Princess Mononoke (1997)
"Mononoke-hime" (original title)

On a journey to find the cure for a Tatarigami's curse, Ashitaka finds himself in the middle of a war between the forest gods and Tatara, a mining colony. In this quest he also meets San, the Mononoke Hime.

Director:

Hayao Miyazaki

Writer:

Hayao Miyazaki

Stars:

Billy Crudup, Yuriko Ishida, Yôji Matsuda

11 wins & 5 nominations.

Cast

Cast overview, first billed only:
Billy Crudup	...	Ashitaka (voice)
Billy Bob Thornton	...	Jigo (voice)
Minnie Driver	...	Lady Eboshi (voice)
John DiMaggio	...	Gonza (voice)
Claire Danes	...	San (voice)
John DeMita	...	Kohroku (voice)
Jada Pinkett Smith	...	Toki (voice)
Gillian Anderson	...	Moro (voice)
Keith David	...	Okkoto (voice)
Corey Burton	...	Additional voices (voice)
Tara Strong	...	Additional voices (voice) (as Tara Charandoff)
Sherry Lynn	...	Additional voices (voice)
Matt K. Miller	...	Additional voices (voice) (as Matt Miller)
Marnie Mosiman	...	Additional voices (voice)
Julia Fletcher	...	Additional voices (voice) (as Julia DeMita)

Storyline

While protecting his village from rampaging boar-god/demon, a confident young warrior, Ashitaka, is stricken by a deadly curse. To save his life, he must journey to the forests of the west. Once there, he's embroiled in a fierce campaign that humans were waging on the forest. The ambitious Lady Eboshi and her loyal clan use their guns against the gods of the forest and a brave young woman, Princess Mononoke, who was raised by a wolf-god. Ashitaka sees the good in both sides and tries to stem the flood of blood. This is met be animosity by both sides as they each see him as supporting the enemy.

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Plot Keywords:

forest | curse | animal | princess | warrior | 

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Taglines:

The Fate Of The World Rests On The Courage Of One Warrior.

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Genres:

Animation | Adventure | Fantasy

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Motion Picture Rating (MPAA)

Rated PG-13 for images of violence and gore

Details

Country:

Japan

Language:

Japanese

Release Date:

26 November 1999 (USA)

Also Known As:

Princess Mononoke

Box Office

Budget:

JPY 2,400,000,000 (estimated)

Opening Weekend:

$144,446 (USA) (29 October 1999)

Gross:

$2,298,191 (USA) (17 December 1999)

Company Credits

Production Co:

DENTSU Music And Entertainment, Nibariki, Nippon Television Network Corporation (NTV)

Technical Specs

Runtime:

134 min

Sound Mix:

Dolby Digital (English-language version) Dolby

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Hayao Miyazaki had intended to this be be his final film before retiring. Its great success led him to do another, Spirited Away. He made some more films in the years after that.

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Goofs

When Ashitaka spots San for the first time at the river spitting out a mouthful of Moro no Kimi's blood from the bullet wound in her chest, the number of large wolf teeth on San's necklace changes from four, to three, back to four.

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Quotes

[first lines]
Narrator: In ancient times, the land lay covered in forests, where, from ages long past, dwelt the spirits of the gods. Back then, man and beast lived in harmony, but as time went by, most of the great forests were destroyed. Those that remained were guarded by gigantic beasts who owed their allegiances to the Great Forest Spirit. For those were the days of gods and of demons...

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Crazy Credits

There are no opening credits.

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Connections

Referenced in Suburban Knights (2011)

User Reviews

An extremely good movie that superseded my preconceptions about the animation style it is presented in.

A few years ago I would have tossed this film into a collection of movies I like to call the rubbish pile. Recently, however, I have forced myself, with great difficulty, to open my mind and look at the entire picture. Instead of focusing on one or two aspects of the movie I do not like and formulating a biased opinion based on my hasty and clouded notions, I can now decipher both the good and bad points of a given flick. Upon watching Princess Mononoke, I must say I first thought it would be very difficult to look past the animation style and see it for what it was- a dynamic film directed be the highly acclaimed Hayao Miyazaki. After about ten minutes of dwelling on the follies (and there are, in my opinion, many) of the "anime" style of art, I became enthralled with the quickly unfolding plot and the subsequently dire fate bestowed upon Ashitaka, the protagonist of the film. After Ashitaka leaves his village to search for a treatment to remedy his affliction, I no longer cared that this was an animated feature; I was on the edge of my seat, wondering what would happen next. I no longer disliked that every character had abnormally large eyes (though not over-sized to the point of utter absurdity) or that the English overdubbing was a little choppy. In fact, I even began to enjoy the accomplished yet subtle computer generated effects interspersed throughout. By the last half hour I was hooked to the screen, eagerly awaiting the conclusion I wanted so badly to end the bitter conflict of the plot. By the end, I realized that this movie carried a powerful moral with it: man's continuous tampering with nature brings about as much savagery as it does progress, as much suffering as it does good, and that a sound compromise must be struck between nature and civilization. I do not harbor any negative feelings towards those who rated this movie poorly, as I used to be one of those people. All I have to say to them is this: look at a both the visual and symbolic attributes of a movie before rating it harshly. If, after observing all these features and idiosyncrasies, you still wholeheartedly hate the film, then by all means give it a one. After all, what would the world be like if we were all did not criticize or question our surroundings?