's relation to God (or gods) weave throughout the film as does his trend for strong women characters.

Even with the language barrier, the film is of such intense emotion that it caries you through to the end. The change in dynamic between the crashing fight scenes and the quiet scenes of healing by the lake is so broad and so well paced that I can't remember a film where my emotional state was so expertly varied.

If you have a chance to see this film, in any language, I recommend you do.


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