IMDb > Mixed Signals (1997)

Mixed Signals (1997) More at IMDbPro »


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Writers (WGA):
Troy Nethercott (written by) &
Eric Tipton (written by) ...
Release Date:
19 September 1997 (USA) See more »
Plot Keywords:
User Reviews:
A trio of post collegiate friends at the crossroads. See more (4 total) »


  (in credits order) (complete, awaiting verification)

Jason London ... Alex

Brooke Langton ... Judy
Peter Johansson ... Nicholas 'Nick' Frye

Samantha Lemole ... Shelli
Euan K. MacDonald ... Eddie the Bartender (as Euan MacDonald)

Ken Weiler ... Bob (voice)
Kacy Tipton ... Waitress
Cathy Gelbart ... Judy's Mother
Jerry Agee ... Bartender
Jefferson Langley ... Handsome Guy
Drew Antzis ... Cashier
Zeke Piestrup ... Radio Announcer (voice)
Angela Hutchinson ... Phantom (voice)

Tracy Hutson ... Belinda
Michael Burns ... Boss
Brian Newman ... Receptionist

Directed by
Sasha Gelbart 
Eric Tipton 
Writing credits
Troy Nethercott (written by) &
Eric Tipton (written by) &
Sasha Gelbart (written by)

Produced by
Michael Burns .... executive producer
Leanna Creel .... producer
Max Keiser .... executive producer
Samantha Lemole .... associate producer
Euan K. MacDonald .... associate producer (as Euan MacDonald)
Cinematography by
Allen Clark 
Film Editing by
Melissa Kent 
Makeup Department
Jennifer Cunningham .... hair stylist
Jennifer Cunningham .... makeup artist
Jane Vernon .... hair stylist
Second Unit Director or Assistant Director
Darin Haggard .... first assistant director
Art Department
Roger Castillo .... props
Samantha Lemole .... art provided by
Brendon O'Connell .... art provided by
Sound Department
Robert Backus .... production sound mixer
Zane D. Bruce .... foley artist (as Zane Bruce)
Zane D. Bruce .... foley supervisor (as Zane Bruce)
John Chalfant .... supervising sound editor
Steph Dewey .... boom operator
George Englund .... post-production sound supervisor
David Gertz .... adr mixer
Chuck Hogan .... sound re-recording mixer
Paul Menichini .... dialogue editor
Mark Meyuhas .... sound re-recording mixer
Michael Miller .... adr recordist
Michael Miller .... foley mixer
Dale W. Perry .... foley artist (as Dale Perry)
Jackson Schwartz .... foley mixer
Camera and Electrical Department
Ulysses Domalaon .... second assistant camera
Vincent B. Giordano .... key grip (as Vincent Giordano)
Jeffrey Nicholson .... still photographer
Cricket Peters .... gaffer (as S. Cricket Peters)
Cricket Peters .... photographer: second unit
Mike Pobiega .... still photographer
Mike Protus .... best boy grip
Mike Saad .... first assistant camera
Gary Sproul .... camera operator
Editorial Department
Herb Hickey .... color timer
Paul Kieran .... assistant editor
Barbara Riley .... negative cutter
Music Department
Ross Bon .... composer: song "Baby Drives Me Wild"
Ken Chastain .... composer: songs "In Drive Song" and "Rip"
Dan Clark .... composer: songs "Running on C" and "Following a Star"
Dorian Crozier .... composer: songs "In Drive Song" and "Rip"
Dorian Crozier .... musician: loops and percussion
Mike Dawson .... composer: song "Die alone"
David Falzone .... composer: songs "Sign for It", "In Drive Song" and "Rip"
David Falzone .... music supervisor
John Strawberry Fields .... composer: songs "Idle Sarah", "In Drive Song" and "Rip"
Rob Fulks .... composer: songs "Rock Bottom Pop I" and "The Buck Starts Here" (as Robbie Fulks)
Marty Green .... composer: song "Pickled Frogs"
Mark Greenfield .... music editor
Jin Soo Lim .... musician: electric guitar
Jack Maker .... composer: song "To Do It Right"
Michelle Marchesseault .... composer: song "Hey"
Mike Mathis .... composer: song "Gather 'round"
Mike Montpetit .... composer: song "Die alone"
Andrew Nicholas .... composer: song "Forever"
John Otten .... composer: song "Gather 'round"
Karen Paurus .... composer: song "Idle Sarah"
Mike Randle .... composer: song "Shake the Shaker"
Vess Ruhtenberg .... composer: song "The Sixty Dollar Harmony"
Darian Sahanaja .... composer: song "Time"
Nick South .... musician: fretless bass
Douglas Mark Swartz .... composer: song "Die alone"
Spicy T .... composer: songs "Vitamin U" and "Money"
Steven Tagheny .... composer: song "Banquet"
Brian Tighe .... composer: song "Waiting"
Dallas Wayne .... composer: song "Rock Bottom Pop I"
Willie Wisely .... composer: songs "Go", "Ready to Wear" and "Make Love"
Other crew
Marc Cantor .... production assistant
Abigail Klem .... legal affairs
Bob Martis .... legal affairs
Laurie Miller .... production assistant
Alexa Pallas .... production assistant
Alyson Richards .... production assistant
Bradley Seaman .... production assistant
Claudine Strasser .... script supervisor
Brian Williams .... production assistant
Brian D. Williams .... production assistant (as Brian Williams)

Additional Details

Also Known As:
87 min

Did You Know?

Alex's "pink slip" letter is signed by Mr. Milquetoast.See more »
Movie Connections:
References The Breakfast Club (1985)See more »


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2 out of 3 people found the following review useful.
A trio of post collegiate friends at the crossroads., 17 September 1999
Author: scrutiny from Jersey City, NJ

I wonder if in this day and age people will always assume the cinematic equivalent of twenty-somethings as being individuals who are confused, stagnant, and searching. By the work of the trio of writers (yes I said trio) and pair of directors (if it didn't work for Casino Royale, why would you need more than one director) the answer is yes, twenty-something's lack of motivation and focus should be considered a national crisis and the CDC should intervene. Why would anyone want to spend time with a triumvirate of hedonistic, arrogant, narcissistic whiners is beyond me. No discernible plot is seen here and the mood among our leads keeps shifting as much as the locations we see them travail through. Maybe if the director(s) and writer(s) remembered a masterpiece like Sex, Lies, & Videotape they would learn the concept of subtlety, nuance, meaning, and true pathos. The fluff they concocted is insulting to a former twenty-something like myself. If they couldn't do something remotely original on the eternal theme of 'individuals lost in a mass of individuals' why not make a film where everyone knows what they want and know where they're going. It may not be a good film but infinitely more promising then the one on view.

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