| Photos (See all 51 | slideshow) | Videos (see all 3) |
Directed by | |||
| Bille August | |||
Writing credits(WGA) | ||
| Victor Hugo | (novel) | |
| Rafael Yglesias | (screenplay) | |
Produced by | |||
| James Gorman | .... | producer | |
| Caroline Hewitt | .... | co-producer | |
| Sarah Radclyffe | .... | producer | |
| Michel Siksik | .... | line producer: Paris | |
Original Music by | |||
| Basil Poledouris | |||
Cinematography by | |||
| Jörgen Persson | (director of photography) | ||
Film Editing by | |||
| Janus Billeskov Jansen | (as Janus Billeskov-Jansen) | ||
Casting by | |||
| Leo Davis | (as Leonora Davis) | ||
Production Design by | |||
| Anna Asp | |||
Art Direction by | |||
| Peter Grant | |||
Costume Design by | |||
| Gabriella Pescucci | |||
Makeup Department | |||
| Jan Archibald | .... | hair designer | |
| Jan Archibald | .... | hairdresser: Mr. Neeson | |
| Miri Ben-Schlomo | .... | makeup artist | |
| Anne-Marie Brocca | .... | makeup artist: Paris | |
| Anita Burger | .... | hairdresser | |
| Václav Frank | .... | makeup artist | |
| Václav Frank | .... | makeup artist: second unit | |
| Betty Glasow | .... | hairdresser: second unit | |
| Christian Gruau | .... | hairdresser: Paris | |
| Ilona Herman | .... | makeup artist: Ms. Thurman | |
| Belinda Parish | .... | makeup artist | |
| Zdena Prohliková | .... | makeup artist (as Zdena Prchlíková) | |
| Morag Ross | .... | makeup artist: Mr. Neeson | |
| Morag Ross | .... | makeup designer | |
| Astrid Schikorra | .... | hairdresser | |
| Milan Vlcek | .... | makeup artist | |
| Eva Vytlelová | .... | makeup artist (as Eva Vyplelová) | |
| Toni-Ann Walker | .... | hairdresser: Ms. Thurman | |
| Cynthia Patton | .... | hair stylist: second unit (uncredited) | |
Production Management | |||
| Jean-Marc Abbou | .... | production manager: Paris (as Jean Marc Abbou) | |
| Jean-François Casamayou | .... | executive in charge of production: Paris, Frog Films (as Jean Francois Casamayou) | |
| Ales Komárek | .... | production manager | |
| François Mallard | .... | production manager: Paris (as Francois Mallard) | |
| Petr Moravec | .... | executive in charge of production: ETIC | |
| Pavel Picek | .... | unit manager: second unit | |
| Vladimir Seiml | .... | unit manager (as Valdimír Seiml) | |
| Neris Thomas | .... | post-production supervisor | |
| Chantal Feghali | .... | post-production supervisor (uncredited) | |
| Donald Tetreault | .... | unit manager: second unit (uncredited) | |
Second Unit Director or Assistant Director | |||
| Bert Batt | .... | first assistant director: second unit | |
| William Booker | .... | second assistant director | |
| Ivan Cook | .... | trainee assistant director | |
| Mathieu Howlett | .... | assistant director: Paris | |
| Nanna Mailand-Hansen | .... | second second assistant director | |
| Guy Mazarguil | .... | assistant director: Paris | |
| Tomás Obermajer | .... | assistant director: second unit (as Tomás Obermaier) | |
| Jirí Ostry | .... | first assistant director: Czech Republic (as Jirí Ostrý) | |
| Katie Petrosky | .... | trainee assistant director | |
| Stuart Renfrew | .... | second assistant director: second unit | |
| Martin Sebik | .... | second second assistant director (as Martin Sebík) | |
| Srdjan Simeonovich | .... | assistant director: second unit (as Serdjan Semjonovic) | |
| Guy Travers | .... | first assistant director | |
| Arthur Wooster | .... | second unit director | |
| Hélène Boulay | .... | second unit director (uncredited) | |
Art Department | |||
| Simon Bang | .... | storyboard artist | |
| Romana Bartakovicová | .... | assistant to drapist | |
| Ivar Baungaard | .... | set dresser | |
| John Bohan | .... | construction coordinator | |
| Iva Bártová | .... | assistant to drapist | |
| Ales Cepelka | .... | construction manager | |
| Bruno Coucoureux | .... | carpenter: Paris | |
| Gary Crosby | .... | master painter | |
| Jiri Dusek | .... | set dresser (as Jirí Dusek) | |
| Julie Goodall | .... | art department assistant | |
| Charles Green | .... | master plasterer | |
| René Gráf | .... | stand-by construction | |
| Tomas Hais | .... | set dresser (as Tomás Hais) | |
| Pavel Hemmy | .... | storeman | |
| Cecilia Hersby | .... | property master (as Cecilia Sille Hersby) | |
| Teddy Holm | .... | master painter | |
| Terry James | .... | supervising plasterer | |
| Vladimir Jezek | .... | set dresser (as Vladimír Jezek) | |
| Robert Le Corre | .... | set dresser | |
| Love Malmsten | .... | draughtsman | |
| Thomas Martin | .... | assistant construction coordinator | |
| Dan Michl | .... | set dresser | |
| Xavier Miclet | .... | carpenter: Paris | |
| Stefan Mily | .... | propman (as Stefan Milý) | |
| Gunilla Norlund | .... | draper designer | |
| Adam O'Neill | .... | draughtsman | |
| Petr Richter | .... | propman | |
| Petr Richter | .... | props: second unit | |
| Annie Senéchal | .... | prop assistant: Paris (as Annie Senechal) | |
| Leif Thingtved | .... | assistant set dresser | |
| Vördur Thorisson | .... | master painter | |
| Michael Turner | .... | stand-by construction | |
| Andrej Vavrena | .... | stand-by construction (as Andy Vavrena) | |
| Jiri Zucek | .... | property master (as Jirí Zucek) | |
| Radan Kapinos | .... | props (uncredited) | |
| Martin Kubricht | .... | stand-by construction (uncredited) | |
| Marketa Puzmanova | .... | art department interpreter (uncredited) | |
Sound Department | |||
| Ross Adams | .... | additional sound editor: post production | |
| Jonathan Bates | .... | supervising sound editor | |
| Tomas Cervenka | .... | cable man (as Tomás Cervenka) | |
| Paul Conway | .... | additional sound editor: post production | |
| Paul Cridlin | .... | boom operator | |
| Michael Crouch | .... | foley editor: post production | |
| Doug Hemphill | .... | additional re-recordist (as D.M. Hemphill) | |
| David John | .... | production sound mixer | |
| Nick Lowe | .... | dialogue editor | |
| Paul Massey | .... | additional sound re-recordist | |
| Mickey McKnight | .... | sound assistant: post production | |
| Robin O'Donoghue | .... | re-recording mixer | |
| Alastair Sirkett | .... | assistant sound editor: post production | |
| Len Tremble | .... | foley assistant: post production | |
| Matthew Tucker | .... | sound assistant: post production | |
| Mark Battenberg | .... | foley artist (uncredited) | |
| Richard Betanzos | .... | re-recording engineer (uncredited) | |
| Richard Betanzos | .... | supervising sound editor (uncredited) | |
| Scott Donald | .... | dialogue editor (uncredited) | |
| Philippe Espantoso | .... | re-recording engineer (uncredited) | |
| Geoff Foster | .... | assistant sound engineer (uncredited) | |
| Steven Gurman | .... | dialogue re-recording engineer (uncredited) | |
| Steven Gurman | .... | supervising dialogue editor (uncredited) | |
| Bradford L. Hohle | .... | stereo sound consultant: Dolby Stereo (uncredited) | |
| Eric Med Lagacé | .... | foley recordist (uncredited) | |
| Sid Lieberman | .... | foley artist (uncredited) | |
| Arun Majumdar | .... | sound consultant (uncredited) | |
| Phil Reznick | .... | sound editor (uncredited) | |
| Cory Rizos | .... | sound editor (uncredited) | |
| Glenn Tussman | .... | sound editor (uncredited) | |
| André Vincelli | .... | dialogue editor (uncredited) | |
Special Effects by | |||
| Vojtèch Chvátil | .... | special effects technician | |
| Terry Glass | .... | special effects coordinator | |
| Tomás Jelínek | .... | special effects technician | |
| Jaroslav Kolman | .... | special effects senior technician | |
| Martin Kulhánek | .... | special effects floor supervisor | |
| Frantisek Mesícek | .... | special effects technician (as Frantisek Mésícek) | |
| Martin Oberlander | .... | special effects technician | |
| Pavel Pavlousek | .... | special effects technician | |
| Pavel Sagner | .... | special effects technician (as Pavel Ságner) | |
| Milos Stehlík | .... | special effects technician | |
| Jaroslav Stolba | .... | special effects supervisor | |
| Dana H. Suddath | .... | special effects assistant coordinator | |
| Roman Tudzaroff Jr. | .... | special effects technician | |
| Roman Tudzaroff | .... | special effects senior technician | |
| Jirí Vater | .... | special effects senior technician | |
| Vera Vlková | .... | special effects technician (as Véra Vlková) | |
| Clive R. Kay | .... | special effects contact lenses (uncredited) | |
Visual Effects by | |||
| Richard Bain | .... | digital effects compositor: Digital Film | |
| Alex Hope | .... | facilities producer: Digital Film | |
| Jesper Kjölsrud | .... | cg designer: Digital Film (as Jesper Kjoisrud) | |
| Charlie Noble | .... | digital effects compositor: Digital Film | |
| Rupert Porter | .... | line producer: Digital Film | |
| Paul Riddle | .... | digital effects compositor: Digital Film | |
| Mark Stannard | .... | digital effects compositor: Digital Film | |
| Simon Terry | .... | digital effects compositor: Digital Film | |
| David Kuklish | .... | visual effects cinematographer: title sequence (uncredited) | |
Stunts | |||
| Jean-Louis Airola | .... | stunt double: Paris (as Jean Louis Airola) | |
| Gabe Cronnelly | .... | stunt double | |
| Steve Dent | .... | stunt double | |
| Petr Drozda | .... | assistant stunt coordinator | |
| Ladislav Lahoda | .... | stunt coordinator: Czech Republic | |
| Gareth Milne | .... | stunt coordinator | |
| Petra Novotná | .... | stunt woman | |
| Leo Stransky | .... | stunts (as Leos Stránský) | |
| Pavel Vokoun | .... | assistant stunt coordinator | |
| Sylwester Zawadzki | .... | stunt double (as Sylvester Zavadski) | |
| Pavel Bousek | .... | stunts (uncredited) | |
| Pavel Cajzl | .... | stunts (uncredited) | |
| Jiri Horky | .... | stunts (uncredited) | |
| Dusan Hyska | .... | stunts (uncredited) | |
| Miroslav Lhotka | .... | stunts (uncredited) | |
| Jaroslav Peterka | .... | stunts (uncredited) | |
| Jiri Stanek | .... | utility stunts (uncredited) | |
| Patrik Stanek | .... | utility stunts (uncredited) | |
Casting Department | |||
| Louis Elman | .... | adr voice casting: post production | |
| Pippa Hall | .... | casting assistant | |
| Petr Hartl | .... | casting director: Czech Republic | |
| Melissa Holm | .... | casting assistant | |
| Christelle Lamarre | .... | extras casting: Paris | |
Costume and Wardrobe Department | |||
| Milena Adamová | .... | seamstress | |
| Petra Barochová | .... | seamstress | |
| Alfredo Bocci | .... | wardrobe master | |
| Flora Brancatella | .... | assistant costume designer | |
| Anne Brault | .... | assistant costume designer | |
| Sophie Brault | .... | wardrobe assistant: Paris | |
| Zuzana Bursíková | .... | seamstress | |
| Giovanni Casalnuovo | .... | wardrobe supervisor (as Gianni Casalnuovo) | |
| Azmin Jaffer | .... | dresser | |
| Renata Janousková | .... | wardrobe assistant (as Renáta Janousková) | |
| Adriana Mattiozzi | .... | wardrobe mistress | |
| Katerina Mirová | .... | wardrobe assistant (as Katerina Mírová) | |
| Katerina Mirová | .... | wardrobe: second unit (as Katerina Mírová) | |
| Vera Mirová | .... | assistant wardrobe mistress (as Véra Mírová) | |
| Carlo Poggioli | .... | associate costume designer | |
| Salvatore Salzano | .... | wardrobe assistant | |
| Helena Vitoulová | .... | seamstress | |
| Miroslav Fantys | .... | assistant to wardrobe supervisor (uncredited) | |
| Claudette Lilly | .... | costume dyer (uncredited) | |
| Massimo Cantini Parrini | .... | costume assistant (uncredited) | |
Editorial Department | |||
| Alexei Chichekotov | .... | editing assistant: post production | |
| Peter Englesson | .... | post-production consultant | |
| Paul Ensby | .... | color timer | |
| Annie Gould | .... | post-production assistant | |
| Mark Harris | .... | first assistant editor: post production | |
| Victoria Jones | .... | editing assistant: post production | |
| Paul Knight | .... | avid assistant: post-production | |
| Becky Maxwell | .... | post-production assistant (as Becky Johnson) | |
| Belinda Pope | .... | post-production assistant | |
| Rikke Selin | .... | first assistant editor: post production | |
| Aminta Townshend | .... | post-production assistant | |
| Valdís Óskarsdóttir | .... | co-editor: post production | |
| Claudette Duff | .... | assistant editor: avid (uncredited) | |
| Mike Fraser | .... | negative cutter (uncredited) | |
| Michel Proulx | .... | color timer (uncredited) | |
| Trudy Ship | .... | supervising editor (uncredited) | |
| Ron Spang | .... | assistant editor: avid (uncredited) | |
| Bill Stone | .... | post-production assistant (uncredited) | |
Music Department | |||
| Lawrence Ashmore | .... | orchestrator | |
| Becky Bentham | .... | music coordinator: Air-Edel Associates Ltd. | |
| Tim Boyle | .... | music mixer | |
| Tim Boyle | .... | music recordist | |
| Budd Carr | .... | executive music consultant | |
| Eric Colvin | .... | score mock-up artist | |
| Geoff Foster | .... | assistant engineer | |
| Vic Fraser | .... | music copyist | |
| Isobel Griffiths | .... | musicians contractor | |
| Basil Poledouris | .... | conductor | |
| Maggie Rodford | .... | music coordinator | |
| Curtis Roush | .... | supervising music editor | |
| Tim Boyle | .... | music engineer (uncredited) | |
| Eric Colvin | .... | conductor (uncredited) | |
| Peter Measroch | .... | music editor (uncredited) | |
| Robert Randles | .... | musical advisor (uncredited) | |
| Michael Reese | .... | musician: guitar (uncredited) | |
| Alan Reeves | .... | music re-recordist (uncredited) | |
| Alan Reeves | .... | musician (uncredited) | |
Transportation Department | |||
| Bruno Bernard | .... | transportation coordinator: Paris | |
| Tomás Charvát | .... | driver | |
| Zdenek Flídr | .... | transportation captain (as Zdenék Flídr) | |
| Jirí Hozátko | .... | driver | |
| Jana Hrbková | .... | assistant transportation captain | |
| Pavel Jumar | .... | driver | |
| Jirí Nosek | .... | driver | |
Other crew | |||
| Annemarie Aaes | .... | script supervisor | |
| Monique Albouze | .... | production coordinator: Paris | |
| Amy Alson | .... | tutor: Ms. Danes, On Location Education Inc. | |
| Catherine Barrès | .... | production coordinator: Paris (as Catherine Barres) | |
| Karel Benák | .... | catering: second unit | |
| Michal Berka | .... | production assistant | |
| Dana Cimmermanová | .... | stand-in | |
| Maria Collins | .... | assistant production coordinator | |
| Geneviève Thomas Colvin | .... | assistant: Mr. Carr (as Genevieve Thomas Colvin) | |
| Esther Douglas | .... | production associate | |
| Gisèle Dounias | .... | set nurse: Paris | |
| Francesca Dowd | .... | assistant production coordinator | |
| Romuald Drault | .... | accountant: Paris | |
| Penny Dyer | .... | dialogue coach | |
| John Ensby | .... | laboratory liaison | |
| Gianni Fiumi | .... | military department master | |
| Wendy Fletcher | .... | tutor | |
| Bill Godfrey | .... | financial controller: SRP (as William Godfrey) | |
| Ben Hampshire | .... | assistant: Mr. Neeson | |
| Pavla Jakubcová | .... | production accountant: Czech Republic | |
| Bobbie Johnson | .... | financial controller | |
| Jiri Krejcir | .... | location manager (as Jirí Krejcír) | |
| Nicole Kytyrova | .... | production assistant (as Nicole Kytýrová) | |
| Tina McConnell | .... | assistant accountant | |
| Bertrand Moulier | .... | script translator | |
| Zoe Mylchreest | .... | unit publicist (as Zoë Mylchreest) | |
| Frédéric North | .... | pilot: Wescam (as Fred North) | |
| Hélène Odier | .... | production coordinator: Paris (as Helene Odier) | |
| Julie Paquet-Kucaj | .... | production secretary | |
| Chip Persons | .... | stand-in | |
| Antonín Prazský | .... | assistant location manager | |
| June Randall | .... | script supervisor: second unit | |
| Mark Reynolds | .... | catering supervisor | |
| Laurent Rousseau | .... | production coordinator: Paris | |
| Mia Simeckova | .... | set nurse (as Mia Simecková) | |
| Ondrej Slama | .... | assistant location manager | |
| Steve Spencer | .... | additional film assistant: post production | |
| Michaela Strnadova | .... | on-set coordinator (as Michaela Strnadová) | |
| Emma Tillinger Koskoff | .... | assistant: Ms. Thurman (as Emma Tillinger) | |
| Karin Trolle | .... | production associate | |
| Vera Trousilová | .... | cashier (as Véra Trousilová) | |
| Sarah Trowse | .... | first assistant accountant: Prague | |
| Petra Tvarúzková | .... | stand-in | |
| Breda Walsh | .... | production coordinator | |
| Jami Wrenn | .... | assistant: Mr. Rush (as Jami Lee Wrenn) | |
| Stéphane Dalpé | .... | production assistant: second unit (uncredited) | |
| Tina Ellis | .... | assistant accountant (uncredited) | |
| Bennett Fidlow | .... | additional legal services (uncredited) | |
| Richard Gironi | .... | chief of crowd control (uncredited) | |
| Ryan R. Johnson | .... | assistant to head of production (uncredited) | |
| Chantal Lussier | .... | technical supervisor (uncredited) | |
| Charles Obrul | .... | laboratory coordinator (uncredited) | |
| Tomas Pavlacky | .... | interpreter (uncredited) | |
| Dita Valentinova | .... | interpreter (uncredited) | |
| Debbie Wolofsky | .... | studio manager (uncredited) | |
Thanks | |||
| Claude Albouze | .... | special thanks | |
| Bernard Bled | .... | special thanks (as Mr. Bernard Bled) | |
| Brigitte Brauner | .... | special thanks (as Madame Brigitte Brauner) | |
| Rick McCallum | .... | special thanks | |
| Kathy Sykes | .... | special thanks | |
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| Les Misérables | Les Miserables | Persepolis | Luther | L'argent |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb UK section |
Victor Hugo's enormous output is unique in French literature... He was described as 'The most powerful mind of the romantic movement' and his novel, published in 1862, continued to be widely read...
The plot - that of a detective - is as well the epic of the people of Paris... Its author claimed it as a 'religious' work, and indeed by means of its characters, sometimes a little larger than life, yet always vital and engaging, and by its re-creation of the swarming Parisian underworld, the main theme of man's ceaseless combat with evil clearly emerges while the whole gives a faithful picture of the declines and flow of life...
Hugo relives his youth in this vast novel, the culmination of 14 years work... He and Valjean share their most outstanding characteristic: their charitable heart...
The story contains glimpses of Hugo's disgust towards 'the treatment of the lower class French citizens by the government: Valjean, an ex-convict recently released from prison, but he is not given the opportunity to make a good living for himself; Fantine forced into prostitution due to the lack of money to pay her illegitimate child...
And towards the 'general injustice of the law enforcement system: Valjean sentenced to prison for stealing a loaf of bread; Fantine arrested for hitting a man of a higher class...
The symbol of France's greed that Hugo despises is Thenardier - the man that Fantine entrusts Cosette to - who betrays the trust by essentially making Cosette his personal slave...
The strongest emotions of "Les Misérables are love and hate...
Javert and Valjean are both extremes, with a conscience incredibly strict...
Liam Neeson is cast as the gentle Valjean who takes the twist of fate parlaying it into personal success and moral rehabilitation... He changes his ways to become years later the much-loved mayor of Vigau, and as a caring businessman he struggles to forget the past and manages to redeem his soul becoming benevolent, giving manual and financial help to the weak, sick and poor...
After nine years, Valjean was horrified to discover that Javert - a former guard of the Quarries of Toulon, where he served almost 20 years - has arrived to be the head of Vigau's police force...
Valjean's desire to protect the employees from bad influences leads him to fire (indirectly) one of his workers Fantine - turned prostitute... He assumes responsibility for raising her daughter Cosette... He becomes a father figure and soon forces the choice of sacrificing his own freedom for her happiness...
Geoffrey Rush plays the icy chief inspector Javert, the man who tries "to live his life without breaking a single rule." When he is given the job of spying in the barricades and Valjean gives him his freedom instead of shooting him, things begin to fall apart for him...
The action of mercy of Jean Valjean causes him to doubt the solid base of his existence... He is in emotional agony unable to betray his convictions... He sees too late the truth...
Valjean's legendary physical strength are enough to stir his suspicion that the town mayor is a fraud... He is less villain than a man driven by his own hard concept of justice begging permission of his superiors in Paris to investigate the mayor, the man he believes is a convict...
When he thinks he has made a mistake in identifying Monsieur Le Maire as the 'convict' Jean Valjean, he insists on informing him that he has denounced him unjustly and that therefore he must be dismissed: "You must punish me", he says, "or my life will have been meaningless." (A key line in the film).
Uma Thurman approaches the self-indulgent character of Fantine with admirable restraint, giving a certain level of charm and charisma to the film... She gives her sick mother role a good amount of realism demonstrating her character's frustration and pain exquisitely...
Fantine's misery overwhelms her as she sells her body to support her child... Being in a wild state, enraged at how she is a helpless victim of misery, she is arrested after being humiliated by several would-be customers, but Valjean intercedes on her behalf overriding Javert's authority...
When Valjean helps her, she begins to rediscover hope... Her joy at the thought of having Cosette with her is great... But the shock of Valjean's arrest and the discover that Cosette is not there, are too much for the poor creature...
Claire Danes plays the teenage Cosette who realizes one day that she has become quite beautiful... She disobeys her father's rules by secretly sneaking out and seeing Marius - a charismatic young Parisian revolutionary - with whom she fell in love...
Cosette spends her childhood as a servant girl at the Thenardier's inn, horribly mistreated and constantly terrified... She grew up in a convent, innocent, pure and a bit naïve...
Peter Vaughan is excellent as the compassionate bishop whose act of generosity turns an embittered Valjean around...
Bille August tries to capture the essence of Hugo's morality staging its political turmoil strongly enough to give it contemporary resonance, keeping the eternal three elements: the bishop handing over the candlesticks; Fantine's collapse; Marius crying out: "To the barricades!"
History doesn't change, as Voltaire once remarked... But what we need from it, does... Valjean's story is not unique, it's universal... In other world, it's contemporary... There are certainly enough "Les Misérables" to go all around the world...